Showing posts with label Gina Lollobrigida. Show all posts
Showing posts with label Gina Lollobrigida. Show all posts

Sunday, December 27, 2020

Saturdays with the Stars Season 2 Finale

Two of our legendary Stars of 2020,
Sophia Loren & Jayne Mansfield
Yesterday with The Three Musketeers we hit the finale of our second season of "Saturdays with the Stars," and before we start the new year (and a new season, devoted to Hitchcock's leading ladies), I wanted to take time to celebrate another season, and one I treat as a success.  We never missed a Saturday (there was one close call, but that was really it-being stuck at home made at least this part of 2020 easier), and I saw a lot of new movies & now have a better understanding of twelve stars, some of which I knew next to nothing about before this year.  And I hope you learned something as well!

It's always fascinating to me to focus on an actor's career, rather than as we typically do in film discussions on a director's.  Watching these women, particularly under the guise of "Sex Symbols" was intriguing to me because Hollywood had different attitudes toward these beautiful women as the public began to find their sexuality passé, or eventually, absent.  It is kind of heartbreaking to watch someone like a Jayne Mansfield or Raquel Welch, who clearly chose poorly at select moments of their careers & paid the price for it, and fascinating to watch a figure like Sophia Loren or Ann-Margret who was able to rise above their studio-forced persona and eventually gain mainstream critical recognition in their lifetimes.

Every film I watched this year was a movie I was seeing for the very first time, as well, so once again I was blown away by the expanses of Classic Hollywood, rich with westerns and noir and musicals that I'd never been exposed to.  Next year we'll do our third and final tour of Classic Hollywood actresses (after that, if we continue the series, we're going to either add men or a more modern element for a fourth season), so we'll continue to mine this well, but before we do that, let's hand out some superlatives for this year's leading ladies.

Favorite Performance from Each Star


5 Favorite Actresses of the Year (Alphabetical)

Jean Harlow
Rita Hayworth
Sophia Loren
Marilyn Monroe
Lana Turner

5 Favorite Performances of the Year (Alphabetical)

Rita Hayworth, Separate Tables
Sophia Loren, Two Women
Marilyn Monroe, The Misfits

10 Favorite Films of the Year (Alphabetical)


Top 10 Performances of the Year (Not By Our Leading Ladies)

Clark Gable, The Misfits
David Niven, Separate Tables
Eli Wallach, The Misfits
Ethel Waters, Cabin in the Sky
Eve Arden, Cover Girl
Jennifer Jones, Beat the Devil
Juanita Moore, Imitation of Life
Laird Cregar, I Wake Up Screaming
Susan Kohner, Imitation of Life
Thelma Ritter, The Misfits

Saturday, September 26, 2020

Come September (1961)

Film: Come September (1961)
Stars: Rock Hudson, Gina Lollobrigida, Sanda Dee, Bobby Darin, Walter Slezak
Director: Robert Mulligan
Oscar History: No nominations
Snap Judgment Ranking: 3/5 stars

Each month, as part of our 2020 Saturdays with the Stars series, we highlight a different actress known as an iconic "film sex symbol."  This month, our focus is on Gina Lollobrigida-click here to learn more about Ms. Lollobrigida (and why I picked her), and click here for other Saturdays with the Stars articles.


I'm an expert on the Oscars, but while I know a lot about other awards shows (more than the average person), I sometimes struggle with older categories in those awards shows, even Oscar's rebellious younger brother the Golden Globes.  Gina Lollobrigida definitely won a Golden Globe in 1961, and that's why we're going to end her career here, with a film from 1961.  I initially thought she actually won it for this film, but reports online are conflicting on if she won for a film at all, as it was the "World Film Favorite" trophy or the Henrietta Award, which didn't come for a specific movie, but instead was voted on by the public.  So technically Lollobrigida might have won just because she was popular, but it's worth noting that of the two films she made that year, one of them was critically-lambasted & a huge bomb (Go Naked in the World), while the other (Come September) made the Top 10 highest-grossers of the year & was well-received.  So, while she didn't win for Come September technically, practically it's easy to call this a victory for the film.

