Sunday, September 28, 2025

Things I Learned on My European Adventure

Me in front of the Rijksmuseum in Amsterdam
I recently completed a trip to Europe, one that I had been planning for, on some level, at least six years (definitely have notes pre-Covid on this one, so it might go back even further).  I have talked a lot about my quest to see all fifty states on this blog (here's an article for those unfamiliar), but that quest did have a consequence-I ended up not traveling internationally.  With the exception of a brief layover in Vancouver, I have not left the country since I was 19, and not left the North American continent since I was 17, when I went to the United Kingdom and France.  This meant that the planning was pretty intense.  I am a Type A personality by design.  Throw in a world I don't really know, and countries where I won't speak the language (or understand many of the local customs), and you can best believe I had read, booked, prepped, & over-analyzed every single aspect of this trip, which included stays in Denmark, the Netherlands, Belgium, Luxembourg, & France, to a degree that is insane (and in retrospect, I will admit was overkill).

With traveling alone, you're left with a lot of time on your hands.  Even if you fill up days (and I did-I walked literally 100 miles-I did the math-during my trip so I was busy traversing & seeing as much as possible over these two weeks), you are stuck on trains, planes, & Uber rides, as well as trying to sleep when jet lag is saying "it's not time yet!" with nothing but your thoughts and your pile of packed activities.  As a result, I always come back with things I learned on vacation, sometimes related to travel, sometimes changing my philosophy of my life.  I think this is beautiful (it makes travel feel special, because you go to strange places and discover things that you carry around everyday), but it also felt ripe for an article.  So here's a few things that I learned while I was on vacation.

In terms of things actually related to travel, I will say that it sharpened my philosophy, particularly when it comes to traveling alone (which I did for all but two days of the trip, when I met up with a friend in Paris, one whom I actually met through this blog!).  I think my advice for traveling to another country as a single person after this is simple, and comes down to five things (all of which also work if you're traveling with a partner or a family, but I will own I learned them as a single person).  

First, plan ahead (but be willing to bend).  I would have missed half of the things I went to had I not looked ahead, and made lists of what I'd be focusing on each day.  That doesn't mean that you stick completely to the schedule (I made detours, seeing things like the Atomium in Belgium on a whim & really loving its cheesy charm even if it meant that I left Brussels exhausted), but it gives you structure, and ensures that you start each day with an identity of what you're going to do, particularly important when it rains virtually every day of your trip & it'd be easier to just sit in bed.

I'd also say (second) that you should learn the mass transit of the locations you're going to in advance.  Of all of the things I should've known in advance, this was the one I should've thought of but didn't consider.  Mass transit in Europe puts American mass transit systems to shame (yes, even DC & NYC), but it varies by country, and that got confusing, especially in places like Belgium where geography plays such a critical role in you getting from Point A to Point B (i.e. in knowing what ticket to buy).  This led to my third learning, that you should include a budget for Ubers & carrying around your suitcase (if you're going on intercontinental plane flights) as I ended up giving a shocking amount of my money to these two things, which I might have rethought had I planned ahead (especially on the Ubers, there was a way to get from the airport to my hotel by mass transit in Copenhagen & Brussels had I been a little bit better about picking flight times & knowing where to go right away).

Me in front of a beautiful fountain Luxembourg
I'll also say that my general travel advice to not "over-think" food was one that got tested this trip.  I am someone who genuinely loves to cook, but I'm also someone who isn't a "foodie" when it comes to restaurant culture (I'm single, eating out is expensive, and I am very proficient in the kitchen, so spending money on something I can pretty easily recreate isn't fun for me even if I like a night out at a restaurant with a friend or a good date just because it's a different ambience).  In Denmark and the Netherlands, specifically, I wasn't wild about their non-dessert food culture, and finding restaurants that were affordable & varied was more of a challenge than I expected in most of the (very touristy) places I went.  By Belgium, I was not winging it, and was having a much better time (this might also be because my personal taste profile is going to favor Belgian cuisine to Dutch or Danish, but that could just be me), but in a trip that was insanely gracious to my American tourist (they were FAR more accommodating of me than I suspect they would get in American locales, and we as a country should look at that in our manners toward tourists...having more translations at hotels, for example), this was the one thing I clearly needed to plan better for.

Last, my advice is to "say yes."  My #1 travel tip is always to assume every time you go somewhere that it will be your last time visiting, and with Europe that sometimes meant that I was putting in 30k step days (my brand new sneakers are my heroes for not destroying my feet this trip), but it was worth it.  If I was walking around and said "that church seems interesting" or "that pastry looks delicious" I stopped, and I took the 20 minutes to indulge.  I am 41-years-old, and while I am hopeful I'm only at the halfway point (or maybe less) of my life, I also am realistic that even if I live another 40 years (which I might not...we never what deck of cards we are going to get), this is probably the only time I'll go to most of these countries (I have plans to go to France again, but that's really it of the five)...so even when I was tired or wanted to go back to the hotel to eat my snack supply, I still went and did another thing, because vacations are not for rest (you can add that in your everyday).

Those are the things about travel I learned while on vacation, but what about the things that aren't necessarily about travel?  I think one that toes the line I wanted to bring up was around age, so this is a good segway.  At 41, there's a certain expectation amongst people with my profile (a college-educated man who has worked primarily at a white-collar job his entire life), and I'll be honest-most of those things I don't measure up.  I am not married, and haven't really had a long-term romantic relationship that would be considered a success.  I don't have children, and at this point I doubt I ever will.  I am good at my job, but not as successful in terms of career benchmarks as most of my friends have been.

But travel, travel is somewhere where I do generally measure up...but not in every way.  The "visited 50 states" is a pretty impressive cocktail party anecdote, and it's something I go to pretty much every time I'm asked.  But because of a lack of finances, vacation time, and the realities of single travel (i.e. it costs a LOT more than traveling with a partner, and eats up a bigger share of your monthly budget), I feel a bit embarrassed when people list the countries that they've been to when all of my international experiences, up until two weeks ago, were as a teenager.  Being vulnerable, part of the reason I picked the rather eclectic list of countries that I did (rather than more marquee destinations for American tourists like Italy, Spain, or Greece, none of which I've seen) is that I wanted to sort of feel like I was already in the second waves of European travel, like I was already ready for the "deep cuts."  I did this when I bought my house, essentially skipping the experience of a starter/townhouse, and just buying my dream house right away (a decision that I usually think was a good one, though it depends on what repairs are outstanding at that moment), and I'm glad I did this this time, but it was a strategic decision borne out of wanting to feel like I've seen more of the world than I have by going a less familiar route with my travel goals.

I think we don't discuss the societal pressure we put on ourselves to be well-rounded individuals.  This is true not just of travel, but of things like culinary life (i.e. knowing the names of hip restaurants), socializing (how often are you asked for your plans for the weekend at work, and I can tell you if you don't have a built-in support system of a spouse or kids, there's an intense amount of pressure to consistently mention things that seem to warrant your "decision" to be single), and the arts.  There are more classic novels than one can possibly read in a lifetime, same with classic films and storied television shows (not to mention museums and historical landmarks to visit)...and that's if you are making an ardent attempt to reach those goals.  I know as a person that I put more of this pressure on myself than I need...but I'm not blind to the reality that a lot of it is placed by other people through casual conversation, which psychologically pokes holes in what you haven't achieved (even if that's not what's intended).  Walking through Europe I was reminded of the vastness of human experience, the countless works of art & architecture & history that you can experience...and also like literature and cinema, there's no way to do it all.  In the end, everyone comes up short.  I don't know how to remind myself of this in the future but I need to, trying to find a balance between "do as much as you can, as long as you can" when it comes to culture...but also to give myself reprieve & acknowledge that no one does as much as they'd like, and you (i.e. me, but also you, dear reader), are perhaps not as far behind as you think, and perhaps even inspire awe about your achievements from the people you're constantly comparing yourself.  

Anyway, those are the thoughts I had while doing while on my European adventure.

