Showing posts with label Errol Flynn. Show all posts
Showing posts with label Errol Flynn. Show all posts

Saturday, February 28, 2026

The Sun Also Rises (1957)

Film: The Sun Also Rises (1957)
Stars: Tyrone Power, Ava Gardner, Mel Ferrer, Errol Flynn, Eddie Albert, Juliette Greco
Director: Henry King
Oscar History: No nominations
Snap Judgment Ranking: 2/5 stars

Each month, as part of our 2026 Saturdays with the Stars series, we are looking at the men & women who created the Boom!-Pow!-Bang! action films that would come to dominate the Blockbuster Era of cinema.  This month, our focus is on Errol Flynn: click here to learn more about Mr. Flynn (and why I picked him), and click here for other Saturdays with the Stars articles.

Errol Flynn, one of the most consistently strong performers at the box office for Warner Brothers for nearly 18 years, ended his career with the studio in 1953.  At that point Flynn was in his mid-40's, and while his handsomeness was still there, years of drinking & health problems made it unlikely that he could achieve some of the stunt acrobatics that were a huge calling card in his early fame.  After going broke trying to self-finance The Story of William Tell (a film that never was actually released), he started to make bad decisions with his career, making B-movies, choosing poor projects like Istanbul & The Big Boodle, and only really had one important film left in him, where he would have to endure the indignity of being fourth-billed, here against a guy who for much of the 1930's & early 40's, one could argue Flynn was a more important action star than, Tyrone Power.

(Spoilers Ahead) The Sun Also Rises is a glossy Fox film that tackles Ernest Hemingway's famed novel.  This is where I'm going to confess something that doesn't often come up on this blog: I don't particularly care for Ernest Hemingway's writing, and in some ways that translates to the screen.  A lot of the novel's strength comes from discussions about Jake's (Power) impotence, both as a man who has moved on from a war (and a nation that has stolen his virility without much thanks), and that comes across in the movie...to a degree.  The Hays Code was getting hit a little bit at the time (if you look at posters for this film, they say very clearly "Not Suitable for Children" and that's because they use the actual word "impotence" in the film), but that lack of sexual stamina is lost in the movie because they can't really discuss it as the Code still drove a lot of scripting decisions.  It doesn't help that Power is at least ten years too old for this part (it's hard not to wonder how different this might've been in the hands of an actor like Marlon Brando, who was closer to the age Jake is in the novel), and that they aren't really able to point out how Ava Gardner's Lady Brett absolutely loves sex, and while she takes on some "lovers" in the film they aren't really hinted at in an oblique way.  It all feels dry and neutered (pun truly unintended...only caught the double entendre while editing this article).

Flynn's character is essentially a cad, one who can satisfy Brett (which Jake can't, even though they're in love with each other), but isn't honorable and is a giant walking fuck boy.  This isn't a new part for Flynn, but I will say that, even robbed of much of his charisma (and a decent script), Flynn is the best part of this movie because there's an unrest in his performance that I found really melancholy.  He plays his Mike as a man who knows he's a failure and likely to die unsatisfied...but also can't stop himself.  Flynn would die of a heart attack, exacerbated by cirrhosis & fatty degeneration of the liver, just over two years later at the age of only 50.

That is not where Flynn's story ends though, and in many ways it was only beginning.  In terms of Classical Hollywood stars, only Marilyn Monroe can rival Flynn for things we found out about him after his death.  For starters, there are allegations that Flynn had a sexual affair late in his life with 15-year-old actress Beverly Aadland, whom he would make his last movie Cuban Rebel Girls with (during which time Flynn spent much of production becoming pals with Fidel Castro).  There have also been a lot of debates about his politics, with some accusing Flynn of being a fascist, specifically the highly-publicized biography by Charles Higham which also alleged that Flynn was bisexual and was a Nazi spy.  There is no evidence of him being bisexual or a spy (he was investigated by the FBI, and they didn't find evidence of this), but it is a case where he was friends with Herrmann Erben, who was a Nazi intelligence officer during World War II, and whom Flynn was friends with until at least 1940 (after meeting on an expedition to Spain in the 1930's), and possibly throughout World War II.

This was not the only friendship that Flynn had that caused headlines after his death.  A correspondence with Church of Scientology founder L. Ron Hubbard was uncovered in Penthouse magazine in 1982 by Hubbard's son Ronald, and the two would engage in sexual & drug-induced debauchery together.  It's worth noting we haven't heard from Flynn's son Sean, a photojournalist, about him because he would disappear in 1970, likely being killed by the Khmer Rouge in Cambodia (we talk about this more in one of our Unsolved Hollywood mysteries articles here).  All-in-all, Flynn's life is remarkably complicated by the many things he was never asked about as they came to light after his death, making his star persona one of the most challenging to tackle beyond the big screen.

Saturday, February 21, 2026

OVP: Objective, Burma! (1943)

Film: Objective, Burma! (1943)
Stars: Errol Flynn, James Brown, William Prince, George Tobias
Director: Raoul Walsh
Oscar History: 3 nominations (Best Film Editing, Score, Motion Picture Story)
Snap Judgment Ranking: 2/5 stars

Each month, as part of our 2026 Saturdays with the Stars series, we are looking at the men & women who created the Boom!-Pow!-Bang! action films that would come to dominate the Blockbuster Era of cinema.  This month, our focus is on Errol Flynn: click here to learn more about Mr. Flynn (and why I picked him), and click here for other Saturdays with the Stars articles.

To talk about Errol Flynn, you cannot ignore the almost cartoonish difference between the flawed-but-noble heroes that he perfected on the big screen, and the debaucherous nature of his real-life persona, which was brought to the foreground in 1942 when Flynn was accused of statutory rape by two teenage girls.  To note, Flynn at the time was still a huge movie star, having just finished releasing Desperate Journey with Ronald Reagan to enormous box office days before the accusations-Warner Brothers was not in a position to just cut him given the box office receipts.  But the scandal was huge, as the shocking details of what happened were spread in papers across the country.  Attorney Jerry Giesler, at one point the most famous lawyer in Hollywood, was able to get Flynn acquitted, mostly by destroying the reputations of the women who accused Flynn of rape.  But something happened in the wake of this scandal that would not be the case for a number of other figures (like those of Fatty Arbuckle, Mabel Normand, & later Ingrid Bergman): Flynn emerged with a different reputation, but one that largely still had box office draw even in the immediate wake of the scandal, and was still allowed to work regularly in Hollywood

(Spoilers Ahead) That can be seen in the movie Objective, Burma!, which was released just over two years after the trial, and was by pretty much all accounts a hit, and it wasn't Flynn's only one of this period.  Gentleman Jim was released during the height of the coverage to success, and both of the (now largely forgotten) movies that Flynn released in 1943 were also hits.  In fact, Flynn would be successful for much of the mid-1940's...but he'd do so in very different pictures.  Objective, Burma! is a good example of that.  The film is a fictionalized telling of the Burma Campaign during World War II, with Flynn playing an army captain whose platoon is trudging through the jungle, in near constant danger from the Japanese.  The film is one of several movies that were released during the Golden Age of Hollywood that favored realism over a more fictionalized, personalized storytelling method, in many ways resembling more a documentary film (which was a familiar format to audiences during WWII due to newsreels), than a more traditional storytelling technique.

As a result, the film is technically really impressive.  The special effects, especially during some of the early attack scenes when we see an entire army camp decimated by timed explosions, are wonderful, and the sound work & cinematography are strong.  But the movie itself is a bore.  With the exception of George Tobias (the future Mr. Kravitz on Bewitched), none of the numerous side characters stand out, and frequently you're left watching their deaths be mourned onscreen with an internal monologue of "which guy was this again?" all of which makes the film's three Oscar nominations (for editing, writing, and music) feel a bit like a head-scratcher: why are we awarding these when the special effects or sound work are the actual calling card here?

Flynn, as well, feels muted to the point of being boring, something that never crossed my mind during his Captain Blood and Robin Hood era.  Whether intentionally or not, much of the work that Flynn stars in that I've seen after his trial feels a bit too noble, as if the studio was scared to put him into films where he could be seen as a rake or a cad...because it suddenly felt too close to home.  This would cause his career in the late 1940's to suffer, as audiences who had been more than willing to give in to a controversial celebrity in the wake of his trials because they still loved him so much, weren't willing to give in to the studio wanting to clean up his image onscreen to protect them from the public confusing real life and fiction too much.  It wasn't until the studios finally let him play another sex-pursuing hero in The Adventures of Don Juan in 1948, that audiences truly returned home, and allowed him to be a dependable box office draw into the early 1950's.

This is all to say that Flynn's reputation, and much of his modern association (if you ask lay moviegoers what they know about him today, it will be the statutory rape allegations) did not have the impact on his career that later major movie stars like Mel Gibson or Johnny Depp would receive when they had scandals threaten their careers.  Gibson & Depp would see their careers largely evaporate, but despite some setbacks in the years after the war, Flynn largely got away fine from this scandal-it is only history that really hurt him, but if you look at what his career was like, he paid a surprisingly small price for one of the biggest scandals of Hollywood's Golden Age.