(Spoilers Ahead) The movie is a romantic comedy between two different generations.  The older half is led by Rock Hudson's Robert Talbot, a handsome American businessman who in September of every year comes to Italy and stays at his gargantuan villa, run by Maurice (Slezak).  While there, he meets with Lisa (Lollobrigida), a beautiful Italian woman who otherwise makes sound decisions, but can't help always falling back with Robert, even though he never marries her (and she has a reputable British husband lined up in the film's opening scenes).  We find out later, though, that Maurice has rented out the villa as a hotel while Robert is gone (he comes before September this year), thus Robert's house is filled with a group of young American women, including Sandy (Dee), who quickly falls in love with a musician, Tony (Darin), whom Robert has a generational rivalry with, as Robert quickly adapts a paternal attitude toward Sandy.  As happens in romantic comedies, the four couples have their fair share of misdirections & game-playing before ultimately ending up together, albeit with Maurice, at least, not learning his lesson (he rents out the villa once again in the film's final scene to a group of nuns).

The movie is cute, if really dated.  Romantic comedies of this era you kind of have to suspend belief.  We're no longer in the 1930's, where the wordplay was sparkling and the couple were oftentimes on equal footing.  Here, Robert is a lug, and despite looking like Rock Hudson, doesn't really deserve Lisa, as he only is interested in her once a year for her body.  However, their romance is more intriguing than the younger generation's, as Bobby Darrin is still learning his ropes as an actor, and while Dee's Sandy is better, she's a bit too strawberries-and-cream, especially compared to Lollobrigida's Lisa, who is a more intriguing onscreen protagonist (Lollobrigida is best-in-film as a woman who is just crazy horny for Robert, and that's why she falls for him rather than just "wanting love") than the younger actress.

Like I said, we're going to leave Gina in 1961 for this series, but the actress definitely didn't end her career here.  She worked steadily throughout the 1960's, but Loren's stardom did eclipse her rival's (and certainly Loren's ability to be nominated for Oscars didn't hurt her modern cinematic reputation), and her stardom never really stayed at the same level as it had internationally as it did from Beat the Devil to Come September, with the one exception being 1968's Buono Sera, Mrs. Campbell, for which Lollobrigida was nominated for a Golden Globe (truly nominated for it).  After that, she all but disappeared from acting (though she did have a high-profile guest run on Falcon Crest), but not from public consciousness.  She had a serious career in photojournalism in the 1970's, even landing an interview with Fidel Castro of all people during that time frame, and became famous for her philanthropy, selling most of her legendary jewelry in 2013 to benefit stem cell research.  She also has made headlines for the bizarre relationship she had with Spanish businessman Javier Rigau y Rafols, who at one point claimed they were married (and Lollobrigida said that they weren't).  These sorts of stories still dominate Italian tabloids, making Lollobrigida someone that attract headlines at the age of 93, 70 years after she first started making them.  On Thursday, we'll start a new month, and move completely into the 1960's with a pioneering sex symbol who briefly became a major name in Hollywood.

Saturday, September 19, 2020

Solomon and Sheba (1959)

Film: Solomon and Sheba (1959)
Stars: Yul Brynner, Gina Lollobrigida, Marisa Pavan, George Sanders
Director: King Vidor
Oscar History: No nominations
Snap Judgment Ranking: 1/5 stars

Each month, as part of our 2020 Saturdays with the Stars series, we highlight a different actress known as an iconic "film sex symbol."  This month, our focus is on Gina Lollobrigida-click here to learn more about Ms. Lollobrigida (and why I picked her), and click here for other Saturdays with the Stars articles.


In the careers of a lot of beautiful actresses from the late-1940's through the mid-1960's, one of the weirder tropes that seemed to befall these actresses was playing the romantic lead in a biblical epic.  Throughout Saturdays with the Stars, we've already run into this a couple of times.  There was Hedy Lamarr in Samson and Delilah and Virginia Mayo in The Silver Chalice.  Last month, though we didn't profile it, Sophia Loren got to play the female lead in The Fall of the Roman Empire, which while not biblical definitely takes place during the times of the Bible.  And this week Gina Lollobrigida goes into the trope.  The production of Solomon and Sheba is legendary (we'll get into that after we discuss the film) even though that had little to do with Lollobrigida, but suffice it to say this was a big deal in Gina's career, and probably the height of her time as a leading woman in Hollywood (perhaps coincidentally, this was also about the time that her longtime rival Sophia Loren was starting her rise in Tinseltown).