Ezra Klein's Abortion Strategy is Wrong (But That Doesn't Mean He Doesn't Have a Point)

Ezra Klein
Ezra Klein is something of an anomaly in the modern media landscape.  Originally a Democratic operative (he worked for the Howard Dean campaign in 2004), he transitioned into work as a columnist at The Washington Post before founding Vox, an explanatory news media site that dominated many progressive political circles (I read it religiously at one point) during the first Trump administration, before eventually moving to the The New York Times in 2020 where he works as a columnist and podcast host.  Klein's anomaly status is that he's generally well-respected in progressive circles (even if he don't always agree with him), and has been for a while.  His book Abundance, which came out earlier this year and has since become a bestseller, has sharply shaped the debate on housing in the United States on the left, with many finding themselves in pro/anti abundance camps, but that Klein was able to shape this conversation at all is impressive.  Quite frankly, while there are countless conservative voices (from Ann Coulter to Ben Shapiro to the late Charlie Kirk) who have been able to create discourse about MAGA politics, Democrats aren't as prone to investing in talking heads for their theories, more often sticking to conventional politicians, and only on occasion (with people like Jon Stewart and the Pod Save America hosts) giving that level of influence to people not in elected office...Klein happens to be one of the few people to break that mold.

Klein has made a number of headlines in recent months, capitalizing on his new level of influence coming out of Abundance, and while we're not going to get into all of it (suffice it to say that I don't agree with his comments about Charlie Kirk "doing politics the right way" and we'll leave it at that as we've already discussed that topic here), I do think this recent conversation about the 2026 midterms is a place I want to add my voice.  In a recent interview with Tim O'Brien on the Bulwark Podcast, Klein talked about Democrats taking on stances that are more moderate (or even conservative) in red/purple states.  In the conversation, he cites Sen. Susan Collins specifically as a Republican who has done this successfully on the other side of the aisle (Collins is pro-choice and pro-gay marriage, and has held a Senate seat in a state that has not gone for a Republican for the presidency since 1988), and also talks about how in 2009, Democrats had 40 pro-life Democrats in the US House, as well as Senate seats in Arkansas, Louisiana, in both Dakotas, Ohio, Montana, West Virginia, & Indiana.  Klein goes on to say that now "it's easier to imagine the end of America than to imagine the Democrats winning a Senate seat in Arkansas."  Klein then goes on to say, and I think this is crucial to understanding his argument: "Politics is about winning power, it's not about only choosing strategies I am personally comfortable with."

What Klein is alluding to here is a recent article he wrote talking about running anti-choice (i.e. pro-life Democrats) in red states in hopes of winning back a majority in Congress, particularly the US Senate.  This was met with a lot of heavy criticism of Klein online, with some saying that he's against abortion rights, and that this is a line-in-the-sand that they think betrays Democratic core beliefs.  I think this opens up a few larger questions-should the Democrats be willing to abandon their pro-choice stance by backing anti-choice (if you've read this blog long enough you know that I don't use the phrase "pro-life" because I don't think it's accurate, but I'm using it initially because Klein uses that phrase in his article, and it's common parlance with this issue), and if they aren't willing to do so, how do they expect to have a winning, functional majority in the future, given that for much of the Trump Era of American politics, we have largely seen declines in the number of winnable states/districts in Congress for the left.

Before we begin, I want to set some ground rules.  I don't always agree with Klein, but I do believe that he is pro-choice, and that people saying he's anti-abortion rights are doing to so to be provocative.  I also do think that Klein truly wants Democrats to win a majority in Congress again, and that that majority should find a way to better protect abortion rights, as well as to protect trans people and immigrants (both groups he also cites).  I don't think that Klein is a "secret Republican," even if he might be more moderate than some Democrats arguing against his behalf.

But I also don't think he's totally right (or totally wrong here), and I think it starts with his focus on abortion rights.  Klein is correct that both the number of Democrats and the number of pro-life Democrats in the US Congress since 2009 has dropped dramatically.  2009 was a high-water mark for the Democrats coming off of two insanely successful national campaigns (the 2006 midterms and the 2008 election of Barack Obama), and they had more seats in either house than they have had the remainder of the 21st Century.  That coalition included Democrats in the Senate like Ben Nelson & Mark Pryor who would label themselves as "pro-life" as well as Democrats like Blanche Lincoln & Evan Bayh who had mixed stances on abortion.  With the retirement of Joe Manchin in 2024, there is only one Democrat left in Congress (Texas's Henry Cuellar) who does not back abortion rights, and as you know, the Democrats do not have a majority, much less a majority similar in size to that of 2009.

Public Service Commissioner Brandon Presley (D-MS)
Klein's argument falls apart, though, when you look at public opinion polls on abortion rights.  A 2023 survey by PRRI showed that 64% of Americans support abortion being legal, and in all but six states (North Dakota, South Dakota, Utah, Idaho, Arkansas, & Mississippi) a majority (or better) of voters would consider themselves pro-choice.  This has been borne out in ballot initiatives, even in red states.  In 2022 and 2024, abortion ballot initiatives in Kansas, Kentucky, Missouri, & Montana all passed protecting pro-choice rights into state law.  At the exact same time, all four of those states held Senate elections where the state elected Republicans who are anti-choice (with pro-choice Democrats as options on the ballot).  Essentially those voters are telling Democrats that they are pro-choice...but still unwilling to back a Democrat even if it means having to back an anti-choice Republican in the process.  It's also worth noting that Democrats have, in one of the six states that don't back abortion rights, recently run a well-funded, anti-choice candidate (Brandon Presley) for Governor...and they still lost.

Klein's argument isn't necessarily wrong in the terms of needing to moderate, it's that he picked the wrong issue to try and stop the tide.  I am decidedly pro-choice, and I did say in 2023 that it was worth trying to get an anti-choice Democrat in Mississippi because it was better than nothing (and I still feel that way...if there was a clear option for a Democrat who called themselves "pro-life" in Utah or South Dakota next year, I'd say go for it because a Democrat is going to be better for abortion rights than a Republican even if they have similar views because they'll put Democrats into committee chairmanships who will stave off extremist abortion measures).  I think it's telling that Klein didn't, for example, pick issues that are far less popular to show a clear break.  Police reform, for example, is not remotely as popular as abortion rights (public backing of "Defund the Police" reforms is low, and when you call it "Defund the police" it becomes even lower).  Student loan forgiveness, trans rights (particularly transgender student athletics), and immigration reform are all soft spots for the Democrats.  If we are going to break from the party on certain issues to try and win back moderates, wouldn't it make more sense to focus on issues the country does not agree with the Democrats on (as opposed to abortion rights, where they think we have the right answer?).

The problem is that Klein doesn't have a lot of examples of this working, and is instead going back to people like Ben Nelson & Mark Pryor (who haven't won an election in 15 years) as examples instead of admitting that both sides have struggled mightily to be able to buck the biggest hallmark of the Trump Era: straight-ticket voting.  He brings up Susan Collins as an example in Maine for a reason-she's the only pro-choice Republican who has been able to consistently hold a blue seat in the Trump Era.  In the years following 2009, pro-choice Republicans like Bob Dold & Mark Kirk also lost to pro-choice Democrats in the same way that Nelson & Pryor were replaced by anti-choice Republicans.  Collins is one of only two Republicans in Congress (along with Alaska Sen. Lisa Murkowski) who consider themselves to be pro-choice, and she's the only one to do so in a spot her party lost in the last presidential election.  Yes, Collins is someone the Democrats would love to emulate, finding a way to duplicate her success in reverse, but let's also be real-she's a unicorn, an extraordinarily talented politician whose ability to win a blue area against really impressive candidates (she's beaten sitting members of Congress in blue wave elections to hold onto this seat!) is both laudable and, let's be honest, a little baffling given she's hardly what you'd call a charismatic politician.  It's also not something you can duplicate easily.  Even House Democrats who hold relatively red areas of the map like Jared Golden or Marie Gluesenkamp Perez are pro-choice, winning over Trump voters in their district in other ways.

