Showing posts with label Sally Field. Show all posts
Showing posts with label Sally Field. Show all posts

Sunday, September 28, 2025

2024-25 Saturdays with the Stars Recap

Debbie Reynolds & Audrey Hepburn, two of
our stars this year
It took longer than I expected, but we have finished up our sixth season of Saturdays with the Stars.  I will be honest-I don't entirely know whether or not this will be our final season.  I have two ideas rolling around my head for a theoretical seventh season (I do love this series...along with the My Ballots, it's my favorite thing I do here), both of which would be interesting, but I also am respecting that I chose to step away from longer-term blog commitments for a reason, and to some degree I'm making more of that time (exercising more, watching more OVP movies, reading considerably more), while other writing projects I've not yet gotten a good routine around in the way I used to have for this blog.  If we do do another season, it won't be until January, so we will for sure be getting a few months off regardless as I attempt two writing projects in the meantime.  I am unequivocally glad that I decided to finish this season up, though, regardless, as I don't love an unfinished project, and this had been bugging me.

One of the things that I'm struck by this season is that, for a large part, the movies this season were not as well-received by me as our past five years.  Part of this is my self-imposed rule that I don't repeat films I've already seen.  Some of these women have been in great movies, occasionally (like Audrey Hepburn in Roman Holiday and Julia Roberts in Notting Hill) in movies that I would happily name-check as all-time favorites.  But I will also own that the title of being "America's Sweetheart" means that, even more than our second season focusing on sex symbols, the public limits how much risk the studio is willing to take on you.  With the exception of Sally Field, none of the women we talked about this month were able to have the same level of financial success when they were America's Sweetheart as they would after they would free themselves of that title, and thus while there are definitely good performances...they aren't as frequent.  I did still see some great work (and great movies), but I will own that none of the 12 films that I saw this year looks like a future medalist in our My Ballot Best Picture category (at best, it'll be one of the other titles that fill up the ten-wide Best Picture field), and only a couple of the performances will likely end up as My Ballot nominees for acting.  Still, there's more to life than awards, and there's lots of fluff & fun to recommend here.  Below, find my superlatives from our sixth season of Saturdays with the Stars.

Favorite Performance from Each Star 

August: Sandra Dee, Gidget
November (but really August 2025): Julia Roberts, Mystic Pizza
December (but really September 2025): Meg Ryan, Joe Versus the Volcano

5 Favorite Performers (Alphabetical, and based solely on the films we watched as a collective & not on the rest of their careers)


5 Favorite Performances of the Year (Alphabetical)


12 Favorite Films of the Year (Alphabetical)


Top 12 Performances of the Year (Not By Our Stars...and Yes, Alphabetical)

Frankie Avalon, Beach Party
Jimmy Durante, Two Girls and a Sailor
Timothy Hutton, Ordinary People
Tommy Kirk, Babes in Toyland
Hattie McDaniel, The Little Colonel
Jimmy Stewart, The Glenn Miller Story
Donald Sutherland, Ordinary People
Elizabeth Taylor, Little Women
Denzel Washington, Courage Under Fire

Monday, September 22, 2025

Who is the Next AFI Life Achievement Honoree?

Francis Ford Coppola winning the AFI statue
from past winners George Lucas & Steven Spielberg
With the recent passing of Robert Redford, an interesting trivia topic comes up, one we've talked about on occasion on this blog but not in a few years.  Redford, screen luminary, movie star extraordinaire, film festival pioneer, & Oscar-winning director, has always felt like the oddest person to never win the AFI Life Achievement Awards, one of the highest honors for an actor or director, to the point that I have long-wondered if he just didn't want to accept (it's hard to imagine it was never offered to him).  With his death, though, it invites the question of who will be the next person to win the AFI Life Achievement Award, and I thought it'd be fun to make a Top 10 list of the people I think are likeliest to be next.  Before we get to the list, I came up with a list of criteria that usually hint at who will be the next AFI Life Achievement Award winner.

Age: The average age of a winner is roughly 70, though that's definitely an average and we have seen a pretty wide range of ages winning this (i.e. don't count someone out like Francis Ford Coppola, the  most recent winner, who took it at 86 in April).  19 of the winners have been in their 70's, which is by far the most common age group to have won in, and no victor has been older than 90 (top in age was Lillian Gish) or under 46 (Tom Hanks was the youngest, and that win was criticized enough that I doubt they go for someone that young again).  As a result, bonus points to anyone somewhere between about 65 and 79, though obviously they could and have leaned outside that age range.

Occupation: The award is open to anyone in the film industry, but like most honors, it's more geared toward movie stars.  70% of the winners have been principally known for acting, and all but one of the remaining victors have been film directors (the sole person who was neither was John Williams, and there's really no living behind-the-scenes person who could rival Williams in terms of public perception, so it's going to be a movie star or a director).  The film directors who did make it are extremely well-known, just as famous to the public in recent years as a movie star (think George Lucas, Martin Scorsese, and Steven Spielberg), so don't count on aging directing superstars like Mike Leigh or Ridley Scott, as they likely aren't famous enough.  They're also not American which brings us to...

Geography: This is the American Film Institute Award, and while that title doesn't preclude anyone, it sure helps if you're American.  92% of the winners were Americans upon the time they won (this includes people who enjoyed dual citizenship like Elizabeth Taylor, Nicole Kidman, and Sidney Poitier), which is potentially why foreign-born icons like Charlie Chaplin, Greta Garbo, Marlene Dietrich, & Laurence Olivier never won, and likely why figures such as Anhtony HOpkins or Sophia Loren (who otherwise would have been shoo-ins) haven't taken the honor yet.  The four foreign-born figures who did win (Sean Connery, David Lean, Julie Andrews, and Alfred Hitchcock) don't really have a lot in common, so it's hard to find some commonality to one person getting in if they aren't American other than a lot of fame.

Oscar History: If you're going to be taking the AFI title, it helps (a lot) if you're an Oscar winner.  78% of all of the honorees were at the time of their victory winners of at least one competitive Academy Award, and another ten were nominees (two of which, Henry Fonda & Martin Scorsese, would win competitive Oscars post their AFI ceremony).  The only person to have never been nominated for an Oscar and still win the AFI is Steve Martin, someone you'd be hard-pressed to find an obvious corollary to today.  This pattern has gotten even stronger in recent years-85% of the past twenty recipients were Oscar winners (excluding Martin, George Lucas, & Harrison Ford).  So it's likely that the next person to take the AFI will have won a competitive Oscar.

Gender: The ceremony seems to be trying to correct this in recent years, but it's still very much a boy's club at the AFI.  78% of all winners have been men, and the ceremony has never honored a woman who was solely or principally known as a behind-the-scenes figure (women like Shirley MacLaine, Barbra Streisand, and Diane Keaton have all directed films and won the AFI, but all three made their names in movies as actors).   I also wouldn't read a lot into the last winner being male...it doesn't feel like a tradeoff situation as a rule (i.e. the next could also be a man).

DeMille/Kennedy: There are at least two other awards (other than Oscar) that are a strong indicator of whether or not someone will take the AFI trophy-the Cecil B. DeMille Award and the Kennedy Center Honor.  58% of all winners of the AFI were also DeMille winners and of those who were alive to receive it (the Kennedy Center Honors started last of the three honors, in 1978, so John Ford was dead by the time they rolled around despite having already won the AFI), 70% of the AFI Award victors also won the Kennedy Center Honor.  24 people have pulled off all three.  While the AFI has occasionally led the field (ie someone won it there before they picked up other honors, like Steven Spielberg or Elizabeth Taylor), it's a pretty strong indication if you're primarily known for film and you win one of these trophies that you're going to win one (or both) of the others.  One could make a sincere argument that the list of people who have taken the DeMille or Kennedy Center Honor without also having an AFI is particularly short right now, so AFI may be forced to add a new name to the roster next year.  Of the 16 living DeMille and/or Kennedy Center victors (without an AFI) who have meaningful cinematic contributions, almost all of them have something stopping them from taking this leg of the Cinematic Life Achievement Triple Crown (I started calling it that years ago...and it has not caught on).  There is one non-American (Sophia Loren) and one American more commonly known for citizenship in a different country (Anthony Hopkins).  There are figures with major contributions to cinema but who are more known for TV (Dick van Dyke, Lily Tomlin, Rita Moreno, Billy Crystal) and music (Cher, Bette Midler), and then there are a few figures due to health or antipathy to such things might not show up at all (Joanne Woodward, Woody Allen).  There's also the new stain on the Kennedy Center Honors due to the heavy involvement of President Trump that might make it hard for Sylvester Stallone to get this award given he won with that asterisk next to his name.  That actually only leaves five figures who could be considered real contenders that AFI hasn't picked yet, four of which I'll list in my Top 10, and the fifth of which I'll cite in the Honorable Mentions.