(Spoilers Ahead) The film is a gigantic epic (read: too long) look at only a partial portion of the reign of King Solomon.  The film is loosely based on the Book of Kings in the Bible, which details some sort of relationship between King Solomon (Brynner) and the Queen of Sheba (Lollobrigida), though the Bible is not entirely clear on what that relationship was (and historical evidence of Solomon's reign is scant, and in the case of the Queen of Sheba, bordering on non-existent).  Either way, within this movie they are lovers, though not without their initial problems.  The Queen is recruited by the Pharoah to seduce Solomon, and trick him so that she can gain additional lands, and she does so, but then she falls in love with him.  The Pharoah then persuades Solomon's jealous brother Adonijah (Sanders) to betray him, which he does, but thanks to the prayers of the Queen of Sheba, Solomon is saved from certain defeat, and returns to save her from Adonijah's ordered stoning.

There's a lot more to this movie, but to be honest, that's really the highlights version.  I am not opposed to biblical epics (I love Ben-Hur and consider it a proper masterpiece, and was quite fond of The Ten Commandments), but this movie drags and is SO dull.  The film is famously bad, showing up in "worst films of all-time" lists, and while it's not quite "worst of all time," that's about the closest I'm willing to get to a compliment.  The acting from Brynner, Lollobrigida, and Sanders is super cheesy (and Pavan's saintly sister is really annoying, to the point where you are inappropriately relieved when she dies halfway through the movie), and the script is repetitive & hammy.  This movie was a hit in 1959, even with critics at the time giving it tepid reviews & director Vidor publicly stating that he didn't like Brynner in the lead.

His idea for who should play the lead was Tyrone Power, which gets us to the best story about Solomon and Sheba, because Tyrone Power was supposed to be the lead, and actually filmed large chunks of the movie that were eventually reshot with Brynner.  Looking at news articles at the time, it appears that Power was in the middle of a sword fight with George Sanders (which if the script wasn't changed, this is one of the movie's final scenes), and after doing repeated takes, he complained to Vidor about his left arm hurting.  He then went to his trailer, his makeups artist got him a brandy, and Vidor paged for the studio nurse.  Power was then driven to the hospital by Lollobrigida, but didn't make it-he was pronounced dead when they arrived at the hospital, supposedly still in costume.  While other actors have died in more shocking ways (Martha Mansfield, Brandon Lee, Jon-Eric Hexum), Power is arguably the most famous actor to die on a movie set, a fate that bizarrely also befell his actor father, for whom he was named.  This makes Solomon and Sheba a weird curiosity to modern viewers, even though at the time it was a blockbuster.  Next week, we'll close our month devoted to Gina with her costarring with a different actor whose death (not on a set, but decades after the two starred together) would also become the source of tragic scandal.

Saturday, September 12, 2020

Trapeze (1956)

Film: Trapeze (1956)
Stars: Burt Lancaster, Tony Curtis, Gina Lollobrigida, Kay Jurado, Thomas Gomez
Director: Carol Reed
Oscar History: No nominations
Snap Judgment Ranking: 3/5 stars

Each month, as part of our 2020 Saturdays with the Stars series, we highlight a different actress known as an iconic "film sex symbol."  This month, our focus is on Gina Lollobrigida-click here to learn more about Ms. Lollobrigida (and why I picked her), and click here for other Saturdays with the Stars articles.


One of the reasons that Sophia Loren translated a few years after Gina Lollobrigida in a way that the latter never did (though she enjoyed immense international stardom) might have had something to do with Howard Hughes, and it would be irresponsible to not at least mention Lollobrigida's complicated relationship with Hughes in one of these articles so we're going to do that today.  Hughes met Lollobrigida early in her career, and despite her being married, tried (unsuccessfully) to sleep with her.  Hughes did, however, successfully get Lollobrigida into a contract, that he maintained for seven years, from the early 1950's until 1959, which made it impossible for Lollobrigida to make films in the United States during that time frame unless Hughes approved (which he never did-Hughes was famous for signing actresses to contracts and then never having projects for them).  As a result, all of Lollobrigida's major English-language successes that decade had to be filmed in Europe, rather than Loren, who was able to make movies like Houseboat domestically.  Despite this limitation, Lollobrigida did have some big hits during the heyday of her career, and one of the highest-flying (pun intended) was the United Artists smash Trapeze, filmed in Paris.