This isn't to say that people should give up, or that Klein doesn't have a point.  I think it's worth exploring holding your nose for Democrats in pink states like Texas, North Carolina, Alaska, Kansas, & Ohio, and putting up with them taking moderate-to-conservative stances on issues like criminal justice, transgender rights, & immigration legislation if it means we get back a majority (I do concur with Klein's statement that "politics is about winning power," even if it's a more moderate ideology of the power than I'd like).  If progressive Democrats disagree with that, prove it by winning pink states with candidates who are backing these issues (get Sherrod Brown a win in Ohio in 2026, same with defeating Susan Collins, or electing Roy Cooper in North Carolina...these are people who are more progressive than their states are, so if you believe they have a winning formula, show up and vote).  And if there are unusual circumstances like Brandon Presley in 2023, where we have a strong option to run in a state that doesn't back abortion rights...give it a go (if Chuck Schumer's daily calls to John Bel Edwards pay off in Louisiana, this would be a good place to start given Louisiana's tacit support of abortion is only at 53% in polling).

But I think Klein's focus on abortion rights is misguided as a strategy.  He's correct that Democrats need to try a different tactic to win, and he's correct that it's easier to see the republic falling than Democrats winning a Senate race in Arkansas.  But there's no evidence running anti-choice candidates in the Trump Era will move the needle for Democrats (or that we need to win Arkansas to get a majority).  It's more likely that if the Democrats cobble together a Senate majority, it will be winning back Biden states like Wisconsin, Pennsylvania, & Maine, as well as getting lucky with more options akin to Golden & Gluesenkamp Perez...options that are, let's face it, more than likely going to match the voters of their constituency by supporting abortion rights.

2024-25 Saturdays with the Stars Recap

Debbie Reynolds & Audrey Hepburn, two of
our stars this year
It took longer than I expected, but we have finished up our sixth season of Saturdays with the Stars.  I will be honest-I don't entirely know whether or not this will be our final season.  I have two ideas rolling around my head for a theoretical seventh season (I do love this series...along with the My Ballots, it's my favorite thing I do here), both of which would be interesting, but I also am respecting that I chose to step away from longer-term blog commitments for a reason, and to some degree I'm making more of that time (exercising more, watching more OVP movies, reading considerably more), while other writing projects I've not yet gotten a good routine around in the way I used to have for this blog.  If we do do another season, it won't be until January, so we will for sure be getting a few months off regardless as I attempt two writing projects in the meantime.  I am unequivocally glad that I decided to finish this season up, though, regardless, as I don't love an unfinished project, and this had been bugging me.

One of the things that I'm struck by this season is that, for a large part, the movies this season were not as well-received by me as our past five years.  Part of this is my self-imposed rule that I don't repeat films I've already seen.  Some of these women have been in great movies, occasionally (like Audrey Hepburn in Roman Holiday and Julia Roberts in Notting Hill) in movies that I would happily name-check as all-time favorites.  But I will also own that the title of being "America's Sweetheart" means that, even more than our second season focusing on sex symbols, the public limits how much risk the studio is willing to take on you.  With the exception of Sally Field, none of the women we talked about this month were able to have the same level of financial success when they were America's Sweetheart as they would after they would free themselves of that title, and thus while there are definitely good performances...they aren't as frequent.  I did still see some great work (and great movies), but I will own that none of the 12 films that I saw this year looks like a future medalist in our My Ballot Best Picture category (at best, it'll be one of the other titles that fill up the ten-wide Best Picture field), and only a couple of the performances will likely end up as My Ballot nominees for acting.  Still, there's more to life than awards, and there's lots of fluff & fun to recommend here.  Below, find my superlatives from our sixth season of Saturdays with the Stars.

Favorite Performance from Each Star 

August: Sandra Dee, Gidget
November (but really August 2025): Julia Roberts, Mystic Pizza
December (but really September 2025): Meg Ryan, Joe Versus the Volcano

5 Favorite Performers (Alphabetical, and based solely on the films we watched as a collective & not on the rest of their careers)


5 Favorite Performances of the Year (Alphabetical)


12 Favorite Films of the Year (Alphabetical)


Top 12 Performances of the Year (Not By Our Stars...and Yes, Alphabetical)

Frankie Avalon, Beach Party
Jimmy Durante, Two Girls and a Sailor
Timothy Hutton, Ordinary People
Tommy Kirk, Babes in Toyland
Hattie McDaniel, The Little Colonel
Jimmy Stewart, The Glenn Miller Story
Donald Sutherland, Ordinary People
Elizabeth Taylor, Little Women
Denzel Washington, Courage Under Fire

Saturday, September 27, 2025

Proof of Life (2000)

Film: Proof of Life (2000)
Stars: Meg Ryan, Russell Crowe, David Morse, Pamela Reed, David Caruso
Director: Taylor Hackford 
Oscar History: No nominations
Snap Judgment Ranking: 1/5 stars

Each month, as part of our 2024 (and now 2025) Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Meg Ryan: click here to learn more about Ms. Ryan (and why I picked her), and click here for other Saturdays with the Stars articles.

By 2000, Meg Ryan had been a consistent box office presence for a decade, regularly making hits in a variety of genres (but usually romances), Ryan was about to commit the most unfortunate of sins-she was going to show that she was human, both by committing adultery (and perhaps more damning in Hollywood, by turning 40).  Ryan, coming off of the twin successes of City of Angels & You've Got Mail in 1998, had a lot of leeway, but on the set of today's film Proof of Life, she found out that leeway had limits.  Despite being in one of several marriages in Hollywood at the time that had dominated public fascination for "proving love works in Hollywood" (along with couples like Susan Sarandon & Tim Robbins and Nicole Kidman & Tom Cruise, both of which would also soon end up on the cutting room floor), she began an affair with her costar Russell Crowe during the filming of Proof of Life, one that leaked to the press, and led to a rare circumstance where the public could very clearly "blame the wife" rather than the husband.  The public crucified Ryan for this, showing that the "girl next door" routine was (in their eyes) a facade, and acted in kind with her career.  And soon, the once teflon actress started to falter.  Hanging Up (a forgotten partnership with Nora Ephron) flopped, and Proof of Life, which had dominated the tabloids for months, soon followed.

(Spoilers Ahead) The movie is about Alice Bowman (Ryan) who has moved to a South American country (in this case a fictional one named Tecala) with her husband Peter (Morse).  They disagree on politics, with Alice an environmentalist who doesn't approve of the oil line her husband is trying to put in the jungle, and it's clear their marriage is on shaky grounds with frequent bickering.  But that changes when Peter is kidnapped, and held for ransom.  When it's revealed the company he works for has lapsed in their ransom insurance, Alice and Peter's sister Janis (Reed) have to hire a man to take care of it, Terry Thorne (Crowe).  Terry is experienced in this field, a battle-tested negotiator, and regularly tries to get "proof of life" to prove that Peter is still alive.  While he successfully negotiates Peter's release, it turns out the ransom is not all they want-they also want an end to the pipeline, which won't happen, so Terry (who has developed reciprocated romantic feelings for Alice) has to go in and free Peter on his own, which he does.  The film ends with Terry telling a crying Alice that she needs to go back to her husband on a soon-to-leave plane, and their romance was only meant to be while he was gone.

If that last scene reminds you of, oh, I don't know, the most famous movie ever made, you'd be correct-this film is attempting to touch the third rail of cinema: do not attempt to turn your movie into Casablanca.  The ending is so obviously cribbed from the classic movie, it borders on parody.  And the reason it does is that Proof of Life is a bad movie.  The film teeters on boredom for hours, regularly not knowing what to do with Alice's character (Ryan seems to be dazed the entire film), and also endlessly finding reasons for the two main characters not to have sex, for fear it'll make the lead character too unlikable (something that the publicists on this film would, admittedly, find out first hand).  David Morse gets the only good part, watching him take on the Victor Laszlo role with great relish, and honestly the movie would've been better just staying with him rather than two actors that were having sex in real life but had zilch chemistry onscreen.  Also, I couldn't quite tell if veteran character actress Pamela Reed was acting in a better movie or a worse movie than Proof of Life, but her performance was so out-of-place to what's happening onscreen she definitely wasn't acting in the same movie as the rest of these actors.

