Showing posts with label Madonna. Show all posts
Showing posts with label Madonna. Show all posts

Saturday, April 18, 2015

Everybody's Linking for the Weekend

This week was a really productive one for me personally, and that's only partially because I just spent a lot of money filling some gaps in my movie and book collections (The Simpsons article I did yesterday scared the crap out of me and I wanted to make sure I owned the same editions of all of the Gore Vidal' Narratives of History books).  However, now it's time to see what I wasn't productive enough to look into this week in the world of links.  Shall we?

On Entertainment...

Madonna
-The Cannes Film Festival lineup was announced this past week, and we saw a bevy of the world's finest filmmakers on the list to compete for the Palme d'Or (essentially the Nobel Prize of Film).  Todd Haynes' Carol, Gus van Sant's The Sea of Trees, Denis Villeneuve's Sicario, and Justin Kurzel's Macbeth were amongst the biggest films on the list, though it's Cannes so that doesn't mean that they're going to win, exactly (last year it went to Winter Sleep, a film most people weren't familiar with prior to attending).  Also screening there, though not as part of the competition, are George Miller's Mad Max: Fury Road, Woody Allen's Irrational Man, and the latest Pixar film Inside Out.  Finally, it's worth noting that Marion Cotillard, who has famously competed for Best Actress (and lost) the past three years in a row, is back again with Macbeth, though she'll face competition from the likes of Cate Blanchett, Emily Blunt, and Italian superstar Margherita Buy.

-The Daily Beast had a marvelously articulate article about Madonna's re-emergence to promote her new album Rebel Heart.  The article is spot-on (and includes a FANTASTIC dig against Piers Morgan, so it's worth the click just for that), and really brings up some great comparisons to men like Richard Gere and Harrison Ford who "remained sexy" into their 50's but how only women like Helen Mirren, who simply wink at their sexuality, are allowed to remain sexually viable past fifty.  Madonna of course isn't going to acquiesce to critics, but it's really sad because there's likely great music by former female superstars that just lies dormant because of this sexist attitude (U2, Bruce Springsteen, and the Rolling Stones continued to put out great records well past their "sexual prime," after all).  And speaking of women that constantly are abused by the media for daring to defy beauty standards, Sarah Jessica Parker will be returning to HBO, which is a welcome sign for anyone who recognized the genius of Sex and the City and why Carrie Bradshaw deserves to stand alongside Tony Soprano, Walter White, and Don Draper in the anti-hero pantheon.

-Sofia Vergara is involved in one of the stranger celebrity stories of the week, with her ex-boyfriend Nick Loeb suing her to stop destruction of two embryos they created through in-vitro fertilization before they broke up.  The case itself is actually quite intriguing from a legal perspective (who owns the rights to the embryos in this case, and where does it stand in the abortion legal lexicon?).  Throw in Vergara's celebrity and you have what may end up being a front-page news story for a while.

On Politics...

Gov. Chris Christie (R-NJ)
-I will admit to not usually enjoying Chris Cillizza, who leans a bit too hard right in his columns for my taste, but he's got a fascinating look at Gov. Chris Christie's depleted role in the 2016 race and whether or not he missed his moment to be president in 2012.  History is so much more intriguing in hindsight, but I think even at the time it felt like Christie was giving up a prime opportunity to be president.  This is true of others-Hillary Clinton/Al Gore in 2004, Al Gore/Mario Cuomo in 1992, Ted Kennedy in 1976, where the candidate may have had their best shot and missed it (and with the exception potentially of Clinton, none of them got to be president).  Christie could well end up pulling something like John McCain did in 2008 (an article for a different day), but that seems unlikely-at this point only a guy who likes long odds would bet on him resurrecting his political career.

-President Obama will visit South Dakota in May, giving the Mount Rushmore State the honor of being his fiftieth state visit.  I love this both because I think that president's should make a point of reaching out to states that aren't necessarily large or favorable to their party (like it or not, Barack Obama is the president for all Americans), and also because I love presidential trivia.  Obama will become the fourth president to visit all fifty states while in office, with Richard Nixon, George H.W. Bush, and Bill Clinton being the other three (President George W. Bush missed only Vermont, which was probably because there was a movement in the state to impeach him at the time).