(Spoilers Ahead) The film takes place at a circus, where Mike Ribble (Lancaster) once was the main attraction, able to execute a triple somersault mid-air.  Ribble, however, injured and nearly killed himself doing this, and hasn't been doing trapeze since because he's now unable to be the main attraction rather than the "tosser."  A brash young newcomer with real talent, Tino Orsini (Curtis) comes trying to learn from Ribble, and while Ribble doesn't want to teach him, he sees Orsini's talent and reluctantly accepts.  While they are making strong progress, they are interrupted by a beautiful woman who wants stardom, and sees an opportunity to get it, Lola (Lollobrigida), who is obviously in love with Ribble, but knows that she must romance Orsini to get into the act as Ribble sees through her seduction.  As the film progresses, the two men are at odds, as neither wants to give in with Lola, as it's clear Ribble's initial ability to seduce Lola has turned into love on his side as well.  In the end, the two men are able to execute the triple, but not maintain the partnership as Orsini becomes a star, and Ribble goes back into retirement, likely to romance the other woman who has been pining for him from the start, Katy Jurado's Rosa.

The movie's lack of Oscar nominations kind of confuses me.  This isn't a great movie, but it's not a bad one, and it made a fortune for United Artists, so you'd think there would have been at least some push to get it nominated for the one asset it clearly has a full deck on-the cinematography.  Robert Krasker had won an Oscar just a few years earlier for working with Carol Reed on the masterpiece The Third Man, and here shows that his technical skill didn't diminish in color.  The movie is beautifully shot, with great aerial swings from Lancaster (a former circus performer) and the stunt team, and Lollobrigida looks hauntingly beautiful in scenes where you can just see her magnetic eyes flashing at the camera.  It's the biggest triumph of the film, which like I said is a solid movie, but one that falls into repetitive trappings with the love story.

As for Lollobrigida, she's good but the script doesn't entirely know what to do with her.  This may be because the book that it's adapted from has a very dark ending, and one that wouldn't have been suitable for 1956, though it'd be intriguing now (essentially we find that Ribble was in love with Orsini, and murdered the Lola character in hopes of being with him, but the plan backfires when Orsini is executed for the crime instead).  As a result, we don't always know when Lola is acting, as the only time she seems to be telling the truth is to Thomas Gomez's circus owner, and their scenes aren't plentiful in the back-half of the movie.  As a result, what could have been a truly intriguing ending, with Ribble getting his chance at glory (even if it's given to someone else) gets confused by an over-complicated love triangle.

Saturday, September 05, 2020

Beat the Devil (1953)

Film: Beat the Devil (1953)
Stars: Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Robert Morley, Peter Lorre
Director: John Huston
Oscar History: No nominations
Snap Judgment Ranking: 3/5 stars

Each month, as part of our 2020 Saturdays with the Stars series, we highlight a different actress known as an iconic "film sex symbol."  This month, our focus is on Gina Lollobrigida-click here to learn more about Ms. Lollobrigida (and why I picked her), and click here for other Saturdays with the Stars articles.


We are not, sadly, going to start where I wanted to start with Gina Lollbrigida's career.  One of the heartbreaking things for classic film fans in the age of streaming is that with the focus on the new, and with the same streaming platform randomly trading back-and-forth something like Back to the Future II or Cliffhanger, we end up in a situation where certain movies are never brought forward for streaming, and are almost impossible to find on home video.  Thus is the case for Lollobrigida's first breakthrough role, Bread, Love and Dreams, which despite starring two major Italian actors (Lollobrigida and Vittorio de Sica), winning the Silver Bear at Berlin, and being an Oscar nominee (Best Motion Picture Story), is next-to-impossible to find even an affordable copy.  Hopefully someday Criterion takes pity on us here, but until then, we're going to start with Lollobrigida's first major English-language film, Beat the Devil.


(Spoilers Ahead) Beat the Devil sounds in many ways like the sort of standard-fare we'd expect uniting Humphrey Bogart with John Huston.   Bogie plays Billy Dannreuther, a broke (but formerly rich) American who is working with a group of criminals, led by Paterson (Morley), who are trying to buy up uranium-rich land in North Africa for cheap, scoring an easy buck.  Paterson has had a man who was suspected of going after the same property killed, and Billy and his wife Maria (Lollobrigida) are trying to keep their heads down.  Suddenly a British couple make their acquaintance: Harry (Edward Underdown) and his wife Gwendolen (Jones).  The two accidentally set off the alarms of Paterson when Gwendolen, who is soon madly in love with Billy and starts having an affair with him, brags about her husband but is overheard by Paterson's accomplice Julius (Lorre), who assumes that Gwendolen's lies are true.  They set off on a boat together, where "destiny lends a hand" allowing Harry, of all people, to purchase the land that Gwendolen lied about him buying (almost completely by accident), her running back to him, Billy & Maria getting nothing, and Paterson & his cronies ending up in jail.