Proof of Life, and the scandal that would ensue, would ruin Meg Ryan's career.  While her husband Dennis Quaid briefly could do no wrong, starring in Best Picture nominee Traffic, the surprise Disney hit The Rookie, and then getting Oscar buzz for his best performance to date in Far from Heaven (say what you will about Quaid's unfortunate politics, an underrated topic about why their marriage may have failed given Ryan's pretty outspoken liberal beliefs, but he's brilliant in Far from Heaven, and as we've established, should've gotten that Oscar nod), Ryan remained forever punished for her infidelity.  Kate & Leopold did decently at the box office, but nowhere near the mammoth amounts she was grossing a few years earlier, and it was the only hit she had in her in the early 2000's, with In the Cut and Against the Ropes being critical & commercial disasters.  Ryan would rarely work after this, largely only making independent films, and only having one mild studio hit with 2008's The Women (which was unfortunately terrible).  By 2023, when she'd be directing herself in a much-discussed comeback bid What Happens Later, it'd flop.  Even in an era where Ryan can present Best Picture at the Oscars ot a standing ovation...audiences have never really warmed to her on their movie screens again.

And with that, we're going to finish up our America's Sweethearts season, right around the time when that title started to lose meaning.  While there were actresses after Roberts', Bullock's, Aniston's & Ryan's runs in the 1990's for the title (the most successful being Reese Witherspoon & Kate Hudson), the trope kind of died with the death of the romantic-comedy, and (like so many things) the rise of the internet.  One wonders if it's even possible in a deeply-divided nation to have an America's Sweetheart that appeals to both sides of the aisle (look at what happened in recent months with Sydney Sweeney, who in a different era would fit the trope perfectly), or if this is just something that Hollywood can't get back.  Tomorrow, we will take one last closing look at Season 6 of Saturdays with the Stars, recapping the best of our (long-gestating) America's Sweetheart years.

Monday, September 22, 2025

Who is the Next AFI Life Achievement Honoree?

Francis Ford Coppola winning the AFI statue
from past winners George Lucas & Steven Spielberg
With the recent passing of Robert Redford, an interesting trivia topic comes up, one we've talked about on occasion on this blog but not in a few years.  Redford, screen luminary, movie star extraordinaire, film festival pioneer, & Oscar-winning director, has always felt like the oddest person to never win the AFI Life Achievement Awards, one of the highest honors for an actor or director, to the point that I have long-wondered if he just didn't want to accept (it's hard to imagine it was never offered to him).  With his death, though, it invites the question of who will be the next person to win the AFI Life Achievement Award, and I thought it'd be fun to make a Top 10 list of the people I think are likeliest to be next.  Before we get to the list, I came up with a list of criteria that usually hint at who will be the next AFI Life Achievement Award winner.

Age: The average age of a winner is roughly 70, though that's definitely an average and we have seen a pretty wide range of ages winning this (i.e. don't count someone out like Francis Ford Coppola, the  most recent winner, who took it at 86 in April).  19 of the winners have been in their 70's, which is by far the most common age group to have won in, and no victor has been older than 90 (top in age was Lillian Gish) or under 46 (Tom Hanks was the youngest, and that win was criticized enough that I doubt they go for someone that young again).  As a result, bonus points to anyone somewhere between about 65 and 79, though obviously they could and have leaned outside that age range.

Occupation: The award is open to anyone in the film industry, but like most honors, it's more geared toward movie stars.  70% of the winners have been principally known for acting, and all but one of the remaining victors have been film directors (the sole person who was neither was John Williams, and there's really no living behind-the-scenes person who could rival Williams in terms of public perception, so it's going to be a movie star or a director).  The film directors who did make it are extremely well-known, just as famous to the public in recent years as a movie star (think George Lucas, Martin Scorsese, and Steven Spielberg), so don't count on aging directing superstars like Mike Leigh or Ridley Scott, as they likely aren't famous enough.  They're also not American which brings us to...

Geography: This is the American Film Institute Award, and while that title doesn't preclude anyone, it sure helps if you're American.  92% of the winners were Americans upon the time they won (this includes people who enjoyed dual citizenship like Elizabeth Taylor, Nicole Kidman, and Sidney Poitier), which is potentially why foreign-born icons like Charlie Chaplin, Greta Garbo, Marlene Dietrich, & Laurence Olivier never won, and likely why figures such as Anhtony HOpkins or Sophia Loren (who otherwise would have been shoo-ins) haven't taken the honor yet.  The four foreign-born figures who did win (Sean Connery, David Lean, Julie Andrews, and Alfred Hitchcock) don't really have a lot in common, so it's hard to find some commonality to one person getting in if they aren't American other than a lot of fame.

Oscar History: If you're going to be taking the AFI title, it helps (a lot) if you're an Oscar winner.  78% of all of the honorees were at the time of their victory winners of at least one competitive Academy Award, and another ten were nominees (two of which, Henry Fonda & Martin Scorsese, would win competitive Oscars post their AFI ceremony).  The only person to have never been nominated for an Oscar and still win the AFI is Steve Martin, someone you'd be hard-pressed to find an obvious corollary to today.  This pattern has gotten even stronger in recent years-85% of the past twenty recipients were Oscar winners (excluding Martin, George Lucas, & Harrison Ford).  So it's likely that the next person to take the AFI will have won a competitive Oscar.

Gender: The ceremony seems to be trying to correct this in recent years, but it's still very much a boy's club at the AFI.  78% of all winners have been men, and the ceremony has never honored a woman who was solely or principally known as a behind-the-scenes figure (women like Shirley MacLaine, Barbra Streisand, and Diane Keaton have all directed films and won the AFI, but all three made their names in movies as actors).   I also wouldn't read a lot into the last winner being male...it doesn't feel like a tradeoff situation as a rule (i.e. the next could also be a man).

DeMille/Kennedy: There are at least two other awards (other than Oscar) that are a strong indicator of whether or not someone will take the AFI trophy-the Cecil B. DeMille Award and the Kennedy Center Honor.  58% of all winners of the AFI were also DeMille winners and of those who were alive to receive it (the Kennedy Center Honors started last of the three honors, in 1978, so John Ford was dead by the time they rolled around despite having already won the AFI), 70% of the AFI Award victors also won the Kennedy Center Honor.  24 people have pulled off all three.  While the AFI has occasionally led the field (ie someone won it there before they picked up other honors, like Steven Spielberg or Elizabeth Taylor), it's a pretty strong indication if you're primarily known for film and you win one of these trophies that you're going to win one (or both) of the others.  One could make a sincere argument that the list of people who have taken the DeMille or Kennedy Center Honor without also having an AFI is particularly short right now, so AFI may be forced to add a new name to the roster next year.  Of the 16 living DeMille and/or Kennedy Center victors (without an AFI) who have meaningful cinematic contributions, almost all of them have something stopping them from taking this leg of the Cinematic Life Achievement Triple Crown (I started calling it that years ago...and it has not caught on).  There is one non-American (Sophia Loren) and one American more commonly known for citizenship in a different country (Anthony Hopkins).  There are figures with major contributions to cinema but who are more known for TV (Dick van Dyke, Lily Tomlin, Rita Moreno, Billy Crystal) and music (Cher, Bette Midler), and then there are a few figures due to health or antipathy to such things might not show up at all (Joanne Woodward, Woody Allen).  There's also the new stain on the Kennedy Center Honors due to the heavy involvement of President Trump that might make it hard for Sylvester Stallone to get this award given he won with that asterisk next to his name.  That actually only leaves five figures who could be considered real contenders that AFI hasn't picked yet, four of which I'll list in my Top 10, and the fifth of which I'll cite in the Honorable Mentions.