Saturday, February 14, 2026

OVP: The Private Lives of Elizabeth and Essex (1939)

Film: The Private Lives of Elizabeth and Essex (1939)
Stars: Bette Davis, Errol Flynn, Olivia de Havilland, Donald Crisp, Alan Hale, Sr., Vincent Price, Harry Stephenson, Nanette Fabray
Director: Michael Curtiz
Oscar History: 5 nominations (Best Art Direction, Cinematography, Visual Effects, Sound, Scoring)
Snap Judgment Ranking: 2/5 stars

Each month, as part of our 2026 Saturdays with the Stars series, we are looking at the men & women who created the Boom!-Pow!-Bang! action films that would come to dominate the Blockbuster Era of cinema.  This month, our focus is on Errol Flynn: click here to learn more about Mr. Flynn (and why I picked him), and click here for other Saturdays with the Stars articles.

Errol Flynn lasted as a movie star for decades, but as one who was pretty much unimpeachable in terms of his box office, this period lasted roughly from 1935-1942, at which point he was oftentimes the biggest star on the Warner Brothers lot, give or take Bette Davis & James Cagney.  During this time, Flynn was married to the same woman, actress Lila Damita, but he had a history of womanizing.  Like Gary Cooper before him, he had an affair with Lupe Velez, and would get drunk off of William Randolph Hearst's vodka.  This reputation as a party boy was in stark juxtaposition to the men he'd play onscreen, frequently honorable scoundrels, or in the case of today's movie, a truly honorable man stuck in an impossible situation between two women.  This would also pair Flynn with both of the actresses that he'd be most associated with in his career: Olivia de Havilland, whom he would have a largely amicable relationship with, and Bette Davis...with whom he would not.

(Spoilers Ahead) The film is a glossy historical melodrama, one where facts should not get in the way of a good monologue.  Private Lives is about an aging Queen Elizabeth (Davis, in de facto kabuki makeup), who is clearly desperately in love with the handsome, popular Earl of Essex (Flynn), but cannot have him in the way that she wants because it would put at risk her power.  She instead constantly finds herself at odds with him, usually in open court, and has fights with him, using her lover as a pawn in a number of battles, oftentimes risking his life as punishment for not returning her love in the way that she wants, because he's also power-hungry.  This all happens while the beautiful Lady Penelope (de Havilland) is also pursuing the Earl, which in the film's final moments we're led to believe was nothing, and that Elizabeth was his own true love.  Of course, at that point Elizabeth has publicly demanded the Earl's head for trying to be her equal, and there is no way out for the Queen, doomed to forever remain unmarried & unloved (except by England).

This is territory we've been to cinematically-Elizabeth's inability to find love because she is not beautiful and demands power instead has been informed by everyone from Helen Mirren to Glenda Jackson to Cate Blanchett to Margot Robbie (even Bette would go to this well twice).  Davis, at the peak of her power and beauty, wears intense makeup that makes her look, well, hideous (and years older than she was), in some ways foreshadowing her later triumph in Baby Jane Hudson.  But the movie, despite looking divine (the costumes, art direction, & cinematography are all a triumph, though why it got a special effects nomination at the Oscars is beyond me...the Scoring nomination is a bit cheeky given there's a song sung by Olivia de Havilland's character written by the actual Walter Raleigh, here played by Vincent Price in an early role), is kind of a snore.  Davis overacts to the rafters (with diminishing returns), de Havilland is fun but too small of a part, and Flynn's performance is a bit underwhelming.  Flynn is so grand in swashbuckling roles, but (as we'll see in the coming weeks), he was a somewhat limited actor when it came to going beyond that ken.  He is breathtakingly beautiful in this-it takes an actress as confident as Davis to appear in this kind of makeup against Flynn, who looks like a Raphael painting in some scenes, and risk being thought ugly, but I don't think he can land some of the scenes, save for the last 15 minutes, when he's betrayed by Davis & they both seem to be in a much better movie.

Offscreen, Davis and Flynn were not close in the same way that he was with de Havilland, and it's hard to pinpoint the exact nature of their relationship given that Davis would outlive him by decades, and therefore be able to go on talk shows (and discuss in memoirs) what she thought of him, and regularly change her mind.  She seemed to not like his ethics as an actor (finding he preferred celebrity more than the serious craft that Davis believed screen-acting), and also thought it beneath her to share billing with him in the film (you'll note, watching it now, that Davis, not Flynn, gets top billing, which makes sense in retrospect given her legend, but at the time would've been a genuine debate as both were equally valuable to Warner Brothers).  Davis wanted Laurence Olivier, who wasn't famous enough to get a role like this in 1939 (Wuthering Heights had not come out when production was in motion), and at one point (according to Hollywood legend) actually slaps Flynn for real in one scene, rather than faking it as would be typical on a production, which caused Flynn to become ill.  Davis, though, had kinder words about Flynn than I do in this movie, conceding that she thought him very good years after the fact while watching the movie, and telling de Havilland "he can act!"

Saturday, February 07, 2026

OVP: Captain Blood (1935)

Film: Captain Blood (1935)
Stars: Errol Flynn, Olivia de Havilland, Lionel Atwill, Basil Rathbone, Ross Alexander
Director: Michael Curtiz
Oscar History: 2 nominations (Best Picture, Sound Recording)...at least in terms of official nominations.  In reality, because of write-in awards, Captain Blood is usually regarded as having been nominated for Best Director, Adapted Screenplay, and Score (and nearly won the first two) because Warner's block voting allowed people to write in names that weren't actually nominated, so when we finally reach the 1935 OVP I'll have to make a judgment call on what to include...but only Best Picture & Sound are recognized by the Academy as official nominations.
Snap Judgment Ranking: 4/5 stars

Each month, as part of our 2026 Saturdays with the Stars series, we are looking at the men & women who created the Boom!-Pow!-Bang! action films that would come to dominate the Blockbuster Era of cinema.  This month, our focus is on Errol Flynn: click here to learn more about Mr. Flynn (and why I picked him), and click here for other Saturdays with the Stars articles.

With some of the stars we've profiled in the past seven seasons, I've had a bit more time to really reflect on their careers and in some cases their careers were traditional enough that it was mostly just talking about that week's movie.  That...will not be the case with Errol Flynn, whose gigantic personal life is worthy of multiple biographies, and you can't really get to all of it in four articles.  So we'll break it up into four sections: his early career (and partnership with Olivia de Havilland), his peak stardom (and the juxtaposition between his big screen & real life personas), the sex scandal that dramatically changed his career (and changed in many ways the way that we talk about Hollywood scandal), and the bizarrely long list of things that were discovered about Flynn after his death, most of which is allegation since Flynn himself wasn't able to commentate on it.

(Spoilers Ahead) If you're going to talk about Errol Flynn's early stardom, you can't really do it without talking about Captain Blood, the 1935 film from Warner Brothers that turned him into a household name.  The film, seeing it for the first time (one of an increasingly small list of Best Picture nominees I've never caught before), is glorious.  It's a story about a young doctor named Peter Blood (Flynn), sold into slavery but bought by a clearly smitten woman named Arabella (de Havilland), and how he slowly works his way up in the ranks, specifically by treating the governor's gout.  In a bid to escape his bondage, he turns into a pirate (but an ethical one!), and storms the Caribbean, eventually finding Arabella captive (and buying her, thus paying his debt), before eventually, thanks to some honorable help to the English army, becoming governor himself, and wedded to Arabella.

The movie is silly, and it's a bit too dry in parts (when it wants to make sure you know that Peter is a fan of social justice, as this is a Warner Brothers movie), but you won't care for two reasons.  One, the production is scrumptious-gorgeous ships filled with detail, and special effects you kind of can't believe.  It's hard not to watch this and think of not just the Pirates of the Caribbean move, but also the Pirates of the Caribbean ride at Disneyland, as it uses many of the same motifs, particularly the battle scene.  If you're a Disney adult, this needs to be added to your list as you won't regret it.

The other is that Flynn and de Havilland are divine together.  At the time they were not famous.  De Havilland was only 19, and Flynn (despite some bit work in film & theater) had not struck it big yet.  But their chemistry is palpable, and they're both so freaking gorgeous.  That's the thing with Flynn-save for maybe Buster Crabbe, he was (by modern beauty conventions) possibly the sexiest man in movies, and he looks it, even with a ridiculously hideous haircut.  You see Olivia de Havilland swoon over him, and you swoon over him too.