This sounds like boilerplate film noir, but it doesn't play that way in the movie.  For starters, you might not know this if this is the first time you've seen a movie like this (you should watch The Maltese Falcon and The Treasure of the Sierra Madre before tackling Beat the Devil), is that it's funny, and not because it's so-bad-it's-hilarious-it's meant to be funny.  Beat the Devil was not a hit at the time, but has developed a cult following in the years since primarily because it's one of the first straight-up camp spoofs, not in the way Abbott & Costello would do with the Universal monsters, but instead in a subtler way.  The villains are played as buffoons, and frequently you'll have what in a noir would be an obvious twist (a guy like Harry never lives through a traditional noir), go the complete opposite direction.  The best example of this is toward the end, when it looks like Paterson is about to get away with a lenient cop, and then Gwendolen shouts out the entire criminal plot, accusing Paterson of murder, and she isn't put in danger nor does the cop doubt her.  The penultimate scene has virtually no climax-just what would likely have happened in real life, rather than the expected chase or bullet Bogie will have to take for the female lead to protect her.

Lollobrigida supposedly hated making this movie, complaining that Bogart & Huston made fun of her.  Indeed, the production of this film is kind of legend (one of several "Bogie & Huston want a vacation" sort of films they made together, and one where Truman Capote was writing the script as they went along), so it's fare to assume that this was rough on Lollobrigida, acting in a language that wasn't her primary for the first time.  It shows in the script, too-Lollobrigida is fine, but ancillary, and isn't asked to do more than look beautiful.  It's actually Jennifer Jones (who I'm not really a fan of), who gets the best part in the whole movie, totally selling the blonde, air-headed beauty & underlining the camp of the film better than any other actor.

Tuesday, September 01, 2020

Saturdays with the Stars: Gina Lollobrigida

Each month of 2020 we will be looking at the movies of some of Hollywood's most famous sex symbols, women whose intense beauty frequently overshadowed their filmic careers.  Last month, our focus was on Sophia Loren, whose iconic beauty in an era where American audiences came to be fascinated with foreign-language films in a way they haven't before-or-since, managed to make her the rare sex symbol to gain critical acclaim not just later, but in her own time.  This month, we'll be taking a look at one of Loren's fellow countrywomen, an actress of a similar glamour who rose to prominence during the 1950's and 60's as well, and who has maintained a longstanding feud (though both women deny being the one who started the feud) with Loren for over fifty years.  This month, our star is Gina Lollobrigida.

Born in 1927 (making her seven years Loren's senior) in rural Italy, Lollobrigida seemed destined for fame in the movies at a very young age.  Despite her modest upbringing, she started modeling and doing minor film-work at a young age, and eventually gained fame in 1947 for coming in third in the Miss Italy beauty pageant, which brought her to the attention of Howard Hughes, who signed her to an exclusive contract in 1950.  Hughes & Lollobrigida clashed heavily while she was under contract to him, and he made life miserable for her, hampering her ability to have a significant career in American film (which may be why Loren ended up being a more memorable figure in American-lensed movies, thanks to her actually getting to use her contract with Paramount to make movies with Cary Grant & Anthony Perkins that encouraged success in the states).

Lollobrigida's career isn't as well-known today by cinephiles as Loren or even Brigitte Bardot (our last two stars), but looking at the directors that she worked with, it's hard to understand why.  Despite the limitations of her contract with Hughes, she was able to make movies with John Huston, Carol Reed, and King Vidor, all Grade-A directors, won the Golden Globe Award (for 1961's Come September), and starred in films that feel ripe for rediscovery by film buffs (or Criterion) such as Bread, Love, and Dreams.

Instead, Lollobrigida is best known for her fantastical personal life (it's hard to tell whether or not she was even married to Javier Rigau y Rafols, a man 34 years her junior who has been an on-again-off-again romantic partner of Lollobrigida's for years, and a fixture of the Italian tabloid press).  She's interviewed Fidel Castro and in 2013 she sold all of her jewelry to fund stem cell research.  Just two years ago she finally won a star on the Hollywood Walk of Fame, and if the Oscars ever want to get around to it they could do worse than honor the aging star.  This month, though, we're going to take a look at Lollobrigida herself, with the knowledge of Sophia Loren last month in our back-pocket but more trying to figure out why she wasn't able to gain the same sort of immortal fame that her rival was able to achieve in film history, and see what she left behind in her (on-paper) impressive looking filmography.