Fame: This is a hard one to quantify, but all of the winners have to be famous, and tend to still be extremely well-known when they won.  This has become even more pertinent in recent years.  Arguably the last time someone who wouldn't have been a household name still the year they won was Robert Wise in 1998, and in the past few years we've seen actors who are very active in modern filmmaking like Diane Keaton, George Clooney, and Denzel Washington take the trophy, so I suspect that the winner next year would either be still revered or quite frankly be someone whom you'd expect to be getting top billing on your local marquee still.  This means that names like Ellen Burstyn, Sissy Spacek, Julie Christie, Faye Dunaway, Mia Farrow, or Goldie Hawn, names that probably have earned this kind of distinction but aren't really household in the same way as Clooney, Streep, & Washington, are going to struggle to get a citation without some sort of revival.  This ceremony is funded by advertising revenue, and as a result they need a bigger name for ratings.

With all of that said, here are my guesses as to who the Top 10 contenders for the trophy are.  Sound off in the comments if you have predictions as well!

Honorable Mentions: Lots of options here, but seven names that come to mind are Anthony Hopkins, Robert Downey, Jr., James Cameron, Ron Howard, Eddie Murphy, Ralph Fiennes, & Jessica Lange.  All of them have debits, ranging from a curmudgeonly persona off-screen that might preclude such an honor to not having a strong enough filmography to not being American, but these are names I wouldn't be shocked get into contention.  I will note that in the past when I've done this prediction list I missed future winners because I didn't know they'd be having a moment (i.e. I had Coppola as someone whose time had likely passed until Metropolis came out and he seemed to make a point of wanting to get these honors on his resumé before he died or to remind people that movie won't be his epitaph), so some of these might be contenders, but I don't see them being immediate threats.

10. Tim Burton

It feels weird not to list a single person primarily known as a director on this list, even though directors rarely win this award, and the concept of the celebrity-director is increasingly passé, but more than Cameron, Howard, or even Quentin Tarantino, it feels like Tim Burton is the kind of guy that gets in with AFI.  Inevitably, he's going to get an Oscar moment at some point, and that will invite conversations about his singular filmography.  In many ways Burton's personality feels at-home here.  He's a California-born director, and similar to someone like Mel Brooks (a past winner) he has made or advanced the careers of a lot of stars (such as Johnny Depp & Winona Ryder) who haven't really had a moment with the AFI, and this would be a way of acknowledging that very successful segment in Hollywood.  Call it a hunch that he could win this.

9. Sally Field

A more conventional choice would be Sally Field, a recent Kennedy Center Honoree, and an actress who has been doing a lot of the "I'm a legend" rounds in recent years (not just taking the Kennedy Center Honor, but also the National Medal of Arts and the SAG Life Achievement Award).  Field is also well-regarded (it helps if you're popular), and has had a diverse career as a two-time Academy Award winner who has gone back-and-forth between populist hits and art-fare.  Also, and most critically, she is one of the rare stars of the 1970's & 80's who still works regularly in major projects and is known to a new generation of moviegoers in a way that, say, Faye Dunaway would not be that hasn't won this yet.  In some ways Jessica Lange makes more sense (she also has had television success in recent years), but for some reason she doesn't seem to be getting these types of awards (and with Trump in office, it's doubtful she'll get help from the Kennedy Center), so I will continue to bet on Field.

8. Viola Davis

You could make a sincere argument that Davis shouldn't be on this list.  In terms of leading work in films, she has  the most recent and arguably most scant filmography of these artists.  But there's a sense that Davis, one of the great talents of her generation, was cheated out of a longer career due to Hollywood's inability to give leading roles to Black women, and one wonders if that contributed in part to her recent Cecil B. DeMille Award (don't look at me like that-name another actor with as short of a filmography as Davis has had as a leading star that has won that award).  Only three Black actors have ever won the AFI Life Achievement Award (Sidney Poitier, Morgan Freeman, & Denzel Washington), and none of them have been a woman.  I think Davis makes sense here, particularly with the recent passing of Cicely Tyson, and it's more a question of if, not when, she'll win.  But she's rated lower as I think they make her wait just a few films more before they give her this statue (but it's coming).

7. Brad Pitt

Brad Pitt's wildly successful F1 (can you believe it made over $600 million?!?) earlier this year confirmed what we all know about him-he's one of the last movie stars of his era, someone who can still actually open a movie without creative IP attached (albeit he had the world's largest sport attached, but that's another story).  Pitt's problem is going to be less about his filmography (given his stature in the industry and his long career, it's hard to begrudge him this statue) and more so that Pitt is a bit of an online pariah right now.  That doesn't matter as much in Hollywood (see how he starred in a massive hit movie earlier this year), but advertisers don't want to touch him in an era of a boycott-heavy electorate, and the thorny allegations in his divorce with Angelina Jolie make me think that they might wait a few years to see if things cool down with him (this could also be the case with Johnny Depp & Ben Affleck, who I didn't list on this countdown, but obviously feel in the wheelhouse of someone who would win this).

6. Matt Damon

Pitt's Ocean's Eleven costar Matt Damon feels far more likely to win.  One wonders if they'd consider doing a pair between Damon and his childhood best friend Ben Affleck, but of the two I think that Damon, with his squeaky clean off-screen persona would be an easier sell.  Damon is actually old enough to win one of these statues now (for those wondering if I'm crazy for putting him on here), just a few years north of potential future contenders like Reese Witherspoon and Leonardo DiCaprio, and I think is a serious threat to take this, though I partially believe that he'll get the DeMille first, mostly because they tend to like younger and they love getting movie stars to show up.

5. Jeff Bridges

Robert Redford for many years was my go to answer for "who is the weirdest living person without an AFI Life Achievement Award."  With his death, that title passes to Jeff Bridges.  Bridges is such an odd exclusion from this list I constantly have to remind myself he's never won-he's a movie star from way back (and further back still if you remember he's a NepoBaby), an Oscar winner, and has a fame that means different things depending on how old you are, which is also the sign of someone with a robust filmography.  Bridges is certainly the type of person who should have an AFI Life Achievement Award (it will be a miss, similar to Redford, if he never wins), and if I was asked to unilaterally give this out to someone next year, he'd be my choice.  But his inability to win even when he could've gotten it 10-15 years ago makes me wonder if he's demurred, or isn't really on their radar.

4. Samuel L. Jackson

Bizarrely, Samuel L. Jackson has never won any of the three major Triple Crown Awards, though he did recently get an Honorary Oscar.  Jackson is a ubiquitous movie star, perhaps not to his credit (it's worth noting that Michael Caine never won any of these three prizes either, mostly because he had so much crap to go with the jewels in his filmography), but Jackson is such a big star it feels wrong that he doesn't win this award.  In many ways, between his forays into countless major franchises (Star Wars, MCU, Jurassic Park, XXX) to his position as a muse for both Quentin Tarantino and Spike Lee he is the prototype for how to navigate the IP era, so you have to believe they know they should pick him, particularly given the embarrassingly low number of Black actors who have won this prize.

3. Tom Cruise

The Top 3 are not a question of if, but when, for the victory.  All three are 1990's movie stars who have stayed relevant into the 2020's (sometimes for television, sometimes in the case of #3 for mining his filmography for legacy sequels), but they are all too famous to never win this award.  Cruise is third both because he is about to win an Honorary Oscar (and in my opinion, likely to win a competitive one next year too, which makes the Honorary statue feel like a waste when it could've gone to, say, Catherine Deneuve who needs it more), but Cruise has graduated beyond the tabloid toxicity that once nearly wrecked his career (i.e. another reason they'll likely wait on Brad Pitt), and has become the savior of the movie theater industry.  The ageless screen star probably doesn't like that he's now at the age where you win lifetime achievement awards, but it'd be nice if he won it while some of his earliest costars (like Dustin Hoffman & Jack Nicholson) are still around to give it to him.