-Proving that he is definitely running a long game election, Gov. Jeb Bush came out in favor of a confirmation on Loretta Lynch.  I know that Sen. Mitch McConell is trying to play hard ball here, but it's not really working-Lynch is about as non-controversial as a federal appointment can get, and it feels like they are denying a position, rather than a person (they should have gone for a federal judge with some skeletons in the closet instead to make this point).  I also loved the joke Jeb made about trying to prove that his candidacy isn't just breaking a tie with the Adams' family (the only other father-son presidential pair), even if it might hint at the insularity of the White House.  In fact, my only qualm with Jeb this week was his jab at Hillary Clinton for going to Chipotle.  Republicans-stop talking about Hillary at Chipotle.  It's idiotic, makes you look idiotic, and, also, everyone loves Chipotle.  It's not a winnable fight.

-Sen. Heidi Heitkamp owns the internet...and is decidedly Team Stark.

Shameless Self-Promotion of the Week...

-Can someone go back in time and greenlight this movie?

YouTube Video of the Week...

-Human perfection Christina Bianco recreates the classic "Get Happy/Happy Days" performance made immortal by Judy Garland and Barbra Streisand (Christina of course does both voices splendidly).




Just One More...

-If any of my readers live in Los Feliz, can you please go to this restaurant so that this trend starts to hit the rest of the country, because churro ice cream sandwiches are something I need in my person immediately.

Friday, October 05, 2012

50 Years of James Bond

The OVP will be finished up by Sunday, but I couldn't let the momentous occasion of James Bond turning 50 pass by without a mention.  James Bond has had limited success at the Oscar's, but that doesn't mean that he hasn't left an indelible imprint on the world of cinema.  While I can't claim that I have seen every single Bond film (someday, perhaps), I can claim that I know every single Bond theme by heart.  The pride and joy of my iPod is that I have created a playlist of every Bond theme, and in honor of 007, let's grab our martinis and rank the 25 (I'm cheating on three) best Bond songs.

25. "Never Say Never Again," Never Say Never Again performed by Lani Hall
A very paint-by-numbers Bond song that is one of three questionable inclusions on this list (I'm a sucker for a round number, and this got me to 25), this song from Sean Connery's final performance as 007 sounds an awful lot like lounge music.  Considering that so many singers at the top of their careers get Bond songs, it seems odd that Lani Hall, never a huge star, got this opportunity.

24. "The Living Daylights," The Living Daylights performed by A-ha
Again, an odd choice in hindsight, though A-ha was a fairly big band at the time, so who knows.  Either way, a slow-moving and dull addition to the Bond catalog (something many people said about this Timothy Dalton outing).

23. "For Your Eyes Only," For Your Eyes Only performed by Sheena Easton
Sheena Easton was a huge act at that time, and seemed like a solid chanteuse for the likes of Bond, but her song seemed a little bit too sweet for the Bond franchise.  This film in general is largely forgotten, save for the scandalously leggy poster.  The song did earn Bond one of his four Oscar nominations for best song, however (it lost to Arthur).

22. "Tomorrow Never Dies," Tomorrow Never Dies performed by Sheryl Crow
I love Crow, and her "soak up the sun" infectiousness definitely has its time and place, but it isn't in the world of Bond.  Even though she's trying to reach to the darker depths, she's clearly out of her element when compared with sirens like Shirley Bassey or Tina Turner.

21. "All Time High," Octopussy performed by Rita Coolidge
Coolidge may have been a little bit out of her comfort zone, but I love her just the same, and this is a surprisingly effective Bond outing, if again, a little bit too sweet.  Though it needs to be said-don't you kind of wish someone had tried to tackle the Bond tradition of singing a true title song?  Can you only imagine what they would have done here?