And that was what audiences in the 1930's did-they demanded more of Errol & Olivia.  Both actors have been pretty forthright that there was a romantic attraction to each other, but that they did not consummate the relationship.  At the time, Flynn was married to Lila Damita (who, proving how incestuous Old Hollywood was, had just finished an affair with Captain Blood director Michael Curtiz), and de Havilland (whose later Hollywood conquests would include Jimmy Stewart and a tortured affair with John Huston) was about to become one of the many flames of Howard Hughes.  But their professional relationship would create one of the most important duos of the Classical Hollywood era, starring together in eight films between 1935 and 1941, after which Flynn would encounter unfathomable scandal and de Havilland would become a pioneer against the studio system.  But when they were on, they were undeniable.  And in the best-regarded of their movies, The Adventures of Robin Hood, they created one of the most enchanting films ever made.

Sunday, February 01, 2026

Saturdays with the Stars Errol Flynn

Each month of 2026 we are looking at an actor or actress who found their fame in action films, fighting bad guys & saving the day.  Last month, we talked about Douglas Fairbanks Sr, one of the biggest names in Hollywood in the 1920's who made his career playing swashbuckling pirates and carefree good guys.  This month, we're going to talk about the man who would be, in many ways, the Sound Era's answer to Douglas Fairbanks, a man so absurdly handsome that he was destined to be the guy who got the girl, fighting his way through soundstages as a buccaneer and a rake.  He would also be, by most measures, one of the most scandalous figures in the history of Classical Hollywood, to the point where his personal life is still debated to this day.  This month's star is Errol Flynn.

Flynn was born in Tasmania in 1909, the son of a biology professor, and while he would spend his childhood in Australia, his ancestry hailed from the British Isles, and he would eventually end up in London when he went to boarding school.  Flynn would in many ways live the life he would eventually emulate onscreen in his early adulthood, being fired for being a thief and going fortune-hunting in Papua New Guinea, prospecting for gold.  A chance opportunity to appear in an Australian telling of the Mutiny on the Bounty (where Flynn would play Fletcher Christian) led him to go to London, and then Hollywood, to try his hand at acting.

Relatively soon into his time in acting, Flynn would star in Captain Blood, which would set a trio of precedents that would be hallmarks in his career.  First, he'd star with Olivia de Havilland, his leading lady in eight movies (the film would make them both household names).  Second, he would have huge success-for a time Flynn was one of the most reliable box office draws for Warner Brothers.  And third, he would be typecast in a way that never afforded him the eventual critical awards that would befall de Havilland (she has two Oscars, he was never even nominated).  Flynn's career is hallmarked by a number of attempts to get outside of his role as a roguish hero, one who clearly has a good heart even if he occasionally strays from the right side of the law, but it's not what the public wanted.  He would spend decades trying to get outside of that role, but he'd never achieve it-audiences wanted to root for Errol Flynn...

...which is why his movies are very much a situation where celluloid does not equal life.  Because off-screen, Errol Flynn has had everything from pretty much confirmed scandals (drug abuse and relationships with underage girls which would result in his career being sidetracked, though not forever) to the bizarre (everything from allegations of bisexuality & fascism to a unique friendship with L. Ron Hubbard, the founder of Scientology).  We've got a lot to cover, but we're going to attempt to get to all of it as we take a look at one of several polarizing actors we'll talk about this season.

Thursday, June 06, 2024

Cry Wolf (1947)

Film: Cry Wolf (1947)
Stars: Errol Flynn, Barbara Stanwyck, Geraldine Brooks, Richard Basehart
Director: Peter Godfrey
Oscar History: No nominations
Snap Judgment Ranking: 3/5 stars

Throughout the month of June we will be doing a Film Noir Movie Marathon, featuring fifteen film noir classics that I'll be seeing for the first time.  Reviews of other film noir classics are at the bottom of this article.

One of the things you notice quite often with film noir is that it's not always clear if films that are "marketed" as film noir will perfectly fit into that genre.  Frequently you'll get what is essentially an adult drama or a gangster picture or even just a straight-up thriller that will be marketed as a film noir, with a bit of a buyer remorse on the other end (especially if you're writing a series about film noir).  Less often, you'll run into a movie like Cry Wolf, from 1947, a movie that is clearly a film noir.  We have an enigmatic, beautiful woman entering a man's office in the opening scene to talk about a mysterious death-pretty much everything involved in a film noir boils down to that sentence.  But what makes Cry Wolf so intriguing is that if it was done right, it wouldn't be a noir.  It would be a horror movie.

(Spoilers Ahead) The film is about Sandra Marshall (Stanwyck), whose young husband has recently died, and left her the entirety of his estate.  She goes to retrieve her inheritance from her husband's uncle, Mark Caldwell (Flynn) who did not know about the marriage, and initially wants to contest it-a vast fortune, one that would likely go to he or his niece Julie (Brooks) is on the line, and he's not giving that up easily.  Sandra stays at the family estate in the meantime, and while she does, they become better acquainted, but she is still suspicious of what he's doing in his off-limits laboratory, particularly after Julie dies in a horrible accident (or "accident" in Sandra's mind).  The film's closing turns out that there is something nefarious happening in Mark's lab, but not what she thinks.  It's not Mark, but her late husband Tom (who is not actually late, but is played by Richard Basehart) who is up to no good, as he's mentally insane and has killed a man, which is why Mark has been keeping Julie & Sandra away from it.  Before Tom can kill Sandra, he falls to his death, and the movie ends with Sandra & Mark likely to end up together romantically, living off of Tom & Julie's money.

That last sentence is not as ruthless as it sounds in the movie, but it's as ruthless as it should've been in the movie.  The Hayes Code frequently meant that movies had to be morally upright, and it's clear in a film like Cry Wolf that this is getting in the way of the plot (I'm aware this is based on a novel-I have not read it so I don't know if the novel is different, but if you have, I would love some insights in the comments).  The reality is that the way the film is set up, it's far more interesting if one of the leads are actually the killer, rather than Basehart who shows up out of nowhere and the film really needs you to trust him initially, even though we know that he's clearly the bad guy given the time and setting and that the studio would want Stanwyck or Flynn to get together.  A movie where Flynn is a mad scientist and the ending shows Stanwyck being chased through the house by the man she's fallen in love with...or a movie where Stanwyck kills Flynn and gets the entire fortune & it's revealed she's been a heartless gold-digger killing this family for its fortune (ala Saltburn) the whole film...both of these are better conclusions.

Because honestly, there's a lot to like about Cry Wolf.  The mood and ambience are strong from the beginning, and it has such a great premise, you really want a ghost story or at least some set of deception.  Flynn and Stanwyck are really unlikely partners onscreen (this was the only film they ever made), and their chemistry is strong until they make sure you know that they're both on the up-and-up.  There are even hints of a werewolf subplot afoot (wouldn't that have been terrific?), which comes to nothing.  Cry Wolf is in its end, a moody, well-crafted (great score) movie that's more good ideas than good execution.

Thursday, October 31, 2019

12 More Famous Unsolved Holllywood Deaths

It is Halloween, and I had every intention this month of doing another mini-series devoted to something spooky (and film-connected), but alas time got away from me and I will probably pocket the idea until next year.  But I don't want to leave you hanging, so I'm going to be talking about something else sinister, and conclude a trilogy of articles we started way back in April: our look at some of the most famous of unsolved Hollywood murders.

If you're behind please check out the first two installments in this series here and here, as they're definitely up your alley if you're interested in either Hollywood or true crime (or both!).  I could arguably continue this series indefinitely, as there's countless crimes in the Los Angeles area that would have connections to the movies, but I feel a trilogy is the best way to sum this up.  Starting to look at whom or what I might include in a fourth article, I realized we were getting more just into local crimes, rather than finding a proper Hollywood connection, and as this is a film blog rather than one associated with crime articles exclusively, I figured it would be appropriate to finish this series in three acts.

Since this is our finale on Hollywood homicides, we're going to get to eight crimes that I think are lesser-known, but fascinating.  They involve an Oscar-winning actress who (might) have had some connection with her husband's death, an Oscar-winning actor who (might) have killed a comedy pioneer, and the strange death of an Oscar-winning actor who (might) have been killed on the orders of a dictator; we'll also look at a death of a famous adult film star who almost certainly wasn't murdered, but whose whereabouts (and questions around whether she's alive or dead) are too bizarre not to discuss.  And since this is the final installment in our series, I'm going to acquiesce and include in the article four of Hollywood's most famous deaths, all of whom have inspired conspiracy theories for years, and we'll discuss why I don't entirely buy them (even if the deaths might have some intriguing unanswered questions).  As I mentioned in our past installments, this obviously involves some heavy subject matter, so if you're light-of-heart I suggest you read at your own risk.