2. Julia Roberts

Another ageless movie star that feels like she's too young to win this, but has entered that era is Julia Roberts (our Star of the Month last month!).  There's more urgency around Roberts to win, in part because she's clearly the Queen of the 1990's movie stars (you could see a world where, say, Sandra Bullock or Demi Moore also win this statue at some point, but not before Julia), and also because she seems to be itching to do this again.  In recent years she's been working more regularly, appearing in films that might gain a reputation (even if it's a bad one) like Luca Guadagnino's latest, and clearly wants to cement her place as one of the last great movie stars before IP took over Tinseltown.  Roberts, in a similar fashion to Cruise, also wants to get this statue while all of the actors whom she starred opposite early in her career are still with us (as sad as it may seem Richard Gere is 76, Dustin Hoffman in 88, & it's unlikely most of her older costars in Steel Magnolias stay around much longer)...this would be the time to give it to her.

1. Jodie Foster

But I'm going to put someone who has the DeMille (unlike Julia & Tom) at #1.  Jodie Foster doesn't have as plentiful of a filmography as Roberts & Cruise (and isn't famous in the same way anymore), but her two Oscars and recent successful run on True Detective add a timelessness to her star persona that you can't really rust.  I also think it's noteworthy that she's a feminist icon, and a film director (and would be the first openly queer person to win the award).  As I stated above, no woman has ever won this award primarily for being known for directing, but several have histories with directing, and Foster would add to that list.  She's also 62, so just a few years shy of the prime age that wins this award, and giving it to her early is hardly a moment that will age poorly (no one really focuses on winning too early if it was someone who was always destined to win).  If I had to bet on who wins next, I'd put my money on her.

Saturday, September 20, 2025

Tim Walz Sets His Course

Gov. Tim Walz (D-MN)
Earlier this year, Kamala Harris announced that she would not be running for Governor (and has since been on a "burn every bridge book tour" that I don't know that I'm going to write about, but indicates to me that she has no intention of running for President in 2028, as this is not the kind of book tour you run if you eventually need campaign endorsements).  But her running-mate, up until this past week, had largely kept shy about what he planned to do next.  For a while, it looked like Minnesota Gov. Tim Walz might consider running for the US Senate (potentially even against his Lt. Gov. Peggy Flanagan, who is running for the open seat currently-held by Tina Smith, and if you believe most local Minnesota gossip, has a complicated relationship with the man she spent most of his first two terms being quite close with).  But he declined.  Then it looked like he might retire in the wake of the death of his political ally & friend Melissa Hortman (for those unfamiliar with Minnesota politics, had Walz stepped aside, there's a strong possibility that Hortman would've run for the open Governor's race, potentially even with his endorsement).  But Walz this week announced that he will run for reelection, seeking an unprecedented third four-year term.

Minnesota, unlike most states, does not have a limit on the number of terms that the Governor can serve (it's one of only 13 states where that's the case).  But unlike places like Vermont, Texas, Wisconsin, & Iowa where this has been proven by longtime incumbents such as Terry Branstad & Tommy Thompson, Minnesota has never had a governor win a third term since the state went to four-year terms.  Orville Freeman was the last governor to successfully win a third term, but it was in the 1950's when the state only had two-year terms for the Governor.  Since 1962 (when they switched over to four year terms), no governor has successfully won a third term, and honestly...few have even considered or been eligible for one.

In the case of two governors (Arne Carlson & Mark Dayton), neither of them sought another term (Dayton's health was pretty bad by the time he was done so it's unlikely another campaign would've ben well-advised, Carlson likely could've won one as he remained popular, and certainly could've been a calming compromise in the insanity of the state's 1998 election).  Tim Pawlenty initially declined to run for a third term in 2010 (it's questionable whether he would've won one, but given the hard red wave that year it would have been a tossup, even against someone as formidable as Dayton), at the time focusing on a presidential campaign in 2012.  But when that fizzled, he took another stab at the nomination in 2018 for a third term...but in the MAGA era, couldn't even win the primary.

The most famous case of a Minnesota governor attempting a third term was in 1990, when Gov. Rudy Perpich went for what was really a fourth term, as Perpich had briefly been governor in the late 1970's when Wendell Anderson resigned to become a US Senator.  Tangent time: if you've read this blog for a while, you know I loathe the idea of people not referring to a partial political term as a "term" because term is not inherently a word that solely means a specific unit of time...that would be what the phrase "full term" is for, but I digress.  Suffice it to say that Perpich was attempting to do something that had never been done before-be elected to a third four-year term after winning in 1982 & 1986.

Perpich's election was fraught.  He had been in politics for 20 years (the Democrats hadn't had a ticket without him since 1970), and people were ready for a change, particularly in a down economy.  But the Republicans didn't nominate the popular-and-moderate State Auditor Arne Carlson, but instead businessman Jon Grunseth, who was ahead of Perpich for most of the campaign.  Grunseth, though, three weeks before the election, was caught in a massive sex scandal, where it was alleged that he had gone skinny-dipping with four teenage girls (one of which was his stepdaughter) in the early 1980's.  Grunseth initially refused to drop out, and Carlson started to wage a write-in campaign.  With the Republican vote split, it seemed like Perpich was going to accidentally get his third term despite being unpopular...until Grunseth was convinced to drop out, and in an era before widespread early voting which would've made this impossible, Carlson was put on the ballot and beat Perpich by 4-points.

Walz is not in the same position as Perpich.  He is considerably more popular (though less popular than he was before he unsuccessfully sought the governorship), and while Democrats might be tired of him, in the Trump Era it's unlikely that they'll throw him out for someone else, and indeed, the Republicans appear poised to nominate the man Walz defeated in 2022, Scott Jessen, again (though other candidates are running, Jessen is the biggest name so far).  Walz's decision makes what could've been an ugly primary between Secretary of State Steve Simon and Attorney General Keith Ellison (both of whom skipped the Senate race this year, likely with an eye on Walz retiring) a non-issue (at least until 2030, when Walz's running-mate could potentially be the most important name in the race, making Simon & Ellison's decisions not to go for the Senate look a bit like bad timing on their parts).

This also keeps the window open for Tim Walz in 2028's presidential race.  Walz made headlines in 2024 for stating he had "no intention to run for president" as one of the reasons Kamala Harris allegedly picked him, but anyone who has followed politics for a while knows that's something people say until they don't say it, and I expect Walz to heavily consider running for president.  In the past 100 years, we've had 24 losing VP candidates (not counting Walz), and 10 of them ended up running for the nomination, which sounds low until you remember that two of them (Charles Curtis & Charles McNary) died before the next election, and five others (Estes Kefauver, Lloyd Bentsen, Jack Kemp, Sarah Palin, & Paul Ryan) did not tamp down speculation they would run, even if they ultimately did not, essentially running a public opinion campaign even if they didn't run an actual one.

But to put some perspective on this for Walz, only two of those 24 (Walter Mondale & Bob Dole) would get the nomination, and neither of them would win the general.  You have to go back to 1920 for the last time a losing VP candidate (Franklin Delano Roosevelt) would eventually become president.  Walz's chances of making history in Minnesota as its longest-serving governor seem bright, but if he has his eye on redemption for 2024 on a national scale...he's got a lot of history to overcome.

City of Angels (1998)

Film: City of Angels (1998)
Stars: Nicolas Cage, Meg Ryan, Dennis Franz, Andre Braugher
Director: Brad Silberling
Oscar History: No nominations, though its Best Original Song Golden Globe nomination for hit song "Uninvited" surely got it close
Snap Judgment Ranking: 1/5 stars

Each month, as part of our 2024 (and now 2025) Saturdays with the Stars series, we are looking at the women who were once crowned as "America's Sweethearts" and the careers that inspired that title (and what happened when they eventually lost it to a new generation).  This month, our focus is on Meg Ryan: click here to learn more about Ms. Ryan (and why I picked her), and click here for other Saturdays with the Stars articles.