Monday, July 27, 2020

Olivia de Havilland and the Last 14 AFI Stars

Olivia de Havilland was not, despite what you might read on news releases and tributes to her, the last major star of Hollywood's Golden Age (or Classical Hollywood, as it also known).  The Classical Hollywood era's beginning is up for debate (some say as early as the 1910's, others say it began in the early 1930's, still others state it began in 1939).  Either way, there is a solid amount of agreement that the era ended in the early 1960's, so not only are there still actors alive from this era who were headlining films in the 1950's & 60's, there are some (like Harry Belafonte & Shirley MacLaine) who are still working today.

But de Havilland is probably the last major star of the 1940's and certainly of the 1930's to have still been alive, and with her passing, I wanted to discuss something we haven't done an update on in about two years on the blog (not since the death of Tab Hunter).  In 1999, the American Film Institute created a list of 50 (25 male, 25 female) of the greatest stars of Classical Hollywood, capping requirement at people who made their film debuts in or before 1950 (so people like Belafonte & MacLaine wouldn't have been eligible).  They did so from a list of 500 performers, most of whom at that point were already dead.  Though she didn't make the Top 25, one of the actors that was among those 500 was Olivia de Havilland.  We have in the years since checked in on those 500 stars, arbitrarily thrown together but significant enough to make the ballot, and since de Havilland has passed away, I wanted to see how many were left still from the list.  This is not an all-encompassing list of all of the actors who made their debut before 1950 and had a significant role in Hollywood (off the top of my head Arlene Dahl & Glynis Johns come to mind as actresses who would've qualified for this list but aren't on it), but it is a reminder of the few actors from Classical Hollywood (enough so that the AFI took note), who are still alive.

(For the curious, in addition to de Havilland, Kirk Douglas, Max von Sydow, and Doris Day have also passed since we last looked at this list.  Also, quite a few of these people still don't have Oscars of any kind, so hopefully the Academy takes note!)

The Living Actors...

Sidney Poitier (1927-Present)

Screen Debut: His first credited screen appearance came in 1950's No Way Out, which launched his landmark film career in a big way.
Oscar Nominations: Poitier received two Oscar nominations in his career, winning Best Actor for Lilies of the Field (becoming the first black man to win Best Actor).  Poitier also won an Honorary Award in 2002.
Probably Best Known Today For: Being an iconic and celebrated figure in the Civil Rights movement in the United States, and along with Dorothy Dandridge, Lena Horne, and Harry Belafonte, being one of the very first black movie stars (he was also Ambassador from the Bahamas to Japan, as he actually has dual citizenship with both the Bahamas and the United States-random fact!).  Poitier is one of the most widely-respected actors in the industry, and one of its most enduring stars.
Is He Still Working?: Poitier quit acting in 2001, with the television movie The Last Brickmaker in America-his final theatrically-released film was 1997's The Jackal with Richard Gere & Bruce Willis.
My Favorite Performance: I know that some like to quibble about how Poitier never received an Oscar nomination for In the Heat of the Night, but part of me thinks it was more to do with vote-splitting (he also had Guess Who's Coming to Dinner and To Sir, with Love out that year) than racism.  Still, he certainly deserved an Oscar nomination for his iconic Virgil Tibbs.
Glaring Miss in His Filmography: I've never actually seen the movie that landed Poitier his Academy Award.  For whatever reason Lilies of the Field has never made it to the top of my queue, though I've seen a lot of Poitier films through the years.


Dean Stockwell (1936-Present)

Screen Debut: 1945's The Valley of Decision with Greer Garson & Gregory Peck
Oscar Nominations: Stockwell has received one Oscar nomination, for 1988's Married to the Mob (he lost to Kevin Kline).
Most Famous For: The career of Dean Stockwell is a fascinating one, as he is one of those rare child actors who went on to have a very strong career as an adult, though in this case in character actor parts. Starting acting as a cherubic-faced youth in movies like Gentleman's Agreement and Anchors Aweigh, he eventually became a hit actor as an adult, dropped out of acting to get involved in the hippie subculture, reappeared in the 1980's in the art house cinema of David Lynch and Wim Wenders, and is most well-known today for playing Al Calavicci in Quantum Leap and Brother Cavil in the revival of Battlestar Galactica.
Is He Still Working?: Stockwell suffered a stroke in 2015, and has since retired.
Glaring Miss in His Filmography: I've actually seen a few Stockwell pictures, and thought he was terrific if terrifying singing Roy Orbison's "In Dreams" in the exceptional Blue Velvet.  I'll go with his Oscar-nominated work as my missing piece, though I have always meant to watch the revived Battlestar Galactica.