Nick Adams

The Hollywood Connection: Adams was a bit player in Hollywood that stayed on the periphery of fame while never become as iconic as some of his costars.  Among his best-known work is The Rebel, an ABC western that ran for two seasons & Twilight of Honor, where he plays an alleged killer obsessed with Joey Heatherton.  Twilight won him an Oscar nomination, but Adams is best remembered today for his friendships with (and rumored romances with) two 1950's superstars: James Dean & Elvis Presley.
The Murder(?): On February 7, 1968, Adams was found dead by his attorney Ervin Roeder at his home in Beverly Hills.  Well-known coroner Thomas Noguchi (he'd also perform the autopsies on Marilyn Monroe, Sharon Tate, & Natalie Wood) performed the autopsy, and said Adams died of "accident/suicide/unknown" due to excessive amounts of sedatives and drugs in Adams's system.
Why It's Unsolved: Occam's razor dictates that Adams killed himself or accidentally overdosed on drugs.  This seems to be what Noguchi discovered in his medical reports, and is backed up by actress Susan Strasberg (who saw Adams the night he died) who said he was despondent over his failing career and marriage.  However, rumors persist to this day that Adams death was more nefarious.  There was gossip at the time that Adams was going to write a tell-all (his career was going nowhere, so a tell-all would have been a source of cash for a work-strapped actor), and considering his potential romantic entanglements with people like Presley & Dean (never mind any other better-kept secrets), there would have been a considerable amount of sway to keep his knowledge of Hollywood's closeted community a secret...potentially at all costs.


Arthur Farnsworth

The Hollywood Connection: Farnsworth himself had no connection to Hollywood-he had been just a normal New Hampshire innkeeper before his death.  However his wife happened to be one of the most famous women in the world when they married: screen legend & two-time Oscar winner Bette Davis.  Farnsworth was Davis's second husband, and her only marriage that didn't end in divorce, though it may have ended in something more nefarious: murder.
The Murder(?): Farnsworth died on August 25, 1943.  Initial reports at the time were that he had died of a brain hemorrhage, possibly as a result of falling on the sidewalk on Hollywood Boulevard.  However, after Farnsworth died, Davis was questioned by police about whether or not an accident had occurred earlier involving Farnsworth.
Why It's Unsolved: Despite initial media accounts at the time (including in the LA Times), stating that Farnsworth died as a result of falling on the sidewalk on Hollywood Boulevard, it's probable that Farnsworth died as a result of an accident he'd sustained a few weeks earlier, when he had fallen down a flight of stairs in the couple's New Hampshire home.  Davis at the time claimed that Farnsworth had fallen when he rushed too quickly to answer the phone, but there are some who believe that Davis and Farnsworth had been fighting at the time, and that Davis during the fight had pushed Farnsworth down the stairs, ultimately leading to his death.  It does seem odd, especially considering initial reports about the Hollywood Boulevard incident (where Davis was not in attendance) that Davis was questioned by police investigators at all in the inquest of Farnsworth's death if they had assumed it was simply a brain hemorrhage caused by an accident.  It's worth noting that 16 years later Joan Crawford, Davis's longtime rival, also had a husband (Alfred Steele) who may have died as a result of being pushed down a flight of stairs, though those allegations from from her daughter Christina Crawford, whose stories about her mother have varied through the years, and as a result have a question of credibility.

Sean Flynn

The Hollywood Connection: Flynn briefly worked as an actor and singer in the early 1960's.  He had a small role in Where the Boys Are opposite George Hamilton, and made a number of films in Europe, most notably The Son of Captain Blood, a sequel to a film his father, actor Errol Flynn, made into a smash hit for Warner Brothers in the mid-1930's.
The Murder(?): By the late 1960's, Flynn's acting career was going nowhere, and it seemed like his passion was more for photojournalism than entertainment anyway.  He was gaining fame as a war correspondent in both Vietnam and Israel.  On April 6, 1970, Flynn and CBS News photojournalist Dana Stone were headed out on intel that the Viet Cong were manning a checkpoint on Highway 1.  The two were never seen again.
Why It's Unsolved: Flynn and Stone were likely two of 25 journalists that were captured during the initial invasion of Cambodia by Richard Nixon in 1970; but according to people who were there that day like AP correspondent Jeff Williams, there's even some speculation over whether or not they were even captured.  Several of the 25 journalists were executed by the Khmer Rouge, but there has never been any evidence as to whether or not Flynn & Stone were killed, arguably the most well-known figures to disappear at the time (but by no means the only ones).  Journalist Tim Page, who was Flynn's roommate (and the inspiration for Dennis Hopper's character in Apocalypse Now!) is still searching for Flynn's remains, with frequent and constant trips to Cambodia.  In 2010, a body was found, but members of the Flynn family (including Sean's sister Rory) were tested and the DNA was not a match, so it's still not known what happened to Sean Flynn, how he was killed, or even if he's dead at all.

Ted Healy

The Hollywood Connection: Healy enjoyed a long career as a comedian and vaudeville performer, but he is best remembered for creating the Three Stooges.  He starred with them in the film Soup to Nuts, but after a contract dispute, Healy abandoned the comedy group, and signed a contract for MGM, where he worked alongside Spencer Tracy, Robert Young, and Peter Lorre before his death.
The Murder: On December 21, 1937, Healy died while out celebrating the birth of his son, the only child he'd ever have.  Official reports at the time were that he died of acute nephritis, triggered by his chronic alcoholism, but a lot of questions surround Healy's death and the events that happened immediately before he died, enough so that over 70 years after his passing, some still wonder if he was the victim of something more sinister.
Why It's Unsolved: According to reports at the time, Healy had been in a fight the night of his death, and had injuries on his face, including a cut near his right eye.  Reports were that Healy had been in a fight with some men at the Trocadero, then a well-known Los Angeles night club.  These reports were initially that Healy had fought with three anonymous younger men, but later reports indicated far more famous individuals had fought with Healy: Oscar-winning actor Wallace Beery, producer Albert Broccoli, and Broccoli's cousin, another film producer Pat DiCicco (whom you may remember for his connection to another well-known unsolved Hollywood crime, the death of actress Thelma Todd).  Enough questions surrounded Healy's death that his personal physician refused to sign the death certificate, and if you believe Hollywood lore, MGM fixer Eddie Mannix covered up the incident (Beery was under a star contract to the studio at the time) to save face for one of their leading men.  While Beery & DiCicco have never confessed to seeing Healy that evening, Broccoli has-he admitted to being at the Trocadero, and that he fought with Healy but denied it being particularly aggressive.  If Healy's death was in fact triggered by the fight, rather than his chronic alcoholism, it's entirely possible one of these three men were responsible for his death.


Christa Helm

The Hollywood Connection: Helm was a bit player in Hollywood, making guest spots on shows like Starsky & Hutch and Wonder Woman.  However, her offscreen life reads like a who's who of Hollywood elite; among her paramours were Mick Jagger and Warren Beatty, as well as famous (non-movie star figures) like the Shah of Iran.
The Murder: Helm died on February 12, 1977 at the age of just 27.  She had been stabbed and bludgeoned to death outside of her agent's home in West Hollywood.  Actor Jon Gries, then just 19, lived nearby, and later described hearing a noise coming from near where Helm was being murdered similar to "a screaming baby or a cat being killed," but frightened, he didn't call the police or go to investigate.
Why It's Unsolved: At the time, the press were more enamored with the connections between Helm and another Hollywood murder, that of Sal Mineo exactly one year prior to Helm's (at the time, Mineo's murder was still unsolved).  However, the press soon lost interest in the Mineo angle, and focus then turned onto the most salacious & mysterious aspect of Christa Helm's death: her sex diary.  Helm, who as we already stated had a number of famous lovers, had kept a sex diary and a collection of sex tapes that were not found after her death.  Police have alleged that Tony Sirico (the actor who played Paulie Walnuts on The Sopranos), then a small-time criminal, was hired by someone to remove the tapes, either to protect Helm or to protect someone who would be implicated in the diaries/videos.  Suspects in the killing range from Sirico to Helm's agent Sandy Smith to drug dealer Rudy Mazella (with whom Helm was allegedly involved romantically) to another lover, backup singer Patti Collins (DNA evidence under Helm's fingernails from the night of the murder came from a woman) to even Lionel Williams, the man who murdered Sal Mineo (it seems that initial rumors that Williams was arrested at the time of Helm's murder were inaccurate, and so the alibi that is allotted to him on some articles about Helm's death isn't real), but no one has ever conclusively proven who killed Christa Helm, despite decades of investigation.