We've talked frequently throughout the past few weeks about Meg Ryan, her pretty effortless-looking stardom, and the way that she struggled to be taken seriously.  We've also compared her quite a bit to last month's star, Julia Roberts, and noted that the press was far-kinder to Ryan than they were to Roberts.  In 1998, when both of these women were arguably at the peak of their respective fames (Roberts was in the middle of a storied comeback, Ryan starring in two mammoth hits, You've Got Mail and our film today, City of Angels), it was pretty clear as to why.  While Julia Roberts had spent the 1990's with tabloid-friendly romances, her relationships with Benjamin Bratt, Jason Patric, Kiefer Sutherland, & Lyle Lovett were all messy enough to inspire reams of gossip, but Meg Ryan was the perfect counter to her as what a true "girl next door does"...they marry the boy next door.  Ryan wed actor Dennis Quaid in 1991, and while Quaid wasn't nearly as famous if you look at his movie output during the era, he was well-known, and they were billed as having a storybook marriage by the press.  A son (future Scream hottie Jack Quaid) was born from the union, and Ryan largely avoided the tabloid press, getting to be a movie icon in the vein of her frequent costar Tom Hanks that everyone could love without any sort of guilt.  As we'll talk about next week, that would soon collapse, but in 1998, there were few actors you wanted to be more than Meg Ryan.

(Spoilers Ahead) The first of her two big movies in 1998 was City of Angels (I only watch new movies for this series, and I have seen You've Got Mail, which I love, more times than I can count, which is why we picked this one), a retake of the film Wings of Desire by Wim Wenders.  The movie follows Seth (Cage), a type of angel-of-death who escorts people who are dying onto the next life.  He becomes smitten with a doctor named Maggie (Ryan), who cannot get over the fact that a man died during her surgery on him (this is what Seth is doing when he meets her), and Seth soon becomes obsessed with Maggie, and particularly that she can see him (which most people cannot).  He wanders around, trying to learn everything about her, while she questions the truth, and realizes she's falling in love with him.  After meeting another former angel named Nathaniel (Franz) who chose to live a mortal life, he decides to "fall" for Maggie, choosing to be mortal, but quickly afterward, Maggie dies in a car accident, and Seth, after initially becoming angry with God, chooses instead to embrace the joys of a mortal life, and living his fullest in the way that Nathaniel has done.

Wings of Desire is one of the great movies of the 1980's, a profound look at the meaning of life in a world that was becoming increasingly cynical and generic.  City of Angels, on the other hand, looks like a movie that is cynically and generically ripping off Wings of Desire.  The movie goes from misguided to being just plain bad pretty quickly.  Cage comes across as a stalker creep, acting erratically in some scenes and overacting in others, something common in his omnipresent movie stardom (he can be great...but more often he's not).  There are moments in the film where both Franz and Andre Braugher, playing another angel, are able to use their unique styles (both were big TV stars at the time this came out) to maybe approach something interesting, but Cage is giving them nothing.

This is true when he's acting opposite Meg Ryan.  Ryan's wide-eyed earnestness is no match for Cage, and honestly feels a really bad fit for a world-weary doctor.  Playing someone lost-in-love at a crossroads is where some of Ryan's best work comes from as an actor, but she can't seem to ground Maggie in something special, something that matches the cerebral beauty of what Wenders' did in the original.  Honestly the best part of City of Angels was the soundtrack, which is incredible (if you owned a radio in 1998, you will know the tunes by Alanis Morisette, the Goo Goo Dolls, and Sarah McLachlan by heart), but the movie itself never justifies its existence-see the original instead.

Friday, September 19, 2025

Jay Jacobs Needs to Endorse or Leave

State Party Chair Jay Jacobs (D-NY)
You would be forgiven, even if you follow politics quite closely, for not knowing who Jay Jacobs is, and certainly be forgiven for not having an opinion on him.  So let's start there.  The New York-born Jacobs is a long-time figure in Democratic Politics in the Empire State, finding some success in shifting long-red Nassau County (on Long Island) to the middle.  Jacobs was named by then-Governor Andrew Cuomo to lead the state party in 2019, and to be honest, has been largely a failure.  In 2022, the New York Democratic Party singlehandedly cost the Democrats the House, with Democratic candidates in six districts that Joe Biden won in 2020 losing (enough that the Democrats lost the House in the process), and Kathy Hochul won by less than 10-points (considerably less than Cuomo's seismic victory four years earlier).  Still, it's not uncommon for state party chairs to stay on the job through a couple of bad cycles (some party chairs end up having only bad cycles because they're given too many chances), and he has had Kathy Hochul's support (she kept him on coming out of 2022) which is usually what you need for this job.

But Jacobs has run into a huge roadblock in his tenure as State Party Chair, one that I honestly don't see how he's going to get out of, and has started to gain national headlines.  Hochul earlier this week became the highest-profile New York Democrat to endorse Zohran Mamdani, who became the party's nominee for Mayor in June, in his election this fall.  Hochul had stayed silent in the race in large part because Mamdani is considerably more progressive than she is, and you can tell even with the endorsement that it comes with some trepidation.  But it's a big win for Mamdani, who is up against two heavyweights (not just Cuomo, but sitting NYC Mayor Eric Adams), and while he is leading, he would be a huge departure in terms of who is normally elected mayor of the Big Apple, and so getting even a token endorsement from the mainstream wing of the Democratic Party is a big deal as he moves forward to (likely) become the city's next mayor.

But Jacobs has refused to join Hochul in endorsing Mamdani for Mayor, citing specifically Mamdani's views on Israel as being a reason he cannot get involved.  While Jacobs has not actively endorsed another candidate like Adams or Cuomo, his refusal has caused a lot of consternation within the party, and a number of Democrats (including State Sen. Mike Gianaris) have stated this is unacceptable behavior.

It's worth noting that Jacobs is hardly alone in this.  Neither Sens. Chuck Schumer nor Kirsten Gillibrand have backed Mamdani, and House Minority Leader Hakeem Jeffries has gotten into a petty fight with Sen. Chris van Hollen on social media over his refusal to back Mamdani (for the record, I think Jeffries is being petty...van Hollen has a valid point as you'll soon see).  But Jacobs is different.  These other politicians are the leaders of the party in spirit (more so, quite frankly, than Jacobs), but their jobs are technically to serve their constituents in Congress, not to get behind the Democratic nominees without question.  Jacobs, on the other hand, is the party chair.  To not endorse a Democratic nominee, one who was legitimately chosen in a voter-backed primary, for NYC Mayor absent some sort of major scandal (which is not the case here) is dereliction of duty.  If he can't endorse Mamdani, I think he needs to resign.

I say that because this is a song that we have forced the left to sing for quite a while.  Democrats like Joe Biden, Hillary Clinton, and even Kathy Hochul had a lot of choruses of moderate/left-of-middle Democrats saying "you need to support the nominee no matter what so we can beat the Republicans."  This was right-but it also means that it's on the moderate wing to do the same when the left's candidate wins the primary.  Mamdani is not running a race that can't be won (it's not like he's running in Wyoming or Alabama).  He's inarguably the frontrunner, and polling shows him there...not backing him is being done solely because he doesn't match your specific beliefs, which (I'm sorry) is what was true of Biden, Clinton, & Hochul for the far left in their elections, and we still demanded that they get-in-line to support them.  To not back Mamdani in such a public way, Jacobs is essentially being a hypocrite-he is saying he won't do what he has repeatedly asked voters to do, back a candidate who is your party's nominee when you don't agree with him.  If Jacobs was a private citizen, this would be okay, but he's not-he's the head of the party, and it is his job (the most important part of his job) to do everything he can to make sure that candidate wins.