The Living Actresses...


Claire Bloom (1931-Present)

Screen Debut: 1948's The Blind Goddess
Oscar Nominations: Never nominated
Most Famous For: For her long and illustrious career on the British stage, as well as her many tabloid romances.  Ms. Bloom made her stage debut at sixteen opposite John Gielgud and a young Richard Burton, whom she had a passionate love affair with (Burton claimed he loved two women before Liz Taylor-his wife Sybil and Claire Bloom).  She would perform on in the West End for decades, and continue having tabloid-worthy relationships, including marriages to Rod Steiger and Philip Roth, as well as affairs with Laurence Olivier and Yul Brynner.
Is She Still Working?: Yes!  Her most recent work was in the BBC Miniseries Summer of Rockets as Aunt Mary opposite Toby Stephens & Timothy Spall.
Glaring Miss in Her Filmography: With Bloom it's hard not to pick her first international starring role in Limelight, where she plays a suicidal ballerina in the only film that features both Charlie Chaplin and Buster Keaton.

Ann Blyth (1928-Present)

Screen Debut: Chip off the Old Block (1944) with Donald O'Connor & Peggy Ryan
Oscar Nominations: 1 nomination (for Mildred Pierce)
Most Famous For: Portraying the selfish daughter from hell in Mildred Pierce.  Her work opposite Joan Crawford won her an Oscar nomination early in her career, and she eventually went on to become a major star of musicals, at one point being a rival for Kathryn Grayson at MGM.  She eventually moved completely away from the cinema, instead starring in a series of television guest spots, including a memorable turn as a potential murderer opposite longtime friend Angela Lansbury in Murder, She Wrote and as an actress with a secret on The Twilight Zone in "Queen of the Nile."
Is She Still Working?: Blyth quit working in film after her role in The Helen Morgan Story with Paul Newman.  She quit television in the 1980's, though she does occasional do interviews still.
Glaring Miss in Her Filmography: I've actually seen Mildred Pierce and The Great Caruso, the two most important pictures in her filmography, so maybe Brute Force with Burt Lancaster, where she plays a woman dying of cancer whose husband is in prison.


Rhonda Fleming (1923-Present)

Screen Debut: While she did work before then, her first onscreen credit was in Spellbound, making her the (only?) person to play a significant role in one of Hitchcock's films of the 1940's.
Oscar Nominations: Never nominated
Most Famous For: Being the "Queen of Technicolor."  Along with Maureen O'Hara and Arlene Dahl, Fleming's red hair made her a major motion picture star, and one that photographed particularly well in Technicolor, which was very in fashion during the height of her fame.  Her best known films are probably from the 1940's, when she had supporting roles in Alfred Hitchcock's Spellbound and the brilliant Out of the Pastbut she was a bigger headliner in the 1950's when she appeared opposite Dana Andrews, Ronald Reagan, Burt Lancaster, and Kirk Douglas.  Like a number of women on this list, she was an ardent Republican in her personal life, particularly as an advocate for school prayer.
Is She Still Working?: No-her most recent film would be 1990's Waiting for the Wind with Robert Mitchum, her Out of the Past costar.  She still frequently makes appearances, though, and has participated in the Turner Classic Film Festival.
Glaring Miss in Her Filmography: In case you missed it, Rhonda Fleming was one of our Saturdays with the Stars actresses last year, so I'm actually very familiar with her work.  As a result, I'll pick the curiosity of Fleming playing Cleopatra in Serpent of the Nile as the next of her movies I want to investigate.