Bruce Lee

The Hollywood Connection: Lee is noted as a major star of martial arts films of the 1970's, including the landmark Enter the Dragon.  In Hollywood, he didn't make his mark before his death, though he did have a role on the ABC comic book series The Green Hornet as Kato.
The Murder(?): Lee died on July 20, 1973, officially of a cerebral edema at the age of only 32.  He had had dinner earlier that evening with actor George Lazenby, and after dinner Lee had complained of a headache.  He was given a painkiller (Equagesic), and according to doctor's later, had something of an allergic reaction to the drug, causing the cerebral edema, which killed him.
Why It's Unsolved: On the facts, this is how Lee died.  Just a few months earlier he'd suffered another cerebral edema while on the set of Enter the Dragon, and so there was clearly a medical history here that would indicate this was an unfortunate accident involving a man who already had health problems.  But in the decades since, rumors have persisted that Lee was murdered, though the culprit depends on whom you ask.  Some think that his business partner Raymond Chow did it (Chow did see Lee the day he died, for what it's worth), while other think it was actress Betty Ging Pei, with many positing that Lee was having an affair with her.  Others have blamed gangs like the Chinese Triads, upset that Lee was sharing long-held martial arts secrets.  These all seem fanciful to me, particularly since Lee clearly had a medical history that would support his tragic death at such a young age.  But it's impossible to read about Lee, particularly after the equally tragic death of his son Brandon on the film set of The Crow, without someone bringing up his death as "mysterious," so I include this because no list of "unusual" Hollywood deaths would be complete without Bruce Lee.


Jenny Maxwell

The Hollywood Connection: Maxwell is best-remembered today for her small but memorable role in the Elvis Presley musical Blue Hawaii.  She also starred with Jimmy Stewart in Take Her, She's Mine, and had guest appearances on Father Knows Best, The Twilight Zone, and The Joey Bishop Show.  Maxwell's celebrity never took off, and she retired from the movies in 1963, essentially become a "trophy wife" to the much older Ervin Roeder, a wealthy attorney.
The Murder: On the afternoon of June 10, 1981, Maxwell and Roeder were shot in their Beverly Hills condo.  Police at the time assumed it was a botched robbery, with the young actress dead at the age of only 39.
Why It's Unsolved: Little is known about the crime, probably because there's not much evidence to indicate that Maxwell or Roeder were specifically targeted by someone they know.  Most people assumed that the murders were part of an apparent robbery, but that's speculation-based on newspaper reports of the time and according to articles afterward, there doesn't appear to be any indication that anything was actually taken from the home.  What is worth noting, in the confines of this article, is that Roeder also had another very famous client at one point, Nick Adams, so both men ended up dying in unusual circumstances.

Marilyn Monroe

The Hollywood Connection: Forgetting the fact that she starred in films like All About Eve, Bus Stop, Some Like It Hot, and The Misfits, Monroe essentially is Hollywood at this point, her visage being on everything from slot machines to doormats.  More than pretty much any other star, she encompasses a type of glamour that is synonymous with the Golden Era.
The Murder(?): Monroe died on August 4, 1962, at her Brentwood mansion.  She was found dead by her housekeeper Eunice Murray and psychiatrist Ralph Greenson the following die, and the coroner's report eventually stated that she had died of acute barbiturate poisoning, with the coroner ruling her death a suicide.
Why It's Unsolved: Marilyn Monroe probably committed suicide.  It's the most likely scenario, and considering the troubled life the starlet had led, one with a good deal of credibility.  But Monroe was SO famous, it's hard for anyone to imagine her taking her own life, and so it's worth noting that conspiracy theories abound about her death, so since we're closing out this series about Hollywood True Crime, I couldn't ignore the most famous "what happened?" death in Hollywood history.  The most common conspiracies center around Monroe's relationships with John & Robert Kennedy, who were President and Attorney General, respectively, when Monroe died, and legend has it that both had a sexual relationship with Monroe at some point.  Allegations that Bobby Kennedy in particular either used his connections at the CIA/FBI to have Monroe assassinated, or that someone murdered Monroe to get to the Kennedy Brothers have been rumored for decades, being shared by everyone from Norman Mailer to British journalist Anthony Summers.  While there is enough smoke there to assume that an affair with at least one Kennedy brother probably occurred, the legend of Monroe potentially being murdered (a fate that would eventually befall both brothers) continues to persist nearly sixty years after her death.


Haing Ngor

The Hollywood Connection: A former doctor who survived for years in Cambodian prison camps, Ngor made his film debut portraying journalist Dith Pran in 1984's The Killing Fields, which won him the Academy Award for Best Supporting Actor, with him beating longtime thespians like John Malkovich and Ralph Richardson for the trophy.
The Murder: Ngor was shot to death on February 25, 1996, in Los Angeles near his home in Chinatown.  According to prosecutors, three men held him at gunpoint and after he gave them his gold Rolex, they murdered him because he wouldn't give them a locket which held a photo of his deceased wife.
Why It's Unsolved: In some ways, it's not-unlike every other crime on this list, we actually have a conviction and know who killed Haing Ngor, as the three men who shot him (Tak Sun Tan, Jason Chan, & Indra Lim) were convicted and are currently serving their sentences for his murder.  However, there are enough strange questions around Ngor's death to include him on an "unsolved" list, namely as to why he might have been murdered seemingly at random.  For starters, Ngor still had nearly $3000 on him after his death, making a robbery by the three men seem at the very least very poorly executed.  Ngor also didn't typically have the locket visible (he usually wore it under his clothes), so how did the men, who claimed they didn't know who he was, know that he would be wearing it & demand he give it to them?  Some have speculated that Ngor was killed on Pol Pot's orders for his involvement in the film The Killing Fields, a theory posited by former Khmer Rouge leader (and, it should be remembered, war criminal) Kang Kek Iew.  It seems a stretch that Pol Pot, who was still alive when Ngor died and was still ordering executions (in 1997 he ordered the murders of his associate and his entire family), might want to kill a man who had been in a movie critical of him twelve years prior, but considering the questions surrounding Ngor's death, it's worth wondering.

Nicole Brown Simpson & Ronald Goldman

The Hollywood Connection: As if I need to tell you this, but it's not Nicole Brown Simpson or Ronald Goldman who had the connection to Hollywood, but instead Brown Simpson's ex-husband OJ, who would go from being a Heisman Trophy winner to star Buffalo Bills running-back to one of the more successful athlete-actor crossover stars, appearing in movies/television as varied as The Towering Inferno, Roots, Capricorn One, and The Naked Gun franchise.
The Murder: On June 12, 1994, Brown Simpson and Goldman were stabbed to death outside of her home in Brentwood.  Both individuals had been stabbed repeatedly, with Brown Simpson nearly decapitated from the homicide, and Goldman's cut shoes indicating he had tried (but failed) to overcome his assailant.  Over 25 years later, no one has ever been convicted of their deaths, and the case remains officially unsolved.
Why It's Unsolved: I avoided talking about Marilyn Monroe, Bruce Lee, and Johnny Stompanato because I feel that the most-likely answer to these questions is that they're solved, with the former two having died tragically but not as the result of homicide, and the latter dying in an act of self-defense.  Nicole Brown Simpson & Ron Goldman, though, were definitely murdered, but I have kept their murders out of previous installments because this is a case (if you lived through it) you know by heart.  In many ways this was the birth-place of the 24-hour news cycle as something to be mocked, constant discussions of the crimes dominating cable news in a harbinger of things to come.  For those who have lived under a rock or are under thirty, the question of what happened to these two boils down to if you believe OJ Simpson murdered his ex-wife and her friend (and potential lover).  Simpson was headed to Chicago the night of the crime, but his limousine driver claimed that he couldn't get ahold of Simpson right away, and that while he was waiting for the football player Simpson's Ford Bronco had moved (thus affording Simpson opportunity to commit the crimes).  Simpson had a history of abuse toward his ex-wife, and had claimed that he'd "thought about killing her" in the past, but he was not convicted after an extensive trial (I could devote an article this length just to the Simpson case, but you can find a hundred books on it if you wish to learn more).  Jurors on the trial claimed afterward that they thought Simpson had been involved in the murders, but that the prosecution had failed in making their case.  Public perception in the years since has favored the idea that Simpson got away with his wife's murder, particularly after the release of the book If I Did It, where Simpson posited how he might have killed his ex-wife, but double jeopardy is in place even if he did kill the two individuals.  Simpson would go on to be charged with armed robbery, serving a ten-year sentence, and would continue to maintain his innocence, as would a number of others (the most common alternate theory being that Brown Simpson & Goldman were connected to a drug trafficking crime that also was connected to the death of Michael Nigg, whose murder we looked at in Part 2 of this series).  Whatever your beliefs, the deaths of Brown Simpson & Goldman stand as one of the most discussed crimes in Hollywood history, and remain (officially) unsolved.