To Jacobs' credit, it appears that he is aware that forced resignation is a potential conclusion, and has said he'll serve at the discretion of the governor.  Hochul hardly wants to do this (I'd bet decent money she likes Jacobs better than Mamdani on a political/personal level), but if Jacobs won't endorse, she needs to take the next step of asking him to resign.  To let him stay on after this behavior would be to tell the far left of the party "you're required to back our part of the big tent...but we won't do the same when your candidates win," and Jacobs isn't worth alienating the coalition in such a way.

Jimmy Kimmel's Firing is an Affront to Free Speech

I'm currently on vacation, but I'm also in a hotel room trying to relax after an absolutely magical day in Brussels (I will be doing a post about my vacation, and some thoughts I had on it, when I'm done next week...I am only at the halfway point as of right now of the trip & attempting to stay in the moment).  But I am trying to get myself on a proper sleeping schedule, and so I have some time to write an article in my hotel room, and thought that I needed to address the true elephant in the room from a political (and American) perspective: what is happening right now to Jimmy Kimmel.

I have been in a lot of mass transit the past 72 hours, and because it's been raining I haven't brought a book to a lot of it as I didn't want my books to get wet, and so I have been on social media more than usual (also, I'm without a travel companion, and need someone to talk to, and given the 7-hour time difference to most of my friends, Twitter is as good of place as any), and so I've read a lot about this, and if you haven't, I should probably ground you in what's happening.  On September 15th, Jimmy Kimmel, host of Jimmy Kimmel Live!, a late-night show on ABC, made a few comments about the recent assassination of Charlie Kirk.  I'm going to quote some things verbatim here to make sure there's no confusion.  Kimmel said "we hit some new lows over the weekend, with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from them."  He then made a comment that there had been "some criticism" of President Trump flying the flags at half mast, and then showed a video clip of Donald Trump being asked about the murder of Charlie Kirk (the report asking characterized Kirk as a "friend" of Trump's) and Trump responded by talking about the new renovations at the Rose Garden.  Afterward Kimmel's zinger was "this is not how an adult mourns a friend, this is how a four-year-old mourns a goldfish."

We're going to dissect a couple of things here, but I think it's important to note in that comment that what Kimmel said is not demonstrably false.  There was question online about whether or not Kirk was worthy of flying the flags at half mast (particularly the duration of how long it was happening).  Kimmel did not, for the record, say that Tyler Robinson was MAGA, but just that he thought that MAGA supporters were pushing hard for him to be labeled as a left-wing extremist (which is true-everyone from Nancy Mace to Donald Trump said as much), nor did he allege that Robinson wasn't MAGA (he may have implied it, admittedly, but he didn't say that).  He also said that Kirk's death was being used to score political points, which, again, is provably true.  Tucker Carlson, for example, has actively been fundraising on behalf of the Kirk Family, despite the Kirks having a net worth estimated at over $12 million.  And of course the clip of President Trump was legitimate-it was not doctored in a specific way and the president's reply was not taken out of context.  Nothing that Kimmel said could remotely be considered libelous.

I want to say that because many of the criticisms of Kimmel from the right have felt, quite frankly, a bit indulgent.  Kimmel did not, for the record, mock Kirk in any way, nor his wife, nor his family, nor what happened.  His joke was entirely at the expense of President Trump, and the Republicans who are talking openly about Tyler Robinson's motives (which, again, we don't know).  Whether or not you think it's appropriate for Kimmel to make these comments at all is entirely your right.  In America, we have freedom of speech, and it is totally your right as an American to call Kimmel callous, cruel, or to even ask for him to be fired from his show as a result of what he said.  He's a public figure, and you have that right (as does he).

FCC Chair Brendan Carr
In the wake of Kimmel's comments, though, something happened that threatened Jimmy Kimmel's right to free speech.  In an interview with Benny Johnson (a conservative podcast host), FCC Chair Brendan Carr said (again, quoting verbatim as words & accuracy matter), "We can do this the easy way or the hard way.  These companies can find ways to change conduct and take action, frankly, on Kimmel or there's going to be additional work for the FCC ahead."  Hours later (again, timelines matter here), NexStar and ABC both announced that they would not be airing Kimmel's show, and ABC (owned by Disney) said it would be on halt "indefinitely."  Donald Trump said after the firing "they gave me only bad publicity and press.  I mean, they're getting a license.  I would think maybe their license should be taken away."  Trump would go on on social media calling out other programs, encouraging NBC to fire late night hosts Jimmy Fallon & Seth Meyers, and Carr threatened investigative action into the daytime talk show The View.

Let's unpack a couple of things here, starting with perhaps the most important point-of-clarification: did Kimmel's firing violate his right to free speech?  Americans know that you cannot be imprisoned for free speech, but that it has consequences, and frequently these can impact the person who said them in terms of their employment.  A notable case of this happened during the first Trump administration, actress Roseanne Barr was fired from her eponymous TV show for using racist language on Twitter.  Had Kimmel been fired by ABC for his comments solely, or if his sponsors had threatened to walk, that would've been fine in terms of his right to free speech (it might have violated his contract with ABC, but that's a whole different matter, and certainly not one worthy of national conversation).

But freedom of speech isn't just about not going to prison...it's also free from interference from practicing free speech from the government.  If it was a case that Kimmel was fired not because of ABC or its affiliates or his show's sponsors, but because of public (or private) pressure from Trump, Carr, & the FCC, then Kimmel's freedom of speech was violated as it is illegal (under the Constitution) for the government to threaten to use their power to punish Americans (or American companies) for exercising their freedom of speech.  Because Carr said this publicly, threatening Disney & NexStar, and because Trump has subsequently threatened to remove the licenses of networks that criticize him, this is a flagrant, provable violation of Kimmel's free speech.

This is very serious, and I think sometimes when it comes to comedians people get dismissive, so before I finish up, I want to say three things.  First, it doesn't matter if "Jimmy Kimmel will be fine."  Kimmel, yes, has an estimated net worth of over $50 million, and can hole up in a random European country and live like a king for the rest of his life if he wants-he's still an American, and it's serious if he has his right to free speech taken away.  Second, it doesn't matter if you agree with Kimmel said or if you thought the joke was appropriate (or funny).  Personally, I wouldn't have made it, certainly not at the work place, because I would worry about offending (and because it's not really my brand of humor)...but I also would make a lousy comedian.  But that's not the point.  Freedom of speech only matters if it protects ALL speech, including (and especially) the speech you disagree with...if only speech that you agree with is protected under the law, then no one except the President has the right to free speech, which is a thoroughly un-American belief.

And third, and most importantly, this is not an isolated event.  In July, the CBS newsmagazine 60 Minutes settled a lawsuit with Trump ahead of a merger deal, giving the President $16 million that the news show's chief Bill Owens said had destroyed the show's independence.  Later that month, CBS fired Stephen Colbert and cancelled his Late Show program just one week ahead of a merger between Skydance and Paramount (CBS's parent company).  Both of these gave the appearance of being bribes to the Trump administration, as Colbert has been a vocal critic of the president.  A number of US Senators (including Adam Schiff, Elizabeth Warren, Ron Wyden, & Bernie Sanders) have alleged that these were coordinated, which again would have been a violation of Colbert's free speech, and essentially of the CBS News division's.  Taken in this light, Trump's comments about Jimmy Fallon & Seth Meyers, coupled with Carr's comments on the television program The View, feel particularly ominous, specifically given these show's histories of criticism and humor at President Trump's expense.

To conclude-I want to be very clear-it doesn't matter if you agree with what Jimmy Kimmel said (or if you like him, or if you ever watched his show).  This is beyond the concept of "cancel culture" where figures like Louis CK, Tucker Carlson, & Bill O'Reilly lost their shows or their movie contracts-all of that was done by private enterprise, not the government...a VERY big distinction.  Freedom of speech only matters if it's free for everyone, and if the government does not put pressure on private enterprises and citizens to match the specific values of those in power.  It is vitally important that we stand with Jimmy Kimmel, and that this cannot go unresolved or be dismissed as "just a news cycle story," because if it can happen to him...it can happen to you too.