Fame: This is a hard one to quantify, but all of the winners have to be famous, and tend to still be extremely well-known when they won.  This has become even more pertinent in recent years.  Arguably the last time someone who wouldn't have been a household name still the year they won was Robert Wise in 1998, and in the past few years we've seen actors who are very active in modern filmmaking like Diane Keaton, George Clooney, and Denzel Washington take the trophy, so I suspect that the winner next year would either be still revered or quite frankly be someone whom you'd expect to be getting top billing on your local marquee still.  This means that names like Ellen Burstyn, Sissy Spacek, Julie Christie, Faye Dunaway, Mia Farrow, or Goldie Hawn, names that probably have earned this kind of distinction but aren't really household in the same way as Clooney, Streep, & Washington, are going to struggle to get a citation without some sort of revival.  This ceremony is funded by advertising revenue, and as a result they need a bigger name for ratings.

With all of that said, here are my guesses as to who the Top 10 contenders for the trophy are.  Sound off in the comments if you have predictions as well!

Honorable Mentions: Lots of options here, but seven names that come to mind are Anthony Hopkins, Robert Downey, Jr., James Cameron, Ron Howard, Eddie Murphy, Ralph Fiennes, & Jessica Lange.  All of them have debits, ranging from a curmudgeonly persona off-screen that might preclude such an honor to not having a strong enough filmography to not being American, but these are names I wouldn't be shocked get into contention.  I will note that in the past when I've done this prediction list I missed future winners because I didn't know they'd be having a moment (i.e. I had Coppola as someone whose time had likely passed until Metropolis came out and he seemed to make a point of wanting to get these honors on his resumé before he died or to remind people that movie won't be his epitaph), so some of these might be contenders, but I don't see them being immediate threats.

10. Tim Burton

It feels weird not to list a single person primarily known as a director on this list, even though directors rarely win this award, and the concept of the celebrity-director is increasingly passé, but more than Cameron, Howard, or even Quentin Tarantino, it feels like Tim Burton is the kind of guy that gets in with AFI.  Inevitably, he's going to get an Oscar moment at some point, and that will invite conversations about his singular filmography.  In many ways Burton's personality feels at-home here.  He's a California-born director, and similar to someone like Mel Brooks (a past winner) he has made or advanced the careers of a lot of stars (such as Johnny Depp & Winona Ryder) who haven't really had a moment with the AFI, and this would be a way of acknowledging that very successful segment in Hollywood.  Call it a hunch that he could win this.

9. Sally Field

A more conventional choice would be Sally Field, a recent Kennedy Center Honoree, and an actress who has been doing a lot of the "I'm a legend" rounds in recent years (not just taking the Kennedy Center Honor, but also the National Medal of Arts and the SAG Life Achievement Award).  Field is also well-regarded (it helps if you're popular), and has had a diverse career as a two-time Academy Award winner who has gone back-and-forth between populist hits and art-fare.  Also, and most critically, she is one of the rare stars of the 1970's & 80's who still works regularly in major projects and is known to a new generation of moviegoers in a way that, say, Faye Dunaway would not be that hasn't won this yet.  In some ways Jessica Lange makes more sense (she also has had television success in recent years), but for some reason she doesn't seem to be getting these types of awards (and with Trump in office, it's doubtful she'll get help from the Kennedy Center), so I will continue to bet on Field.

8. Viola Davis

You could make a sincere argument that Davis shouldn't be on this list.  In terms of leading work in films, she has  the most recent and arguably most scant filmography of these artists.  But there's a sense that Davis, one of the great talents of her generation, was cheated out of a longer career due to Hollywood's inability to give leading roles to Black women, and one wonders if that contributed in part to her recent Cecil B. DeMille Award (don't look at me like that-name another actor with as short of a filmography as Davis has had as a leading star that has won that award).  Only three Black actors have ever won the AFI Life Achievement Award (Sidney Poitier, Morgan Freeman, & Denzel Washington), and none of them have been a woman.  I think Davis makes sense here, particularly with the recent passing of Cicely Tyson, and it's more a question of if, not when, she'll win.  But she's rated lower as I think they make her wait just a few films more before they give her this statue (but it's coming).

7. Brad Pitt

Brad Pitt's wildly successful F1 (can you believe it made over $600 million?!?) earlier this year confirmed what we all know about him-he's one of the last movie stars of his era, someone who can still actually open a movie without creative IP attached (albeit he had the world's largest sport attached, but that's another story).  Pitt's problem is going to be less about his filmography (given his stature in the industry and his long career, it's hard to begrudge him this statue) and more so that Pitt is a bit of an online pariah right now.  That doesn't matter as much in Hollywood (see how he starred in a massive hit movie earlier this year), but advertisers don't want to touch him in an era of a boycott-heavy electorate, and the thorny allegations in his divorce with Angelina Jolie make me think that they might wait a few years to see if things cool down with him (this could also be the case with Johnny Depp & Ben Affleck, who I didn't list on this countdown, but obviously feel in the wheelhouse of someone who would win this).

6. Matt Damon

Pitt's Ocean's Eleven costar Matt Damon feels far more likely to win.  One wonders if they'd consider doing a pair between Damon and his childhood best friend Ben Affleck, but of the two I think that Damon, with his squeaky clean off-screen persona would be an easier sell.  Damon is actually old enough to win one of these statues now (for those wondering if I'm crazy for putting him on here), just a few years north of potential future contenders like Reese Witherspoon and Leonardo DiCaprio, and I think is a serious threat to take this, though I partially believe that he'll get the DeMille first, mostly because they tend to like younger and they love getting movie stars to show up.

5. Jeff Bridges

Robert Redford for many years was my go to answer for "who is the weirdest living person without an AFI Life Achievement Award."  With his death, that title passes to Jeff Bridges.  Bridges is such an odd exclusion from this list I constantly have to remind myself he's never won-he's a movie star from way back (and further back still if you remember he's a NepoBaby), an Oscar winner, and has a fame that means different things depending on how old you are, which is also the sign of someone with a robust filmography.  Bridges is certainly the type of person who should have an AFI Life Achievement Award (it will be a miss, similar to Redford, if he never wins), and if I was asked to unilaterally give this out to someone next year, he'd be my choice.  But his inability to win even when he could've gotten it 10-15 years ago makes me wonder if he's demurred, or isn't really on their radar.

4. Samuel L. Jackson

Bizarrely, Samuel L. Jackson has never won any of the three major Triple Crown Awards, though he did recently get an Honorary Oscar.  Jackson is a ubiquitous movie star, perhaps not to his credit (it's worth noting that Michael Caine never won any of these three prizes either, mostly because he had so much crap to go with the jewels in his filmography), but Jackson is such a big star it feels wrong that he doesn't win this award.  In many ways, between his forays into countless major franchises (Star Wars, MCU, Jurassic Park, XXX) to his position as a muse for both Quentin Tarantino and Spike Lee he is the prototype for how to navigate the IP era, so you have to believe they know they should pick him, particularly given the embarrassingly low number of Black actors who have won this prize.