Johnny Stompanato

The Hollywood Connection: Stompanato had very little himself to do with Hollywood, as he was a former Marine who was part of Mickey Cohen's crime syndicate when he died.  However, in 1957, Stompanato began a relationship with one of the biggest stars in Hollywood, Lana Turner.  Turner, at this point in her career, had been a major player in Hollywood for 15 years, having starred in movies such as The Postman Always Rings Twice, The Bad and the Beautiful, and Peyton Place.
The Murder: Leading up to the night of the Academy Awards in 1958, Stompanato's behavior toward Turner had turned extremely violent, with him choking her.  At the Oscar ceremony (where Turner was nominated for Best Actress for her work in Peyton Place), Turner decided to take her daughter Cheryl Crane instead of Stompanato, which caused him to be angry when she returned, and he beat her again.  Eight days later, on April 4, 1958, according to reports at the time, Stompanato was again violently attacking Turner, even threatening to slice up the beautiful actress's face with a razor (which would have ended her career), when Crane stabbed Stompanato through the stomach while he was attacking her mother.
Why It's Unsolved: Here's the thing-it's not.  I wrote up-top that four of these stories I wanted to discuss because they were too big to leave out before we concluded our look at unsolved Hollywood crimes, but the Stompanato case came back with Crane being exonerated, a case of justifiable homicide.  This is the most likely scenario, considering Stompanato's history of abusing Turner, and threatening both she and her daughter with violence.  However, there are those who believe that the crime was premeditated, a way for Turner to get Stompanato out of the picture without having him (who was reportedly blackmailing her with nude photos he'd taken without her consent) expose intimate secrets about her life, thus ruining her career.  There are also those who believe that Crane took the fall for her mother, believing that a teenage girl would be more easily exonerated.  If this is indeed the case, the only person who would know is Cheryl Crane, still alive at 76 and recently married to her longtime partner Joyce.  Despite the bad press at the time (with the skeptics claiming Turner "acted" on the stand), her stardom was back at a high point a year later, when the actress would act in the biggest hit of her career, Imitation of Life.


Bambi Woods

The Hollywood Connection: Woods's connection to Hollywood is not because she was a star or even bit player at a Hollywood studio, but because she came to fame during the 1970's heyday of pornography playing in mainstream cinemas.  Woods starred in one of the era's best-remembered films, Debbie Does Dallas, which would go on to become the best-selling pornographic film of all-time.
The Death(?): As stated above, I wanted to profile one Hollywood disappearance/death that has a lot of questions behind it, but almost certainly didn't end in murder-that would be what happened to Bambi Woods.  Woods completely disappeared from the public eye in the mid-1980's, and her fate has never been revealed.
Why It's Unsolved: It's not entirely clear at this point if Woods (who would be 64) is still alive or not.  According to an Australian newspaper entitled The Age Woods died in 1986 from a drug overdose (they did the article to mark a musical version of the movie Debbie Does Dallas being released).  A later documentary from the British Channel 4 claimed that a private investigator had found the actual Woods, and that she was living an ordinary life in Des Moines, Iowa, under a different name where people didn't know her connections to the porn industry, but this was rebutted by internet site Yes But No But Yes that interviewed a woman claiming to be Woods who was not from Iowa, but said the rest of the story was largely true-that she was living under an assumed name.  Suffice it to say, no one has ever come up with conclusive proof of what happened to Woods or if she's even still alive, and the film's director has never revealed what her real name was.  The mystery surrounding her death is amplified by other nefarious aspects of the film (one of Woods's costars, Arcadia Lake, died of a drug overdose, and the film was produced by mob boss Michael Zaffarano), but even by itself-the fate of Bambi Woods is a really odd mystery that has persisted for over thirty years.

Monday, August 05, 2019

OVP: The Adventures of Robin Hood (1938)

Film: The Adventures of Robin Hood (1938)
Stars: Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains
Director: Michael Curtiz & William Keighley
Oscar History: 4 nods/3 wins (Best Picture, Editing*, Art Direction*, Score*)
Snap Judgment Ranking: 5/5 stars

Movies can tug on the hearts of men, they can make their souls fly and their eyes weep and their dreams flutter.  Movies like Schindler's List or Sunset Boulevard or Citizen Kane are heavy, discussing the human experience in all of its depth and complexity.  We need these sorts of movies to launch important discussions & to confirm the emotions that the medium can bring, as rich as any art form.

And then there are movies like The Adventures of Robin Hood, which are about as deep as a teaspoon, but are as frothy and fluffy and delightful as ice cream in August.  I don't know how I have not seen this movie (along with Strangers on a Train which we'll be seeing for this month's "Saturdays with the Stars," this might be the most important American film that I'd never seen before), as it regularly shows up on the lists of the "Greatest Films of All Time," but boy am I glad that I finally got around to the movie.  Shot in dizzying Technicolor, the movie is cinematic magic, wry & whimsical, the perfect way to spend an afternoon for even the most jaded of film lovers.

(Spoilers Ahead) The movie doesn't really stray too much from what we think of as the Robin Hood legend (in many ways this is the film that most of the future Robin Hood filmic iterations is based upon), but I'll go over it briefly just for posterity.  Robin Hood (Flynn) is a Saxon nobleman loyal to Richard the Lionheart, who has been taken captive by an Austrian Duke, leaving behind his brother Prince John (Rains) to run England.  This is a problem since Prince John, as you surely must know, is terrible (side note: as a royalty buff, it's always bugged the crap out of me that the only English king to share my name is generally considered one of their worst).  He begins to fleece and hang the countryside with the aid of his ruthless righthand-man Sir Guy (Rathbone), who is smitten with King Richard's ward Lady Marian (de Havilland).  Robin Hood creates a band of merry men to stop Prince John & Sir Guy, and while he is captured, he quickly escapes in a fit of daring, and eventually brings back King Richard to throw Prince John into exile and Robin kills Sir Guy in combat.  The film ends with him getting to marry Lady Marian.

The film, as you can see from above, is relatively in-line with what we expect from the Robin Hood legend, but where Adventures sets itself apart is through the actual acting and production of the film.  Errol Flynn has never been more dashing & just impossibly sexy as Robin, a righteous do-gooder who still has a wry smile whenever he's in the presence of Lady Marian.  In real-life Flynn was a drunken scoundrel who slept with anything that moved, so it's proof of how well he could play against type here that he's honorable, noble, but giving off the sort of energy that he's clearly well-funded in his codpiece.  Rains is also so good even if this is also a bit of type-casting for the actor, who seems to always play erudite villains.  De Havilland makes the most of a role that could easily have just been no lines and just said "look beautiful," making her Marian true & actually landing her bigger scenes in a way that would recall her momentous work the following year in Gone with the Wind.  Overall, for an action-adventure the acting is a treat, and it enhanced the careers of pretty much everyone on set.  Even de Havilland's palomino, named Golden Cloud, got work as a result of this picture-the horse was seen by Roy Rogers, who loved it, purchased it, and renamed it Trigger...the rest is western history.

But it's the production value that makes this a classic.  The costuming is divine-de Havilland has never looked more radiant (and considering how long she was in pictures, this is saying something).  The movie didn't win an Oscar nomination for the category (because the category didn't exist yet, it certainly would have otherwise), but it did nab trophies for editing, art direction, and score, all of which were well-earned.  The editing is splendid-the action sequences are incredible, and while the stunts are in hindsight an OSHA nightmare (legend has it that men were paid $150 for actual arrows to be shot at their chest, a risky move in case, you know, the arrow moved north & missed the target), the scenes are riveting.  The moment where Flynn's Robin jumps from a noose onto a horse is staggering, and this ranks as one of the best action-adventures I've had the privilege of seeing, with the sharp editing a main culprit.  The art direction is sublime, especially in gaudy Technicolor, and the score is legend.  Erich Wolfgang Korngold thought the movie beneath him, but wanting an operatic score for the picture, Warner Brothers chief Hal Wallis allowed Korngold a weekly contract (unheard of at the time) to complete the picture.  Korngold relented, and while he was composing the score in Los Angeles, his Austrian home was broken into by the Nazis.  Korngold ended up making one of the cinema's most iconic scores & grabbing an Oscar for his work; had he not done the picture, it's very likely that the Jewish musician would have died in a concentration camp during World War II.

Monday, December 01, 2014

OVP: My Favorite Year (1982)

Film: My Favorite Year (1982)
Stars: Peter O'Toole, Mark Linn-Baker, Jessica Harper, Joseph Bologna, Bill Macy, Lainie Kazan
Director: Richard Benjamin
Oscar History: 1 nomination (Best Actor-Peter O'Toole)
Snap Judgment Ranking: 2/5 stars

Classical Hollywood is a land of dreams, and frequently illusions.  In the 1980's and ever since, we have seen the Golden Age of Hollywood, land of a thousand movie stars, torn apart.  Bing Crosby and Joan Crawford were hardly as noble as their onscreen characters.  Rock Hudson was hardly going to end up with Doris Day.  Perhaps the first of these onscreen stars to watch their career wildly torn asunder was Errol Flynn, a swashbuckling movie star of the 1930's and 40's who watched his celebrity torn apart by salacious sex scandals and an endless stream of booze.  Flynn's demise is seen on full-display in My Favorite Year, a 1982 film most noted for its sole Oscar nomination in Best Actor.  My Favorite Year never actually mentions Flynn, of course, but he's apparent in every single scene-you can clearly tell which star Peter O'Toole is trying to encapsulate.  It's a fun, meta trick in an otherwise dull and dated comedy, and almost worth the price of admission.

