Film: Born on the Fourth of July (1989)
Stars: Tom Cruise, Willem Dafoe, Kyra Sedgwick, Raymond J. Barry, Jerry Levine, Frank Whaley
Director: Oliver Stone
Oscar History: 8 nods/2 wins (Best Picture, Director*, Actor-Tom Cruise, Adapted Screenplay, Cinematography, Film Editing*, Score, Sound)
Snap Judgment Ranking: 3/5 stars
Growing up, Tom Cruise was not an actor that my parents liked a lot. While stars such as Harrison Ford or Sandra Bullock being in a picture was pretty much a blank check ticket situation to see their new film, Cruise's movies were oftentimes only ones we would seek out if they had a lot of buzz. When I would ask about this (as you can imagine, young John was always talking about movies), a big part of the reason was "I don't think he's a very good actor" which to be fair was something that was a relatively commonplace topic during much of Cruise's career with the general public. Cruise, because of his arresting good looks (for me, it's always been the hair-Tom Cruise has spectacular hair) and the types of movies he picks (action films, franchise pictures, and romantic melodramas) has usually been dismissed as a pretty boy or a commercial star only. This is something we've actually seen throughout this year: Errol Flynn, Charles Bronson, & Arnold Schwarzenegger were all never nominated for Oscars, and it took Sean Connery until the second act of his career to win one.
But Cruise, Cruise at the height of his fame did not seem content with being a pretty boy. His onscreen idol was not Errol Flynn or Sean Connery...it was always Paul Newman, and Paul Newman got to be in action films and be nominated repeatedly for Oscars. Born on the Fourth of July was not Cruise's first clear play at an Academy Award nomination (he had starred alongside Newman in The Color of Money, and the year before starred in the Best Picture winner Rain Man), but in both cases it was his costar that won Best Actor. Born on the Fourth of July was the first time that Cruise got nominated, and it's a fascinating film that both signaled where he was headed with his career for the next decade (regularly appearing in films that were Oscar-adjacent) and also an anomaly, given it was the rare really "actorly" role that Cruise would take in his career.
(Spoilers Ahead) The film is about Ron Kovic (Cruise), the quintessential American young man who wrestles for his school, is in love with the prettiest girl at school (Kyra Sedgwick) and devotes his passion to God and Country (specifically the Republican Party). When fighting breaks out in Vietnam, Ron is the first to enlist, and he goes to war...and promptly realizes how much patriotism relies upon the sacrifices of an average man. He becomes paralyzed from the waist down, unable to have children or to ever walk again, something he initially refuses (to the point where he nearly loses his legs through obstinance), and then slowly works back to reality, though first having bouts of severe alcoholism & depression. This leads him away from the Republican Party that sent him to war, and eventually he becomes a vocal supporter of the anti-war movement, nearly being trampled during the 1972 RNC while they nominate Nixon to a landslide victory. The film ends with this low point being countered with a high point, Kovic's real life speech at the 1976 Democratic National Convention.
It's worth noting before we get into Cruise's work here that this film is directed by Oliver Stone. In an era where directors like Steven Spielberg, Ron Howard, & Robert Zemeckis made films that were only subtly political (though politics are there, especially in Spielberg's work), Stone's films of this era were known for their hyper-political atmosphere. Films like Platoon, Wall Street, Born on the Fourth of July, JFK, & Nixon (all very popular with Oscar and usually with audiences) questioned authority to the point of feeling conspiratorial (as a youth who read entertainment & celebrity magazines weekly, I believe I learned the phrase "conspiracy theory" from it being linked to Oliver Stone). The film's anti-war politics feel a bit more routine today, given that we've had decades of film that have been comfortable questioning the honestly of the US government in foreign affairs, but in 1989 it's worth noting that having the quintessential American boy next door (Tom Cruise) spouting off leftist dialogue in a year where ardent pro-Vietnam congressman George HW Bush had become president is an interesting counter.
The film itself occasionally feels underwritten as a result of the politics, mostly because Stone's politics are so well-honed into the script, sometimes at the sacrifice of character. I loved, for example, the way that we are introduced to Kovic as a bit weak-willed (he's not the best wrestler, he doesn't have the guts to take the girl he likes to the Prom), and then seeing that the world doesn't actually care about him when he gets back. He fervently believed in American exceptionalism, and in giving himself as a sacrifice, but when he gets back, he learns as he matures into a true adult that his sacrifice meant little to the people he did it on behalf of (and much of that was just talk, not deed), and those who stayed behind profited in his absence, or worse yet, simply want him to go away. The cruelty of his not being perfect is felt on his parents, who want their old son back...and hate their new one (the relationship between Ron & his mother is really well done because it's so uncomfortable). But this also means that we rarely get to know much about the side characters (Sedgwick and Willem Dafoe feel pretty two-dimensional from actors we know can do more), and I wanted to understand more about what made this story specific than trying to make it feel universal to fit Stone's lecture to the viewer.
As for Cruise? I liked him in this. I think Cruise, at the time very willing to mess with his star persona, plays Ron as unlikable, oftentimes nauseatingly so, but it works for the character. I think the way that he embraces the arrogance that comes with youth, knowing that those around you couldn't possibly be right because they've lived longer and seen more of the world (something we all go through as young adults eager to be seen as equals) is really well done. I do wish he had had more scene partner work-there are times when it feels like he's trying to inhabit the whole screen in his scenes, needing us to KNOW the message he's trying to convey, sometimes swinging a bit from scene-to-scene without giving consistency is an issue (though more the writer's fault), but this is proof of something I already know (I disagree with my parents on this one): Tom Cruise, when he wants to be, is a fine actor.