3. Tom Cruise

The Top 3 are not a question of if, but when, for the victory.  All three are 1990's movie stars who have stayed relevant into the 2020's (sometimes for television, sometimes in the case of #3 for mining his filmography for legacy sequels), but they are all too famous to never win this award.  Cruise is third both because he is about to win an Honorary Oscar (and in my opinion, likely to win a competitive one next year too, which makes the Honorary statue feel like a waste when it could've gone to, say, Catherine Deneuve who needs it more), but Cruise has graduated beyond the tabloid toxicity that once nearly wrecked his career (i.e. another reason they'll likely wait on Brad Pitt), and has become the savior of the movie theater industry.  The ageless screen star probably doesn't like that he's now at the age where you win lifetime achievement awards, but it'd be nice if he won it while some of his earliest costars (like Dustin Hoffman & Jack Nicholson) are still around to give it to him.

2. Julia Roberts

Another ageless movie star that feels like she's too young to win this, but has entered that era is Julia Roberts (our Star of the Month last month!).  There's more urgency around Roberts to win, in part because she's clearly the Queen of the 1990's movie stars (you could see a world where, say, Sandra Bullock or Demi Moore also win this statue at some point, but not before Julia), and also because she seems to be itching to do this again.  In recent years she's been working more regularly, appearing in films that might gain a reputation (even if it's a bad one) like Luca Guadagnino's latest, and clearly wants to cement her place as one of the last great movie stars before IP took over Tinseltown.  Roberts, in a similar fashion to Cruise, also wants to get this statue while all of the actors whom she starred opposite early in her career are still with us (as sad as it may seem Richard Gere is 76, Dustin Hoffman in 88, & it's unlikely most of her older costars in Steel Magnolias stay around much longer)...this would be the time to give it to her.

1. Jodie Foster

But I'm going to put someone who has the DeMille (unlike Julia & Tom) at #1.  Jodie Foster doesn't have as plentiful of a filmography as Roberts & Cruise (and isn't famous in the same way anymore), but her two Oscars and recent successful run on True Detective add a timelessness to her star persona that you can't really rust.  I also think it's noteworthy that she's a feminist icon, and a film director (and would be the first openly queer person to win the award).  As I stated above, no woman has ever won this award primarily for being known for directing, but several have histories with directing, and Foster would add to that list.  She's also 62, so just a few years shy of the prime age that wins this award, and giving it to her early is hardly a moment that will age poorly (no one really focuses on winning too early if it was someone who was always destined to win).  If I had to bet on who wins next, I'd put my money on her.

Saturday, October 26, 2024

Soapdish (1991)

Film: Soapdish (1991)
Stars: Sally Field, Kevin Kline, Robert Downey, Jr., Cathy Moriarty, Whoopi Goldberg, Elisabeth Shue, Teri Hatcher, Carrie Fisher
Director: Michael Hoffman
Oscar History: No nominations
Snap Judgment Ranking: 3/5 stars

Each month, as part of our 2024 Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Sally Field: click here to learn more about Ms. Field (and why I picked her), and click here for other Saturdays with the Stars articles.

Despite the mammoth success of Steel Magnolias, it was Field's costar Julia Roberts who got the biggest boost coming out of the film (and the cast's only Oscar nomination), and not Field, who would have a bumpy turn in the 1990's.  Though she'd have some leading work (including today's "camp classic" Soapdish), she'd largely spend the coming decade getting increasingly throwaway parts.  Whereas she was once playing Tom Hanks' love interest in Punchline, she was now playing his mother in Forrest Gump.  Indeed, her biggest movies in the 1990's were either playing second banana to male leads with better parts (Forrest Gump, Mrs. Doubtfire) or having to make way for younger actresses as a supporting role (Where the Heart Is, Legally Blonde 2).  You can see a little bit as to why in Soapdish, a film where Field is giving it her all, but the script only cares about her age.

(Spoilers Ahead) The movie is a sendup of the soap opera craze which had dominated the 1980's (it's hard to comprehend now, but at one point everyone in America knew who the main characters on most daytime soap operas were).  Field plays Celeste Talbert, a Susan Lucci-style figure who wins awards, but is deeply unhappy in her personal life, in the opening scenes getting dumped by her married boyfriend.  We also meet David Barnes (Downey), the show's producer, who is sexually obsessed with Montana Moorehead (Moriarty), a young supporting player on the show who won't sleep with him until he makes her the star of the show (and gets rid of Celeste).  This culminates in a series of ruses that just continue to make Celeste more popular, including making her a murderer on the show, bringing back her offscreen/onscreen lover Jeffrey Anderson (Kline), and having her admit that Lori (Shue), a new hire on the show, is actually her real-life daughter.  The movie ends with Lori, David, & Celeste becoming a family on-and-off the camera, and Montana being outed as a transgender woman, and thus becoming unemployable in this universe, as revenge for trying to sabotage Celeste.

The movie's ending has gained a lot of critiques in recent years, and while it's probably not much better than anything else you'd watch from this era in terms of transgender representation (the surprise gender reveal is literally the same stunt pulled in Tootsie, albeit in that movie the character isn't actually transgender, and of course the audience is in on the reveal), but it reads as pretty dated and almost certainly wouldn't be how they'd end the movie today.  

The film is beloved otherwise, though, by gay male audiences who lap up the campiness & humor, which is admittedly quotable, and the actress-heavy cast (I didn't even mention Whoopi Goldberg, Teri Hatcher, Kathy Najimy, & Carrie Fisher are also in the picture).  The movie wasn't a big hit when it was released, and watching it now I kind of see why.  I wanted something more than what we were getting here-it's funny, but given the call sheet it should be funnier.  The jokes should pop more, and it doesn't feel like they're using some of the supporting cast (specifically Downey, Fisher, & Hatcher, all ace comic actors when given the chance) to the fullest extent they could.  Field's role is also a bit "ehh" and underwritten.  She is written as someone who is both angry about being treated as old, and yet spends much of the movie trying to give away her career.  It's as if the audience, even though Field is in her mid-40's and therefore at least a decade away from normal retirement age for a woman in 1991, is being told that the only thing that a woman after 40 can care about is her daughter & making the world better for her, rather than Celeste's own (impressive) career.  Thankfully it doesn't end on that sentiment (Celeste stays on the show), but this is a good reflection of how Hollywood executives seemed to think of Field in the 1990's.

Thankfully she would rebound from this, getting a late-career part as Nora Walker in Brothers & Sisters, a role that would win her an Emmy, and focus on a mother-of-five who decides to get out of her late husband's shadow after she finds out he cheated on her.  She'd start to get the respect she deserved in the 2010's, including a third Oscar nomination (for 2012's Lincoln), a Kennedy Center Honor in 2019, and the Screen Actors Guild Life Achievement Award in 2023. 

Saturday, October 19, 2024

OVP: Murphy's Romance (1985)

Film: Murphy's Romance (1985)
Stars: Sally Field, James Garner, Brian Kerwin, Corey Haim
Director: Martin Ritt
Oscar History: 2 nominations (Best Actor-James Garner, Cinematography)
Snap Judgment Ranking: 2/5 stars

Each month, as part of our 2024 Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Sally Field: click here to learn more about Ms. Field (and why I picked her), and click here for other Saturdays with the Stars articles.

Coming off of her second Oscar, Field felt a bit of the "Best Actress Curse" when it came to her career.  She continued to get lead roles, but not hits.  Both Punchline with Tom Hanks and Surrender with Michael Caine fell flat with critics, and her only mild success was Murphy's Romance, our film today, one that got her costar an Oscar nomination, not Field herself.  By the end of the decade, Field needed a win, and she got one in one of the most unlikely of places: an ensemble film starring a group of aging women.  In 1989, this wasn't a thing that happened very often (all-female ensembles were rare at the movies, and even rarer to be big hits), but Steel Magnolias was a runaway success.  In a year with Batman and Indiana Jones and the Last Crusade ushering in a new era of blockbusters, Steel Magnolias made a very sizable $83 million, putting it in similar company to The Little Mermaid and When Harry Met Sally.  Field would not win an Oscar nomination for it (in fact, that would go to her costar Julia Roberts, who was about to usurp her crown as America's Sweetheart), but it was a much-needed hit for the actress.  As I have seen Steel Magnolias before, we won't review it today, but know that that was the movie that Field had been praying for in the late 1980's.