20. "The Man with the Golden Gun," The Man with the Golden Gun performed by Lulu
Lulu got a bum deal-first, she has to follow McCartney's classic Bond outing, and then got stuck with this clunker of a title.  She pulls it off with a zesty, if not always memorable, ditty.

19. "Die Another Day," Die Another Day performed by Madonna
Madonna brought the Bond music back to the Billboard charts, and it seems wildly appropriate that the Material Girl, who has contributed a lot of memorable music to the screen, managed to be part of the Bond tradition.  That said, the techno music coupled with an aging Pierce Brosnan was probably not the best mix.

18. "Another Way to Die," Quantom of Solace performed by Jack White and Alicia Keys
This is one of the few Bond films I've seen in theaters, and it's probably one of my least favorite outings.  After reinventing the franchise just a few years earlier, this was a convoluted mess, and the song didn't help that-the duet idea doesn't work, and Keys, whom I love (hence the higher ranking), doesn't fit the Bond mix enough with her bluesy sound rather than soul.  In some perfect alternate universe, Amy Winehouse rightfully got to take the Bond theme for this movie, as was rumored at the time.

17. "A View to a Kill," A View to a Kill performed by Duran Duran
I was nothing but a wee thing during the 1980's, so I do not have a strong affinity to Duran Duran, and their ballad-y approach doesn't seem to fill the dark moodiness that we typically associate with Bond.  Of course, that isn't to say this isn't a solid piece of music by itself, and as this was the last of the Roger Moore movies, perhaps a sense of whimsy was in order.

16. "You Know My Name," Casino Royale performed by Chris Cornell
This song was much maligned upon its first release, despite the actual film revitalizing the Bond franchise to the point of perhaps being the finest film in the series.  I never understood the vitriol, however, and I found this energetic and just manic enough for the newer, darker, but still debonair 007.

15. "Moonraker," Moonraker performed by Shirley Bassey
Forget Ursula Andress or Halle Berry-Shirley Bassey is the true Bond girl.  This, one of her three Bond themes (the only artist to tackle three), is probably the least-it doesn't have that Bassey feel of cutting like a perfectly-tuned jackhammer.  It was originally planned for Johnny Mathis, which probably would have been a much, much better fit for the ethereal song.  That said, it's still Shirley Bassey, and it more than gets the job done.

14. "A License to Kill," A License to Kill performed by Gladys Knight
The other installment of the Dalton years had a far superior theme, sung by a solo Gladys Knight.  It doesn't have the drama of the Bassey numbers or the evil mischief of Tina Turner, but it has that marked soul that Knight always brings to a performance, and a sweeping full orchestra to back up her desperate tuneful pleas.

13. "The World is Not Enough," The World is Not Enough performed by Garbage
Remember Shirley Manson?  The incredibly sexy lead singer of Garbage lent her pipes to this sweeping ballad, which may have been a little lax, but Manson's impressive alto carries it all the way through.  Plus, it managed to maintain its gravitas despite being attached to a movie where Denise Richards plays a nuclear physicist named Christmas Jones, so yeah, it deserves a lot of credit.

12. "From Russia with Love," From Russia with Love performed by Matt Munro
Munro, largely unknown in the United States, still managed to have bit of a crossover with this slick, perfectly-themed entry into the Bond canon.  I love the cliffhanger aspect of the song, which works perfectly for an introductory theme (which is typically where a Bond theme plays), though for the record, this film does not play over the opening credits.

11. "Thunderball," Thunderball performed by Tom Jones
Jones' song has not always been appreciated (come to think of it, neither has Jones), but come on-how many singers could crescendo for a complete three minutes without bursting.  Those final notes are huge, and you know that Shirley Bassey had that ending in mind when she tried (and succeeded) in topping it in Goldfinger.

10. "The Look of Love," Casino Royale performed by Dusty Springfield
The second of our three "cheats," as this film was more Bond spoof than actual Bond film, but Springfield deserved a Bond theme at some point, so we're going to count it.  Dusty lived up to her name with this moody and, though a parody, totally legit Bond croon.  Also OVP Alert!: this received an Academy Award nomination in 1967, but sadly lost to Doctor Doolittle.