(Spoilers Ahead) The film tells the tale of Allan Swann (O'Toole) a slightly washed-up former matinee idol who is trying to stage a comeback of sorts on television.  He's guesting on a show clearly mirroring Sid Caesar's Your Show of Shows (the film is executive produced by Mel Brooks, who is the inspiration for Mark Linn-Baker's Benjy Stone), but doesn't seem to have enough ground in reality anymore to actually perform, as he's constantly on a bender or ending up in bed with a random woman.

The film is always at its best whenever O'Toole is onscreen, which isn't as often as you'd think considering its star billing.  Mark Linn-Baker is actually the main character (in today's Oscars, someone might have considered O'Toole for the supporting category, even though this is a Miranda Priestley style situation and he belongs in lead), but he doesn't have enough of a presence to really sell his character, frequently trying to be both Mel Brooks and Woody Allen at once, but never having the charisma to be either.

I loved the way that O'Toole is so vicious in the way he takes down the pampered life of movie stars.  He shows how he's essentially constantly being admired, with people throwing themselves at him with little idea of what sort of a scoundrel he is offscreen, and how he needs his assistants and chauffeur to essentially do everything for him-all he is required to do is stand in front of a camera and be admired. O'Toole gets all of the great lines ("I'm not an actor, I'm a movie star!") and the casting director for this film gets great credit for having a rascal of a character played by a rascal of an actor.  Someone with less magnitude than Peter O'Toole, a great actor but an equally great cinema star would have been crushed under the weight of overacting.  With O'Toole, we give him multiple benefits of the doubt when he's charming-we want to be part of his world just like everyone wants to be part of Allan Swann's.  It's a great little trick, and though O'Toole is not helped by the saccharine ending (did we really need the deadbeat dad story, or quite frankly anything involving Benjy's home life with the always lovable but in this case totally unnecessary Lainie Kazan?), he's still quite good.

The film could have used more of this movie star panache, as even though it's essentially about television, TV had stars too, but it's hard to see them here.  I loved the one "blink-and-you'll-miss-it" homage to classic Hollywood (the woman that O'Toole dances with at the restaurant is 30's leading lady and future Oscar nominee Gloria Stuart), but it would have been better if we'd seen more of them. A little more name-dropping and more of Allan as movie star would have given the film a shot in the arm when it felt long (and it's only ninety minutes).

Those are my thoughts-what about yours?  Has anyone seen My Favorite Year, and if so, what did you think?  Where does Peter O'Toole rank in your 1982 Best Actor lineup (when you have Ben Kingsley, Paul Newman, Jack Lemmon, and Dustin Hoffman as your competitors, you know it's going to be a tough competition)?  And did anyone else notice the Gloria Stuart cameo?  Share your thoughts in the comments!

Sunday, September 28, 2014

AFI's 25 Greatest Actors, Part 4

This article is part of a 15-Year Anniversary series commemorating the American Film Institute’s 25 Greatest Stars.  For the Actresses, click the numbers for Parts 12345, and 6.  For the Actors, click the numbers for Parts 12, and 3.

We've now gone through all of the actors that were on the list of the 25 greatest from the AFI.  A crowning achievement, to say the least.  And yet, don't you feel like a few names were missing?  Like I did with the actresses (click through all of the links above if you're catching up, as there's been a lot of discussion centering around this conversation), I thought it was appropriate to chronicle ten superstars of the era who probably just missed the cut.  These ten men were the closest in my opinion (if you disagree, click on the comments below):

Montgomery Clift (1920-1966)

Oscar Nominations: 4 nominations, though he would never win an Academy Award during his short but celebrated career.
Why He Was Close to the List: Montgomery Clift was one of the first leading men to really be emotional or sensitive onscreen.  Paving the way for the likes of James Dean and Marlon Brando (and people like Ryan Gosling and James Franco today), he was intensely beautiful, but also someone with a secret, an introvert with something to tell.  He probably is still referenced so often today not just because of his tragic life and his closeted homosexuality (the gays are taking over this list, for the record-he's not the only one that I'm name-checking), but because his acting style is far more utilized by today's leading men and women than that of Bogie or John Wayne.  He was a pioneer of the hidden emotion.
Why He Missed: Clift's career never fully recovered after his near-fatal car accident in 1956, when his emotional state (already a bit damaged) and his physical appearance became altered and deteriorated quickly as a result.  Consequently, his filmography is impressive but quite brief, costing him against someone as prolific as Edward G. Robinson or Robert Mitchum.
My Favorite Performance: Looking through, I've actually seen almost all of Clift's films (I didn't realize this, but I have well over 50%, better than any other actor we've profiled, male or female, except for James Dean).  I will go with his sensational work in A Place in the Sun, where he plays a social-climber who wants nothing more than to leave his past where it is, but cannot escape it.
Glaring Miss in His Filmography: As I said, I've seen most everything.  I'll go with Hitchcock's I Confess as I'm curious to see what Hitch does with an actor that he knew was gay off-screen (Hitchcock was pretty good about the gay allegory and worked it well with Anthony Perkins).

Bing Crosby (1903-1977)

Oscar Nominations: Crosby received three nominations in his career, winning for Best Actor for Going My Way.
Why He Was Close to the List: Crosby's stature in the film community is still recognized today, particularly with his work in Holiday Inn and White Christmas (it helps when you star in a holiday classic-take note actors wanting longevity).  Crosby's vocal prowess and singing ability was legendary, and his many films with Bob Hope are still remembered to this day.
Why He Missed: A couple of reasons.  For starters, like Hope, his principle fame didn't seem to just be from the cinema, but instead from a different format (for Hope, it was stand-up and television, for Crosby, it was music).  It appears that most of the actors listed by the AFI are chiefly famous for their on-screen ability (only Judy Garland really made the crossover to another medium with an equal level of success).  There's also the little factor that Crosby's reputation has taken a severe downturn since his death due to his parenting skills and bizarre will (much like Joan Crawford's, an actress who probably could have made it to the Top 8 had it not been for Mommie Dearest).
My Favorite Performance: Unlike Clift, I don't love Crosby in quite the same way (I always found Bing a bit stiff onscreen) and so I'll go with a personal favorite from childhood in White Christmas.
Glaring Miss in His Filmography: In one of those rare situations where I haven't seen a Best Picture winner (I've seen over 80% of them), I've never seen Going My Way, which would need to be at the top of the list.

Errol Flynn (1909-1959)

Oscar Nominations: Flynn never received an Oscar nomination or win in his career, a stunning bit of news considering how long he was a Box Office draw.
Why He Was Close to the List: Flynn lives on today as a swashbuckler par excellence.  His name conjures images of dashing technicolor and elaborate sword battles.  It helps when you're creating an on-screen persona if you have one that no one else has ever had or can imitate, and that was the case with Flynn, who was a cad but one that you rooted for onscreen.
Why He Missed: Flynn doesn't have a particularly large list of easily-recognizable classics in his oeuvre, with the obvious exception being The Adventures of Robin Hood.  His extremely questionable relationship with Beverly Aadland (when she was just fifteen) further damaged his reputation in Hollywood, which was already pretty badly damaged from years of pretty open philandering (he reportedly romanced Marlene Dietrich and Delores del Rio while married).
My Favorite Performance: I'm not going to embarrass myself here.  I've seen a spattering of Flynn films, but none of note, and none that I'm going to claim as a favorite for such a legendary actor.
Glaring Miss in His Filmography: Clearly I've got my work cut out for me (there's a chance you do too if my theories about his filmography are to be believed).  Together we can make a point of hitting The Adventures of Robin Hood, Captain Blood, The Private Lives of Elizabeth and Essex, and The Sea Hawk.

Charlton Heston (1923-2008)

Oscar Nominations: Heston received only one Oscar nomination in his career, but he won for it in Ben-Hur.  He also received the Jean Hersholt Humanitarian Award in 1978.
Why He Was Close to the List: Heston was one of the biggest and most recognizable stars of the 1950's, frequently leading his way through biblical epics like El Cid, Ben-Hur, and in particular The Ten Commandments that are still watched heavily today (most of these films you can catch on Turner Classic Movies during Easter).  He also made Planet of the Apes late in the 1960's, adding another classic to his list of motion pictures.  All-in-all, there is no one else in the history of the movies that quite had the stature and heroic gravitas that Heston did onscreen (for those unfamiliar with his onscreen work-and for the love of pete, please change that-Russell Crowe in Gladiator probably comes the closest), and with the shift toward more relatable heroes, we probably won't see another one ever again.
Why He Missed: While with Flynn and Crosby I think part of their miss on the list came from their offscreen behavior, I'm utterly confident that Heston's was a result of that as his filmography is too big to ignore otherwise.  Heston's neoconservative beliefs and in particular his strong advocacy for the National Rifle Association alienated him from a generation of moviegoers and bitterly divided public opinion on him, an opinion that only got worse in the years following the creation of this list (particularly after Michael Moore's documentary Bowling for Columbine was released).
My Favorite Performance: I genuinely loved Ben-Hur and think that it's an epic masterpiece, but Heston was better in Touch of Evil, where he has to match wits with Orson Welles and watches his entire world slowly deteriorate.
Glaring Miss in His Filmography: I've seen the Big Five films from Heston (all name-checked above), so I'll go with The Agony and the Ecstasy, an adaptation of the Irving Stone novel where Heston plays Michelangelo.