(Spoilers Ahead) Instead we'll talk Murphy's Romance, a movie about Emma Moriarty (Field), a divorced mother trying to make ends meet on an Arizona ranch where she raises & trains horses.  She's broke, and can't get a loan given her status as an unmarried woman, but also has moxie, which catches the admiration of the local pharmacist Murphy Jones (Garner).  The two strike up a relationship, one that might be romantic despite the age difference, but it's interrupted when Emma's ex-husband Bobby Jack (Kerwin) enters the picture.  This sets up a love triangle between the respectable-but-aging Murphy, and the age appropriate-but-irresponsible Bobby Jack, one that is ended when Bobby Jack's 18-year-old girlfriend shows up with his twin sons.  As he leaves, this allows Emma & Murphy to end up together before the credits roll.

I'm not against the concept of the May/December romance onscreen (I'm not a prudish Gen Z-er who thinks that women can never reach autonomy with a man older than them), so that isn't my problem here.  My problem is more with the way that the script is written.  Field's Emma is poorly drawn, as if she's changing her entire personality from scene-to-scene.  In some moments she's an adult who understands the compromises that come with life, and in the next scene she's acting like a petulant child, willing to throw away all of her gains for no reason.  She and Garner have chemistry, but her character is so inconsistent that it's hard to care.

The film won two Oscar nominations, one for the cinematography (occasionally fun & dusty, but too inconsistent, and it reads like Oscar wanted to go back to the many farm pictures it honored in 1984), and one for Best Actor.  James Garner is not noteworthy in this movie...he's honestly not even that good.  The nomination was the only one in his career, though, and it's hard not to think of this as a career nod for an aging actor who by all accounts was a pleasure to work with (most actors who worked with him spoke highly of him, including Field who called him the best onscreen kiss of her career), but come on-in 1985, there must've been better.

Saturday, October 12, 2024

OVP: Absence of Malice (1981)

Film: Absence of Malice (1981)
Stars: Paul Newman, Sally Field, Bob Balaban, Melinda Dillon, Wilford Brimley
Director: Sydney Pollack
Oscar History: 3 nominations (Best Actor-Paul Newman, Supporting Actress-Melinda Dillon, Original Screenplay)
Snap Judgment Ranking: 2/5 stars

Each month, as part of our 2024 Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Sally Field: click here to learn more about Ms. Field (and why I picked her), and click here for other Saturdays with the Stars articles.

During the early 1980's, Sally Field became what she'd clearly always dreamed of becoming: a serious actress.  We talked last week about Norma Rae, the movie that launched her onto this platform, and won her her first Oscar, against actresses like Jane Fonda & Jill Clayburgh who were taken more seriously than the former Flying Nun.  Field kept the pedal-to-the-medal on trying to change her image in the coming years, appearing in commercial fare (Hooper, Smokey and the Bandit II), movies that upended her cutesy image like the hard-swearing Black Roads with Tommy Lee Jones, and more dramatic roles.  She would win a second Academy Award for her work in Places in the Heart in 1984, when she'd infamously utter the lines "right now...you like me!"...lines that would come to haunt her & in many ways underline the spunky actress she was trying to shed.  During this time, one of the dramatic films that she made was Absence of Malice, a serious film starring one of the biggest names of the era, and a guy who (unlike Field) was still in the hunt for his first Oscar: Paul Newman.

(Spoilers Ahead) The movie follows newspaper reporter Megan Carter (Field), who is given a tip from Rosen (Balaban), who works in the US Attorney's office that they are investigating liquor wholesaler Michael Gallagher (Newman) for the disappearance of labor leader Joey Diaz (never seen, but if you can't tell they're making him seem like a Jimmy Hoffa-type figure during this time frame, you need to study your history more).  Carter publishes this based on a file on Rosen's desk, which was clearly planted for her to publish, but it upends Gallagher's life.  They don't actually have any evidence of the connection, but with the paper now saying "he's connected," he can't get out of it.  Gallagher is the son of a former crime boss, but is generally living a clean life...until Carter forces him to act dirty.  This comes to a head when Teresa Perrone (Dillon) provides an alibi for him-that he was taking her to a doctor to have an abortion.  But Perrone is devoutly Catholic, and when Carter's bosses insist they have to publish her name & that she had an abortion, Perrone kills herself.  This sets off a chain-of-events where Gallagher shows he learned something from his father, using a romantic relationship with Carter and implicit bribery of a US Attorney to get off...and to get their careers fried in the process.

Absence of Malice sounds better than it actually is when I describe it above.  It reads like an ambitious, greedy reporter wanting to make a name for herself, who sacrifices her soul and in the process has a man who had lived an honorable life go back to his criminal roots to punish her and those around her who destroyed the life of Teresa, the only truly innocent person in the picture.  That's not what it is though.  The writers desperately want us to care about the romantic relationship between Field & Newman, but you don't...because you realize that Megan is not a good person, even if she's played as bubbly & sweet in Field's hands.  The film could've ended on Megan admitting she was involved with Gallagher but knew nothing about him, but instead ends on a conversation between the two, potentially setting up a reconciliation.  But why?  They should hate each other, particularly him hate her...what's there, given so much of what came before was fake?

This hurts the performances.  Field is badly miscast here .  Field was in that "I can do anything" part of her career in 1981, but she is not right for this-you need an actress who can play fragile-but-brittle, and she is not a brittle performer (you kind of think someone like Susan Sarandon might've been better off with this part).  Newman is better, but again-this is a great character until the writers come in the way (you see hints of what might've been decades later when Newman would play a similar character in Road to Perdition), and you feel like you only get half a performance.  Melinda Dillon got her second-and-final Oscar nomination for her work here, and she does create a shadow over the film (her confession scene, where she tries to convince Megan not to publish that she had an abortion, knowing that she'll end up killing herself if she does but not having the guts to say it, is really well-done); again, though, much of the work in the back-half of the film takes air out of her performance by cheapening it.  Wilford Brimley, honestly, is pretty good in his one extended scene, giving the film some life, but at that point, it's too late-the script has already wrecked the promising premise.

Saturday, October 05, 2024

OVP: Norma Rae (1979)

Film: Norma Rae (1979)
Stars: Sally Field, Ron Leibman, Beau Bridges, Pat Hingle, Barbara Baxley
Director: Martin Ritt
Oscar History: 4 nominations/2 wins (Best Picture, Actress-Sally Field*, Adapted Screenplay, Original Song-"It Goes Like It Goes"*)
Snap Judgment Ranking: 4/5 stars

Each month, as part of our 2024 Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Sally Field: click here to learn more about Ms. Field (and why I picked her), and click here for other Saturdays with the Stars articles.

Sally Field's career began in television, and was inspired by another America's Sweetheart we profiled this year, Sandra Dee.  Field was the titular girl-next door in the television version of Gidget, but the show only lasted one season due to poor ratings (it would do better in syndication).  Field then took on what would end up being the biggest early success of her career and a setback for Field in the long run, playing Sister Bertrille in The Flying Nun, a hit for ABC that lasted three seasons.  Field couldn't escape the role, though, and was cast in a series of cutesy parts and girl-next-door roles.  It's possible that this is where Field would've stayed, but under the mentorship of Lee Strasberg (and thanks to the insistence of Joanne Woodward, her costar), she was able to land the lead role in Sybil, a TV movie that won her acclaim and an Emmy Award (beating not just Woodward, but other "reputable" actresses like Jane Alexander & Julie Harris).  Field alternated in the late 1970's between commercial fare like the box office smash Smokey and the Bandit and serious-minded cinema, including today's film, which won her her first Oscar, Norma Rae.

(Spoilers Ahead) The movie takes place in a southern community (it's never confirmed, but you get an Alabama/Mississippi vibe from the surroundings), where Norma Rae Wilson (Field) works at a cotton mill and is frequently speaking out to management about the treatment of the workers, particularly her parents, who also work at the mill.  She meets a union organizer named Reuben (Leibman), who is pushy but well-informed, and trying to get the textile mill to unionize to fight back against the low wages & unfair treatment.  During this time, she meets and marries Sonny (Bridges), a sweet-but-simple (think himbo energy) coworker of hers, and they combine their families.  Norma Rae eventually joins Reuben's crusade, fighting for union rights for the textile workers, even though it's putting her life and reputation at risk.  Despite pitfalls, including a lot of pain to her marriage and her father dying from exhaustion, she is able to create the union, and hopefully in the process make her town better.