9. "You Only Live Twice," You Only Live Twice performed by Nancy Sinatra
One of the more epic Bond films, it's fitting that it gets a soaring and stunning ballad by the super hot and famous (at the time, and for those of us who enjoy wearing boots, for all time) Nancy Sinatra.  Though her pops oddly never headlined a Bond movie, she did the family brand proud with this dreamy number.

8. "Skyfall," Skyfall performed by Adele
I may regret giving it this high of a ranking, but it moved me.  A truly haunting, very much in the theme of the Bond franchise, entry from everyone's favorite singer.  I love the proud British tradition she carries on with the film, not only being a blockbuster vocalist, but native to James Bond's homeland.

7. "We Have All the Time in the World," On Her Majesty's Secret Service performed by Louis Armstrong
The final quibble (since technically the instrumental introduction is the theme, and not Armstrong's number), but it's just too good of a piece of music to discount.  Armstrong, who was in ill health at the time, still knocks out a home run, combining both a wink and a tear in this love ballad (appropriate, considering that this is one of the most romantic Bond films).

6. "The James Bond Theme," Dr. No performed by John Barry
It could so easily be number one-it's so iconic, I don't really no where to put it, so we're going with sixth, just to sort of highlight the break between the strong songs and the iconic.  It's a credit to Barry, though, that this is one of the most instantly recognizable themes in the history of cinema.

5. "Nobody Does it Better" The Spy Who Loved Me performed by Carly Simon
The spy who loved me is keeping all my secrets safe tonight...you can't help but smile while listening to Carly's easy-listening, but still high-flying, take on a Bond song.  This record blew-up the charts, and actually received an Academy Award nomination as well, though somehow lost to Debby Boone's "You Light Up My Life."  Don't feel too bad for Carly-eleven years later, she'd take home the gold guy for Working Girl.

4. "Live and Let Die," Live and Let Die performed by Paul McCartney & Wings
Paul McCartney has more completely recognizable hits than any living person (or, quite frankly, any pop singer, ever).  It must be impossible to plan his concerts-so many hits, so little time.  However, it's hard to see a way that this one doesn't always make it into the lineup, one of his biggest post-Beatles songs.  The song received an Academy Award nomination, but lost out to The Way We Were (can you imagine a time when the Oscar Best Song category had two hits that big?!?)

3. "Goldeneye," Goldeneye performed by Tina Turner
Bond had long been out of commission when Pierce Brosnan took over, and it was a bit of a risk to bring back the flailing franchise.  Tina also hadn't been tearing up the charts for a while prior to taking on this song.  But just as surely as Brosnan revitalized the Bond franchise, Tina gave a shot to its theme songs.  You can tell the entire song that she's having a blast, and when she hits that note (you know the one), it gives me chills every time.

2. "Diamonds are Forever," Diamonds are Forever performed by Shirley Bassey
Yes, it may be a little overkill to give this the second spot (since even the most casual of Bond fans knows where number one is going), but Dame Shirley Bassey is the perfect Bond chanteuse-mysterious, over-the-top, and with pipes (and gams) to next Tuesday.  Harry Winston probably signed over the vault after hearing her demands.

1. "Goldfinger," Goldfinger performed by Shirley Bassey
The perfect Bond song-Bassey continues the crescendo leading into one of Bond's best movies with a set of cheesy lyrics that she sells to the rafters.  You need a woman with vocals of steel to sell the man who only loves gold, but Bassey's voice just gets bigger and bigger and bigger, until you're sure it'll fill Fort Knox.

And those are my rankings-what about you?  Who falls where in your favorite Bond themes?  Is Shirley your ultimate Bond girl, or are you more partial to Adele, Madonna, Tina, Gladys, or Nancy?  And if you're handing out Oscars-which Bond themes most were in need of them?