Rock Hudson (1925-1985)

Oscar Nominations: Hudson received one Academy Award nomination in 1956 for Giant (he lost to Yul Brynner).
Why He Was Close to the List: Hudson's fame comes from two different places.  First was his acting in the 1950's and 1960's in larger-than-life roles romancing Elizabeth Taylor and most frequently Doris Day (he later enjoyed success on television opposite Susan Saint James in McMillan & Wife).  The second source of his fame surrounded his personal life (he was one of the very first major stars in Hollywood to come out as gay) and his bringing AIDS to light in a major way to the public (Hudson ended up dying from the disease, but his admission that he had AIDS was a hugely influential point in the AIDS awareness movement considering now everyone in America knew someone who had the disease).
Why He Missed: Hudson's fame at this point is almost entirely surrounding his sexuality and his association with AIDS.  His filmography hosts films like Giant and Pillow Talk, but it's not really large enough to compete with someone like John Wayne or Kirk Douglas who enjoyed decades of hits and significant movies.  Also, Hudson suffers a bit from that stereotype that pretty men can't act (don't believe this is a stereotype?  Compare the Best Actor lineup to the Best Actress lineup in any given year and tell me I'm wrong).
My Favorite Performance: I love Hudson as the hunky fake Texan in Pillow Talk, where he manages to be both charming and incredibly sexy while wooing Doris Day.
Glaring Miss in His Filmography: Like Clift, I've seen most of Rock Hudson's most significant films. I'll probably pick Ice Station Zebra (which plays constantly on Turner Classic Movies), one of his last major hits.

Charles Laughton (1899-1962)

Oscar Nominations: Laughton earned three Oscar nominations during his career, winning for The Private Life of Henry VIII.
Why He Was Close to the List: One of the great Shakespearean and theater actors, Laughton commanded major respect on the screen in almost everything he did (for those unfamiliar with his persona, think Philip Seymour Hoffman meets Laurence Olivier, with a bit of homosexuality for flavoring).  He brought a theatrical sense to the screen, and had the good sense to play in large epics during most of his career, meaning that his filmography is spattered with major classics from Mutiny on the Bounty to The Hunchback of Notre Dame to Witness for the Prosecution.
Why He Missed: Laughton never quite had THAT film to claim as his own.  All of those films are bona fide classics, but they aren't classics you instantly think of when discussing the term.  As a result, you end up with someone similar to Myrna Loy for the ladies-when you mention them as a candidate for a greatest stars list, you say "of course!" but they don't spring to mind unprompted.
My Favorite Performance: I'm going to cheat here, as I've missed most of Laughton's most significant acting work and don't want to embarrass myself, so I'll go with his sole directorial effort in The Night of the Hunter.
Glaring Miss in His Filmography: If I cannot find a favorite performance that means another marathon list, so we'll put the four films I listed above along with Spartacus and Captain Kidd and make up for lost time.

Steve McQueen (1930-1980)

Oscar Nominations: McQueen received just one Oscar nomination in his career, for 1966's The Sand Pebbles.
Why He Was Close to the List: What James Dean was to the 1950's, Steve McQueen was to the 1960's.  McQueen was a devilishly handsome daredevil who played by his own rules and frequently romanced some of the leading ladies of his day (including Ali McGraw) and played rebellious, modern roles like that of Frank Bullitt in Bullitt, one of his most noted pictures.  His death at only age fifty added a mystique to McQueen's already enormous aura.
Why He Missed: Two reasons: one, McQueen's partying and racecar-driving caused him to miss out on a huge number of classic films, and as a result his filmography is much slimmer than most of the men listed here.  Secondly McQueen was more of an actor that was famous in the 1960's, considerably later than Hollywood's Golden Age and is more in-line with the likes of Jack Nicholson, Dustin Hoffman, and Paul Newman, though his early death occasionally groups him with the stars of an earlier era.
My Favorite Performance: I have always enjoyed him as the totally crushable Rocky in the (admittedly dated, but still enjoyable) Love with the Proper Stranger.
Glaring Miss in His Filmography: I've never seen McQueen in Bullitt, a genre of film that isn't really my cup of tea, but clearly is one that I should hit sooner rather than later regardless of the film subject.

Anthony Quinn (1915-2001)

Oscar Nominations: Quinn received four Academy Award nods in his career, winning twice for Supporting Actor in Viva Zapata! and Lust for Life.
Why He Was Close to the List: Quinn was one of those actors that everyone deeply admired for his tenacity onscreen and his thespian chops.  Though he starred in very few major films (outside of a supporting role in Lawrence of Arabia), he, like Spencer Tracy, was an actor who carefully selected projects that would enjoy prestige and acclaim from critics, audiences, and awards' bodies.  It also helps that he worked for decades, right up until his death, giving multiple generations a chance to see his work in a theater.
Why He Missed: I touched on it, but Quinn never broke out in a specific role like other actors did.  His most famous part would be Zorba the Greek, but that's not a film a number of people see today.  He's well-respected, but not someone who survives in a memorable way in films since then (he also did a number of supporting parts, which may have cost him considering how headliner-heavy the AFI was in creating this list).
My Favorite Performance: It's been years since I saw it, but I have to imagine that Zorba the Greek will age pretty well if I ever re-visit it in the upcoming years, so I'll go with that for Quinn.
Glaring Miss in His Filmography: I've seen neither of his two Oscar-winning roles (though oddly enough I've seen both of the films he lost the Oscar for).

Mickey Rooney (1920-2014)

Oscar Nominations: Rooney received four competitive Academy Award nominations in his career, but won for none of them.  He did win a Juvenile Oscar in 1939 along with Deanna Durbin and then won an Honorary Oscar in 1983 for life achievement.
Why He Was Close to the List: He was the top box office draw of 1939 and 1940!  Okay, that's a joke that has frequently been thrown out (I don't know why Rooney in particular gets hammered with swipes in that regard).  He was clearly a very popular entertainer (his fellow actors adored him), and his star endured for decades (his career ended up spanning over ninety years), ending only this past year with his death.  He is one of those rare actors who did musicals, dramatic pictures, silent films, child star to aging grandpa-he was one of a kind.
Why He Missed: His onscreen (and offscreen) persona was an acquired taste, and one that not everyone was a fan of, quite frankly.  He was a very good actor, though, and I think if this list had been made a decade later, seeing that Rooney would still be working and would become one of the final links to Hollywood's Golden Era, he probably would have made the cut.
My Favorite Performance: I'm going to cheat here, but not in the way that I did with Laughton.  I'm going to pick Rooney's terrific solo effort on The Twilight Zone in "The Last Night of the Jockey"-if you want proof the man could act, here's a fine place to start.
Glaring Miss in His Filmography: I could go with one of the Oscar-nominated roles, but I'll instead go with some of the Andy Hardy pictures, getting a view of what Rooney truly became famous for (he made fifteen of these pictures in the days before television).

Peter Sellers (1925-1980)

Oscar Nominations: Sellers received two Oscar nominations for acting, for Dr. Strangelove and Being There, losing for both.  He also was nominated for his Live Action Short Film The Running Jumping & Standing Still Film, which he also lost the trophy for.
Why He Was Close to the List: Sellers has long enjoyed an enduring fame, particularly amongst comedians, as one of the pioneers of the art form.  Think of how Steve Martin is revered amongst almost all comics now as being a true pioneer and artist-that's largely what Peter Sellers was in his era.  He also starred in Dr. Strangelove in not one but three roles, a comic triumph any actor would be envious of achieving.
Why He Missed: Sellers, like Steve McQueen, enjoyed his principle fame in later years, particularly the 1960's and 1970's, and as a result may not have felt like an appropriate choice for the "Golden Age Stars" list.  He was also very difficult to work with and very reclusive in his personal life, adding mystique but less public consciousness as a result.
My Favorite Performance: Only a fool wouldn't pick his comedic triumph in Dr. Strangelove, one of the most biting, provocative, and cutting films ever made, and Sellers is a key reason for all of that.
Glaring Miss in His Filmography: I've never seen Sellers in his last great film role, that of Chance Gardner in Being There with Shirley MacLaine (who, contrary to some opinions of Sellers, thoroughly enjoyed working with him).

And there are my hunches as to the ten men who just missed the AFI list-what are your guesses?  Who do you think was the closest (my gut is Heston)?  Who are your favorites?  Who did I forget from the just misses?  Share your thoughts in the comments!