There aren't a lot of Best Actress-winning performances that I've never seen (I checked-I've caught 88% of the winners at this point), and this is one of the most-heralded that I have left.  I was curious how it would abide, and I was pleasantly surprised.  Field is excellent as Norma Rae.  I figured she'd play against type, trying still to shed the Flying Nun veneer, but she also grounds this work.  Her Norma Rae is not everything you'd expect.  She's defiant, but also quite charming and gregarious...it makes sense that a union organizer would be someone people genuinely like (otherwise why would they join her...JD Vance aside, politicians tend to be likable), but that doesn't usually happen in movies like this.  She grounds her work, making her feel like someone who gets things wrong, but isn't ashamed of being a sinner.  I think she takes this in different ways that other actresses would've and indeed Field wasn't the first choice here.  Jane Fonda, Jill Clayburgh, and Marsha Mason all turned down the role...and all famously lost at the Oscars to Field when she beat them (something that had to particularly sting for Clayburgh & Mason, who would never win an Academy Award).

The movie's most famous scene is the one where Field stands up in the factory, and holds up a placard saying "UNION" in big bold letters.  I have seen this still picture so frequently, and yet the actual scene itself played fresh.  Again, this is a testament to the filmmakers who understand subtlety, but the way that it slowly, steadily, uses the sound design of each machine turning off, the workers taking a stand next to her as they understand she's giving up everything to give them a better life, and it's time for them to stand with her, is incredibly moving.  The film is very much a product of the 1970's (the lovely song theme, the way the camera wants to show realism, the sexual politics at play), but that scene with the "UNION" is for all-time, a reminder that we never can give up the fight to ensure that the dignity of work is protected and respected.

Tuesday, October 01, 2024

Saturdays with the Stars: Sally Field

Each month of 2024 we are taking a look at an actress who bore the title "America's Sweetheart" during the peak of her film fame, and what she did with the title (including when it was passed on to the next Hollywood princess).  Last month, we talked about Mary Tyler Moore, an actress who had an impressive side career in film while dominating the television landscape for more than two decades.  This month, we're going to talk about an actress who, like Moore, got her start in television.  Unlike Moore, though, this didn't lead to critical acclaim but instead personal derision and mockery in the industry.  It wasn't until a 1976 miniseries that she was able to reestablish herself not as a "girl next door," but a serious actress, and soon, a two-time Oscar winner.  This month's star is Sally Field.

Field was born in Pasadena, California, the daughter of actress Margaret Field (best known for her work in the camp Sci-Fi classic The Man from Planet X).  She was a cheerleader at her Van Nuys high school, and soon after was cast as the titular role in the ABC sitcom Gidget.  While this was not a success, her next series was.  The Flying Nun was a big hit, but it was a problem for Field's young career, as the ridiculous premise of the show (a nun whose hat allowed her to fly) meant that she wasn't treated seriously in casting calls, and throughout the early 1970's Field struggled to find meaningful work.  That all changed in 1976, when she starred opposite Joanne Woodward (whom Field has publicly stated went to bat for her to help her get cast) in Sybil, a miniseries about dissociative identity disorder which won her an Emmy.  

For the next couple of decades Field would go from a the "girl next door" style of America's Sweetheart to an actress more in the mold of Audrey Hepburn, one whose work was frequently light, but taken seriously.  She would win two Academy Awards, star with (and romance offscreen) one of the biggest names of the era, Burt Reynolds, and eventually return to television in an Emmy-winning part in ABC's Brothers and Sisters.  Field's career is unusual because it never entirely shook the "sunshine & rainbows" aspects of Gidget & The Flying Nun, but this month we're going to take a look at her long career, and examine the ways the actress tried to step out of her initial typecasting, and became one of the most lauded screen stars of her generation.

Friday, September 27, 2019

The Cinematic Life Achievement Triple Crown

This past week two screen legends received news that their already extensive awards hardware collection would be adding some great new baubles.  Tom Hanks will be winning this year's Cecil B. DeMille Award from the Hollywood Foreign Press Association (given out at the Golden Globes), while Dame Julie Andrews will take the AFI Life Achievement Award.  While Andrews win is a bit unexpected (we spent a long time profiling contenders, but only had her as an Honorable Mention since the AFI is stingy when it comes to giving trophies to non-American stars, even if they're of Andrews' fame & caliber), it's hard to imagine how Hanks avoided winning the DeMille through the years, as he's been nominated for 9 Golden Globes and won four (for Big, Philadelphia, Forrest Gump, and Cast Away).  Hanks' victory, though, gives us the newest member of one of my favorite blog pet projects: the Cinematic Life Achievement Triple Crown.

The Cinematic Life Achievement Triple Crown (which is a term I use here but almost no one else does, unless this blog's reach is further than I anticipated) is a term I bestow on someone who has won the Cecil B. DeMille Award, the AFI Life Achievement Award, and the Kennedy Center Honor.  These are arguably the three highest honors for life achievement in the cinematic community, and so I lump them together. One could make an argument that the Honorary Oscar should qualify, but that typically goes to people who haven't won competitive trophies, so it's a weirder list, and the SAG Life Achievement Award (which should be announced in the next week or so) skews to both film & TV, rather than being predominantly cinematic, and seems to be a little more inclined to political actors or actors with a humanitarian streak (think someone like Betty White or last year's recipient Alan Alda).  As a result, I group the DeMille/AFI/Kennedy together, and with his victory this year, Hanks has taken all three.

We haven't checked in on the status of who is getting close to completing the Triple Crown in a few years, so I figured with Hanks & Andrews starting to round the bases this year, it was time to re-investigate.  It's worth noting that frequently if you win one of these awards, you'll win most of them.  Hanks is one of fifteen living winners who has taken all three trophies.  Considering this goes out once a year (and with the exception of the Kennedy Center Honors, there's only one victor a year), it says something about how monotonous the awards' bodies get that there are actually 15 victors of all three awards still around.  Below you'll find a look at all of the names that are headed toward the Triple Crown (and a sampling of the legends who haven't started yet).

Living Triple Crown Winners: Tom Hanks is just one of a number of living Lifetime Achievement Award Winners.  As I mentioned above, if you're going to start this journey, it's likely you're going to finish it if you live long enough, since film only has so many legends.  The other fourteen living victors of all three are Kirk Douglas, Sidney Poitier, Jack Nicholson, Clint Eastwood, Martin Scorsese, Dustin Hoffman, Barbra Streisand, Robert de Niro, Meryl Streep, Sean Connery, Al Pacino, Warren Beatty, Morgan Freeman, and Shirley MacLaine.

Minus DeMille: Julie Andrews was an early victor for the Kennedy Center Honors, which are less shy about giving trophies to non-Americans than the AFI (it's in the name), and also likely due to Andrews' work on stage & television, as the Kennedy Center Honors go with people who are in the performing arts, not focused solely on film (like the other two trophies).  That said, one wonders if she could pull off the DeMille at some point considering her solid history with the Globes (14 nods, 5 wins).  Other figures that have won both the Kennedy Center Honor and the AFI include men who are behind-the-scenes (might not be as inclined for a trophy at the star-loving Globes as even Spielberg & Scorsese had to wait a while to win here): John Williams, Mel Brooks, and George Lucas.  Perhaps the most likely person after Andrews could be Steve Martin, who'd give a brilliant speech & has five Globe nominations but no trophies yet.  If he's going to win the AFI with his comparatively thin filmography (certainly compared to some of the people we listed as current Triple Crown Winners above), you'd think the Globes would be fine going for him.

Minus Kennedy: The Kennedy Center Honors can usually pick 1-2 film figures, though it seems slightly less-inclined to "popular" movie stars than DeMille or AFI, and more likely to make them wait a bit for the trophy.  This might be why this is the missing leg for the likes of Harrison Ford & George Clooney, though in the latter's case it seems it could be that his politics might be untenable in the era of Trump (it's probable that Trump doesn't have a lot of say in who is picked considering some of his sharpest critics like Cher & Norman Lear have won during his presidency, but you can never tell) or at 58 he's just too young.  Denzel Washington seems almost certain to take the Kennedy Center Honor at some point, though I wonder if the ship might have sailed for Michael Douglas, who has both of the other awards but is routinely beaten for the Kennedy Center.  His father won it, but that was years ago and the younger Douglas's fame has started to deplete in recent years with neither he nor his wife making films (focusing more on television).  I could still see him making it, but it's odd that they haven't taken the opportunity already.

Minus AFI: There are now just two living people who have won the Kennedy Center & the DeMille but not taken the AFI.  This is always the shortest list, which is weird because the AFI feels like it's the hardest to come by (since not as many people win the Kennedy Center & the DeMille has been around longer).  The first of these two is beyond a mystery to me.  We detailed this in my link above for the AFI, but how Robert Redford didn't take this award in the past decade considering his work as a multi-hyphenate movie star/filmmaker, as well as the founder of the Sundance Film Festival, is so odd.  The mystery of how Redford has avoided this honor is one of those random "awards season enigmas" I ponder from time-to-time.  The only other person who is in this same camp is Oprah Winfrey.  Winfrey's win at the DeMille's happened before the launch of the Carol Burnett Award (focused more on TV than film) and one wonders if she would have won the DeMille had the Burnett Award already existed, since Winfrey's biggest contributions have been in television.  I suspect, even with her moving into film at a more aggressive clip with movies like A Wrinkle in Time and Selma in recent years that Winfrey won't be able to take the AFI at any point in the future with such a thin cinematic resume.

Kennedy Only: We now move to people who have only won one leg of the awards, and it's a good reminder that the Kennedy Center Honors pick recipients based on not just film (like the Globes & AFI), but all of their contributions to the performing arts.  This means that there are figures like Cher, Rita Moreno, Angela Lansbury, Lily Tomlin, Cicely Tyson, & James Earl Jones who definitely have a cinematic background and could conceivably win one of the other two awards, but are more associated with TV, music, and/or the stage & simply don't have the credentials to win the AFI or the DeMille.  Really there's just two people who have the Kennedy whom one would indisputably associate with the movies: Joanne Woodward & Sally Field.  Woodward won the same year as her famed husband Paul Newman (who like his Butch Cassidy costar won the Kennedy & DeMille but never picked up the AFI), but her ill health likely precludes her from taking any other trophies (she supposedly suffers from Alzheimer's Disease).  Field, on the other hand, seems a probable contender in the future for the AFI or DeMille, as she's still very active in cinema and has enough popular hits to make it for either award.

DeMille Only: Looking at the DeMille Award winners who never caught on with the other two bodies, I'm seeing names that could definitely translate to the Kennedy or AFI, but I wonder how many actually will.  Gene Hackman has completely retired from cinema and public life, and as a result it's doubtful that they ever go for him again (perhaps, like Doris Day, he's refused such an honor or doesn't want to go out and get the trophy).  Woody Allen's filmography certainly warrants at least the AFI, but his personal problems pretty much guarantee he'll never win an award like this again.  Sophia Loren is a living legend, but her most important film work is in a different language, and that hurts her chances, particularly with the AFI.  The best bets to get another of the trophies would be Anthony Hopkins, Jeff Bridges, and Jodie Foster, all of whom work still in mainstream projects and have rounded-enough filmographies for the other awards (Hopkins won his DeMille 13 years ago, so it's odd he hasn't taken the other prizes yet as they don't usually make you wait so long, but Foster & Bridges both won their DeMille's relatively recently and could easily grab the next leg of their Crown soon).

AFI Only: Since the AFI is the hardest award of these to win, it's odd that there are two living women who have won the trophy but no other leg in their Triple Crown.  Well, one of the two is odd-it makes total sense that Jane Fonda hasn't taken the Kennedy Center Honor considering there are still pockets of the American populace who loathe her for her political activism in Vietnam (perhaps NBC is raising the flag on not wanting Fonda to have a broadcast TV platform at the Globes...one has to wonder).  Diane Keaton, on the other hand, has also taken the AFI but no other trophies.  She gave the speech at the Globes for her friend Woody Allen when he won the DeMille (but in typical Woody fashion refused to accept it)-perhaps they assume she's already won as a result, but she at least deserves to take the Kennedy Center Honor at some point.

Not Yet Started: Of course, as Sally Field proved this year, there are always going to be people starting their journey for the Cinematic Life Achievement Triple Crown Award.  Field's actually relatively old to be starting to sweep these awards-actors like George Clooney & Jodie Foster have recently made a play for the awards in their fifties.  While not all of these people will make it to even one of these awards, here's a sampling of some of the living film legends who could be contenders for future honors (in case these bodies need any ideas) as well as their ages: Brad Pitt (55), Goldie Hawn (73), Robert Duvall (88), Spike Lee (62), Michael Caine (86), Will Smith (51), Ron Howard (65), Eva Marie Saint (95), Glenn Close (72), Jessica Lange (70), Samuel L. Jackson (70), Tom Cruise (57), Julie Christie (79), Maggie Smith (84), Faye Dunaway (78), Ian McKellen (80), Judi Dench (84), Ellen Burstyn (86), Bette Midler (73), Christopher Plummer (89), Helen Mirren (74), Catherine Deneuve (75), Angela Bassett (61), Sandra Bullock (55), Sissy Spacek (69), Vanessa Redgrave (82), Kathy Bates (71), Norman Jewison (93), Ridley Scott (81), Liza Minnelli (73), Sylvester Stallone (73), Annette Bening (61), James Cameron (65), Daniel Day-Lewis (62), Whoopi Goldberg (63), Holly Hunter (61), Kim Novak (86), Emma Thompson (60), and Michelle Pfeiffer (61).

Tuesday, September 03, 2019

Who Will Win the 2020 AFI Life Achievement Award?

A few weeks ago, we did a look at who might be the next American to win the Nobel Prize in Literature, and since I had a lot of fun creating the list, I thought it might be enjoyable to take a look at a different upcoming major career recognition honor, the AFI Life Achievement Award.  This past summer, Denzel Washington was the recipient of the distinction, arguably the highest career honor in American cinema, but the organization actually doesn't wait long to announce its next winner, and if history teaches us anything, the victor will be proclaimed in early October, so we're only a few weeks away from learning the winner of the 2020 trophy.  As a result, I thought it'd be fun to take a look at a Top 10 list of who might be selected as the next honoree.

Before we get to the list, it's worth name-checking a few things that previous winners have had in common, so as to deduce who might be most likely to win this year.  47 film luminaries, ranging from John Ford in 1973 to Washington last year, have taken the trophy, so we have a bit of data to mine for clues as to whom next year's honoree might be.

Age: The average age of a winner is 69, though that's definitely an average (Steve Martin is the only winner to have actually been 69 when he won).  19 of the winners have been in their 70's, which is by far the most common age group to have won in, and no victor has been older than 90 (top in age was Lillian Gish) or under 46 (Tom Hanks was the youngest, and that win was criticized enough that I doubt they go for someone that young again).  So this probably means someone like Olivia de Havilland is out, as is someone like Leonardo DiCaprio.  As a result, bonus points to anyone somewhere between about 65 and 79, though obviously they could and have leaned outside that age range.

Occupation: The award is open to anyone in the film industry, but like most honors, it's more geared toward movie stars.  70% of the winners have been principally known for acting, and all but one of the remaining victors have been film directors (the sole person who was neither was John Williams, and there's really no living behind-the-scenes person who could rival Williams in terms of public perception, so it's going to be a movie star or a director).  The film directors who did make it are extremely well-known, just as famous to the public in recent years as a movie star (think George Lucas, Martin Scorsese, and Steven Spielberg), so don't count on aging directing superstars like Norman Jewison or Ridley Scott, as they likely aren't famous enough.  They're also not American which brings us to...

Geography: This is the American Film Institute Award, and while that title doesn't preclude anyone, it sure helps if you're American.  94% of the winners were Americans upon the time they won (this includes people who enjoyed dual citizenship like Elizabeth Taylor and Sidney Poitier), which is potentially why foreign-born icons like Charlie Chaplin, Greta Garbo, Marlene Dietrich, & Laurence Olivier never won, and likely why figures such as Julie Andrews or Sophia Loren (who otherwise would have been shoo-ins) haven't taken the honor yet.  The three foreign-born figures who did win (Sean Connery, David Lean, and Alfred Hitchcock) don't really have a lot in common, so it's hard to find some commonality to one person getting in if they aren't American.

Oscar History: If you're going to be taking the AFI title, it helps (a lot) if you're an Oscar winner.  77% of all of the honorees were at the time of their victory winners of at least one competitive Academy Award, and another ten were nominees (two of which, Henry Fonda & Martin Scorsese, would win competitive Oscars post their AFI ceremony).  The only person to have never been nominated for an Oscar and still win the AFI is Steve Martin, someone you'd be hard-pressed to find an obvious corollary to today.  This pattern has gotten even stronger in recent years-85% of the past twenty recipients were Oscar winners (excluding Martin, George Lucas, & Harrison Ford).  So it's likely that the next person to take the AFI will have won a competitive Oscar.

Gender: The ceremony seems to be trying to correct this in recent years, but it's still very much a boy's club at the AFI.  81% of all winners have been men, and the ceremony has never honored a woman who was solely or principally known as a behind-the-scenes figure (women like Shirley MacLaine, Barbra Streisand, and Diane Keaton have all directed films and won the AFI, but all three made their names in movies as actors).  The last two winners have been male, but history has shown that doesn't necessarily mandate that we'll be seeing a woman here in 2020.

DeMille/Kennedy: There are at least two other awards (other than Oscar) that are a strong indicator of whether or not someone will take the AFI trophy-the Cecil B. DeMille Award and the Kennedy Center Honor.  62% of all winners of the AFI were also DeMille winners and of those who were alive to receive it (the Kennedy Center Honors started last of the three honors, in 1978, so John Ford was dead by the time they rolled around despite having already won the AFI), 69% of the AFI Award victors also won the Kennedy Center Honor.  23 people have pulled off all three.  While the AFI has occasionally led the field (ie someone won it there before they picked up other honors, like Steven Spielberg or Elizabeth Taylor), it's a pretty strong indication if you're primarily known for film and you win one of these trophies that you're going to win one (or both) of the others.  One could make a sincere argument that the list of people who have taken the DeMille or Kennedy Center Honor without also having an AFI is particularly short right now, so AFI may be forced to add a new name to the roster next year.  Of the 16 DeMille and/or Kennedy Center victors (without an AFI) who have meaningful cinematic contributions, almost all of them have something stopping them from taking this leg of the Cinematic Life Achievement Triple Crown (I started calling it that years ago...and it has not caught on).  There are several non-Americans (Sophia Loren, Julie Andrews) or Americans more commonly known for citizenship in a different country (Anthony Hopkins, Angela Lansbury).  There are figures with major contributions to cinema but who are more known for TV (Cicely Tyson, Lily Tomlin, Rita Moreno), music (Cher), or the stage (James Earl Jones, Lansbury again), and then there are a few figures due to health or antipathy to such things might not show up at all (Joanne Woodward, Gene Hackman, Woody Allen).  That actually only leaves four figures who could be considered real contenders that AFI hasn't picked yet, and all four will be listed below so I won't spoil the fun just yet.

Fame: This is a hard one to quantify, but all of the winners have to be famous, and tend to still be extremely well-known when they won.  This has become even more pertinent in recent years.  Arguably the last time someone who wouldn't have been a household name still the year they won was Robert Wise in 1998, and in the past few years we've seen actors who are very active in modern filmmaking like Diane Keaton, George Clooney, and Denzel Washington take the trophy, so I suspect that the winner this year would either be still revered or quite frankly be someone whom you'd expect to be getting top billing on your local marquee.  This means that names like Ellen Burstyn, Sissy Spacek, Gena Rowlands, Julie Christie, Faye Dunaway, Mia Farrow, or Francis Ford Coppola, names that probably have earned this kind of distinction but aren't really household in the same way as Clooney, Keaton, & Washington, are going to struggle to get a citation without some sort of revival.  This ceremony is funded by advertising revenue, and as a result they need a bigger name for ratings.

With all of that said, here are my guesses as to who the Top 10 contenders for the trophy are.  Sound off in the comments if you have predictions as well!

Honorable Mentions: Lots of options here, but Goldie Hawn, Robert Duvall, Spike Lee, Brad Pitt, Will Smith, Julie Andrews, and Michael Caine are all people that wouldn't surprise me, but all have at least some debits that would preclude them (age, geography, and fame being factors to at least some degree depending on the artist).  However, they're close enough to being real threats that I figured I needed to at least CYA myself by mentioning their names.

10. Ron Howard

Age: 65
Geography: American (born in Oklahoma)
Oscar History: 4 nods/2 wins
DeMille or Kennedy?: Not yet
Why Him: Howard is the rare American director who hasn't won this award that has the sort of name recognition (thanks to his previous years as an actor) and populist films (Cocoon, Apollo 13, A Beautiful Mind) that might win him a citation someday.  He's also well-liked by other directors who would have some influence in the selection such as George Lucas & Steven Spielberg (not to mention his movie star daughter could push for him & would make a glamorous, sentimental host for the evening), and he's nearly the right age for the win.
Why Not Him: Howard, though he does have a pair of Oscars, isn't really in the same pioneering league as the other directors from a critical perspective.  His closest corollary among the winning directors would be Lucas, and he's never made anything remotely as important to Hollywood as the Star Wars franchise (even though, ironically, he has made a film in the Star Wars franchise).  Howard makes a lot of sense in theory, but I wonder if they'd pull the trigger for him or wait for a director like Quentin Tarantino to be old enough before they pick another behind-the-scenes figure.

9. Glenn Close

Age: 72
Geography: American (born in Connecticut)
Oscar History: 7 nominations
DeMille or Kennedy?: Not yet
Why Her: Close recently had a bout of incredible press, first from her finally making a play for her Oscar trophy, and then a round of public sympathy for not actually winning an Oscar most assumed was in the bag.  She's well-known to audiences (everyone's heard of her) but still has critical hosannas in her corner to make this feel like a classy choice, and would be near the average age for a winner.  Could she be chosen as a way of the industry saying "yes, you're a legend" after she was denied that claim a few months ago?
Why Not Her: I mean, if she couldn't win the Oscar, it's hard to imagine that she'd take this trophy (like I said-it's very hard to win this if you aren't an Oscar winner).  Close seems a better fit for the Kennedy Center Honors considering she's nearly as well-known for television and stage as she is for film, and it's not like she has a lot of massive hits under her belt in the way that Denzel Washington or Tom Hanks does.

8. Jessica Lange

Age: 70
Geography: American (born in Minnesota)
Oscar History: 6 nods/2 wins
DeMille or Kennedy?: Not yet
Why Her: Lange has been having one of those great, late career renaissances that occasionally gets you to sweep awards like this.  In many ways it recalls Morgan Freeman, who wasn't particularly famous until much later in his career, and then suddenly he was greeted with an onslaught of awards. American Horror Story and Feud have earned her a new generation of fans, and if Keaton & Streep are going to win this trophy, it feels like Lange should join them as an 80's movie queen who stayed a household name decades later.
Why Not Her: Lange had a robust cinematic career, but other than Tootsie there aren't a lot of widely-remembered classics on the list.  More importantly, Lange's late-career renaissance has been for television, not for the movies in the way that Freeman's was.  She would get them ratings, and in some ways this might be what finally got Jane Fonda her trophy, but Fonda is way more iconic than Lange is in terms of her cinematic pedigree (even though they have matching Oscar counts), and Lange would be a harder sell for AFI without another great movie role.

7. Samuel L. Jackson

Age: 70
Geography: American (born in DC)
Oscar History: 1 nomination
DeMille or Kennedy?: Not yet
Why Him: Jackson is the highest-grossing actor in terms of Box Office draw ever.  He's worked with literally everyone (I wouldn't be stunned if even I've made a film with him at this point) and has been both a critical muse (Scorsese, Spielberg, Tarantino, & Paul Thomas Anderson have all worked with him), as well as the star of major franchises like Jurassic Park, Avengers, Star Wars, and The Incredibles.  He's almost exactly the average age for the honor, and few figures in the past thirty years have been in as much American film as Jackson.
Why Not Him: The problem is that Jackson's made a lot of tripe along with all of those major paychecks.  Notice that Michael Caine has also never won this trophy, and almost certainly Johnny Depp is going to struggle to take it as well.  This is because Jackson's ubiquity hasn't necessarily translated to quality.  Every AFI winner has made a couple of stinkers, but Jackson's name isn't necessarily synonymous with quality, but rather quantity.  That's a problem if you're going to get the highest honor in American cinema.  Plus, even with all of those movies he's still never won an Oscar.

6. Tom Cruise

Age: 57
Geography: American (born in New York)
Oscar History: 3 nominations
DeMille or Kennedy?: Not yet
Why Him: Cruise is a bit young for the award, but few actors can boast his consistent movie star appeal.  Nearly 40 years after he became a headliner, he's still a leading man in major blockbuster movies, and has made a lot of the people who regularly sit in the AFI audience rich beyond their wildest dreams.  He's had quality films (those three Oscar nominations), and has enough movie moments through Jerry Maguire, Mission Impossible, and Top Gun to guarantee a built-in audience for the awards show.  All-in-all, this is a pretty solid bet for someone the AFI will want to claim...one of the few undisputed modern movie stars who can always land a picture.
Why Not Him: Cruise is a bit on the young side, and hasn't won an Oscar (or the DeMille yet, and I think that would come first for him considering the Globes love of celebrity).  More importantly, Cruise's public behavior since his 90's heyday makes this award come with some controversy.  Forgetting the Scientology aspect for a second (and that's a big thing to disregard), he's been erratic as a public figure & his films have taken a serious detour in quality since the early-aughts.  At this point he's more Sly Stallone & Liam Neeson than he is Tom Hanks or Denzel Washington, and Stallone/Neeson aren't anywhere near an AFI Life Achievement Award.

5. Sally Field

Age: 72
Geography: American (born in California)
Oscar History: 3 nods/2 wins
DeMille or Kennedy?: Field will receive the Kennedy Center Honor later this year
Why Her: Field's recent Kennedy Center Honor is a big deal, as it elevates her to the same echelons of people like Lauren Bacall, Joanne Woodward, and Myrna Loy (three other actresses who got the Kennedy Center Honor but never AFI) rather than any number of 70-something actresses who were once headliners but now frequently come in as supporting players or in TV cameos.  The list of true film stars who get the Kennedy Center Honor and not the AFI is small, and Field comes with two Academy Awards, as well as a number of still iconic hits (Smokey and the Bandit, Steel Magnolias, Forrest Gump) and recent success (My Name is Doris, the Spider-Man movies) that could make this an easy sell from a fame perspective.
Why Not Her: Field probably wouldn't be a great choice in 2020, since she just won the Kennedy Center Honor (it's uncommon, though not unprecedented, for someone to get two such awards so close together).  One would think they'd wait a year or two before picking her.  That said, we're likely due for another female victor, and unlike the next two women, she's much closer to the age of the average recipient so I wouldn't discount her; Field represents a jump from "good guess, and maybe someday" to "I could truly see it happening in 2020."

4. Julia Roberts

Age: 51
Geography: American (born in Georgia)
Oscar History: 4 nods/1 win
DeMille or Kennedy?: Not yet
Why Her: Roberts is going to win this award at some point, as long as she lives long enough.  She's exactly the sort of figure who scores the AFI-popular, enduring, beautiful, a leading woman even when her star started to dim, and someone who scored an Oscar at the peak of her fame, so there's critical cache to go with the many, many hits.  Honestly, so confident am I that Roberts will win this, and win it soon, that I didn't even list Sandra Bullock on this list, despite me also thinking she could take this at some point as well (since Roberts will get this before Bullock, in the same way Meryl Streep was always going to win here before Diane Keaton).  It's not "if" but "when" for Julia Roberts.
Why Not Her: Roberts is the youngest person on this list, and while she wouldn't be the youngest victor ever (Hanks may have that record forever, unless the AFI goes for Leo DiCaprio in the next year or two), she'd be the third youngest after Hanks & Spielberg if she took it.  She regularly makes movies, and there's no rush.  Why not give it to her when she's approaching Clooney's age (he was 57)?  I think that will be the thought process for the AFI, at least.

3. Jodie Foster

Age: 56
Geography: American (born in California)
Oscar History: 4 nods/2 wins
DeMille or Kennedy?: Foster memorably took the DeMille at the 2012 ceremony
Why Her: Unlike Clooney, Foster is approaching Clooney's age (she'd be exactly his age if she was the 2020 victor), and she's one of only two people on this list who has taken the DeMille/Kennedy distinction AND has enough distance to that award that it wouldn't llok like they were copying the Globes.  Foster is an iconic star, iconic enough that even without a lot of recent film hits she could still feel like a relevant winner, and she's probably going to win this eventually.  The past two years have shown a propensity for picking actors that were a little young for the award, but were certainly going to take the trophy at some point-could that continue with Jodie?
Why Not Her: Aside from the age aspect, there's the lack of a lot of recent roles, and her tendency to be more political & press-shy than your average winner.  They have strayed in a way the Kennedy Center Honors have not (look at how Jane Fonda has the AFI but not the government-sanctioned Kennedy Center award), but her filmic resume in the past two decades is pretty thin for someone who would be winning a trophy that oftentimes comes at the tail-end of your cinematic career, not when it's largely been dormant for a decade.

2. Jeff Bridges

Age: 69
Geography: American (born in California)
Oscar History: 7 nods/1 win
DeMille or Kennedy?: Bridges took the DeMille earlier this year.
Why Him: He's exactly the right age for this, and like some other recent winners, he's been a constant movie presence for decades, but certainly a constant force in the last decade.  Bridges won his Oscar less than ten years ago, and has scored two citations since then, as well as a lot of renewed affection for being one of the best actors of his generation.  Everyone seems to love him (he'd have great speeches), and this has probably graduated to the "inevitable" at this point for AFI to pick him.  I can't really think of a better time to appreciate him with such a major honor, can you?
Why Not Him: The only thing holding me back from picking him is that he just won the DeMille.  Unlike the Kennedy Center Honors, the DeMille winner has to give a speech, so the AFI could risk all of their best material having gone to that Globes' speech that could still be in their memory rather than Bridges giving a fresher one at the AFI.  That's about the only reason I can think of not to pick him-he was my dark horse guess for this next year until he won the DeMille, and I suspect I'll be predicting him in 2021 if he doesn't take it next year.

1. Robert Redford

Age: 83
Geography: American (born in California)
Oscar History: 4 nods/1 win (as well as an Honorary Oscar)
DeMille or Kennedy?: DeMile in 1993 and Kennedy Center Honors in 2005
Why Him: One of the great mysteries of awards show nerddom, to the point where I always have to double check that I'm not wrong, is how Robert Redford hasn't won the American Film Institute Life Achievement Award.  He's a film icon with a number of classic movies under his belt (he's worked with everyone from Marlon Brando to Paul Newman to Jane Fonda to Meryl Streep), he's an actor-director (Warren Beatty, Clint Eastwood, & Orson Welles can all attest that's a good way to win this), and he's also well-known for his celebration of smaller American film through his work with the Sundance Film Festival.  Should he not win, he'd be one of the biggest names to never take the honor, and one of the more regrettable.
Why Not Him: I genuinely don't know.  He's considerably older than the average winner, and it's hard to imagine that someone hasn't pitched this idea before.  Is he refusing to accept (this doesn't seem like Redford-he showed up for the Honorary Oscar and the Kennedy Centers relatively recently so why refuse the AFI specifically)?  I've never gotten the impression he's a jerk off-screen (and it's not like that's stopped them before-I mean, Dustin Hoffman has won this award).  Honestly, I can't think of a real reason that he hasn't won, and will be perplexed by him not winning until he dies or finally gets the trophy-his recent retirement surely makes a strong case for giving him this, right?  As a result, I'm going with the obvious answer here even though I've predicted Redford before for this honor.