Mitzi Gaynor (1931-Present)

Screen Debut: 1950's My Blue Heaven (which we talked about earlier this year when were discussing Betty Grable in February)
Oscar Nominations: Never nominated
Most Famous For: Being Krusty the Clown's go-to name drop?  Just kidding (Simpsons reference!).  Gaynor was in fact one of 20th Century FOX's biggest stars in the 1940's and 1950's, starring in a number of hit musicals.  While she could boast costarring roles with Bing Crosby and Gene Kelly, it was with Rossano Brazzi, a little-known Italian actor, that she enjoyed her biggest and most enduring cinematic success.  The movie?  Rodgers and Hammerstein's South Pacific, with Gaynor as the main character of Nellie Forbush, forever washing that man right out of her hair before a very enchanted evening.  She also had one of the most famous numbers in Oscar history (though she wasn't nominated for or even in the film) when she got the longest-standing ovation in the history of the ceremony for her performance of "Georgy Girl" in 1967.
Is She Still Working?: While she no longer acts, she frequently is featured in documentaries chronicling the Golden Age of the musical, and actually won an Emmy for her 2010 documentary "Mitzi Gaynor: Razzle Dazzle!"  Also, she's on Twitter!
Glaring Miss in Her Filmography: Gaynor was also one of our stars last year, and so I've seen most of her major movies, though I have not caught the big-screen adaptation of Anything Goes.


Marsha Hunt (1917-Present)

Screen Debut: The Virginia Judge (1935)
Oscar Nominations: Never nominated
Most Famous For: Her politics.  A star for both Paramount and MGM in the 1930's and 1940's who watched her career unravel during the 1950's as part of the blacklist, Hunt was a vocal advocate for free speech and freedom to petition, and refused to denounce her activities protesting Congress on behalf of the blacklist...and therefore didn't work for most of the 1950's, extinguishing her career.
Is She Still Working?: It doesn't appear so-Hunt quit acting in 2008, but does make some public appearances and grant interviews despite her advanced age.
Glaring Miss in Her Filmography: I'm going to go with Born to the West, starring an extremely handsome John Wayne in his twenties, which gives Hunt an unusually robust screenplay to work with for a love interest role in the 1930's.

Angela Lansbury (1925-Present)

Screen Debut: Gaslight (1944) with Charles Boyer & Ingrid Bergman
Oscar Nominations: 3 (for Gaslight, The Picture of Dorian Gray, and The Manchurian Candidate, as well as an Honorary Oscar in 2013).
Most Famous For: Lansbury has enjoyed an incredible amount of succcess throughout her career, principally on Broadway (she has won five Tony Awards) and on television (as J.B. Fletcher on the long-running CBS show Murder, She Wrote).  Of course, Lansbury has had a plethora of film roles as well that have become part of her own personal lore.  Her work in John Frankenheimer's The Manchurian Candidate and Disney's Beauty and the Beast would be toward the top of the public consciousness.
Is She Still Working?: Yes-one of her most recent rolls was as the Balloon Lady in Mary Poppins Returns just two years ago.
Glaring Miss in Her Filmography: Here I've seen enough of her work (I've even seen her on-stage) to have a favorite performance (The Manchurian Candidate, though honestly I've loved almost everything-she's a personal favorite) and have all three of those Oscar-nominated roles done, so I'll go with the comic classic The Court Jester, which I have for some reason never gotten around to and in which she plays Princess Gwendolyn opposite Danny Kaye & Glynis Johns.

Piper Laurie (1932-Present)

Screen Debut: Louisa (1950) with Ronald Reagan & Ruth Hussey
Oscar Nominations: 3 (for The Hustler, Carrie, and Children of a Lesser God)
Most Famous For: Laurie is most known to film audiences as the mother from hell in Carrie (oddly enough, Angela Lansbury arguably plays the cinema's other most famous mother from hell on-screen in The Manchurian Candidate).  Laurie also was Paul Newman's love interest in The Hustler, and got a Best Actress nomination for it and was Catherine Martell on Twin Peaks.
Is She Still Working?: After an eight year absence, Laurie was on movie screens opposite Matthew McConaughey and Jennifer Jason Leigh in White Boy Rick in 2018.
Glaring Miss in Her Filmography: I cannot believe I am admitting this, but I have somehow never seen The Hustler, one of those great films from the 1960's and one of the most important roles of Paul Newman's (and of course Piper Laurie's) careers.  I should get on this quickly.

Gina Lollobrigida (1927-Present)

Screen Debut: Return of the Black Eagle (1946)
Oscar Nominations: Never nominated
Most Famous For: Look at the picture to the left and I'll give you one (err...two) guesses.  Lollobrigida was the Italian sex symbol, a counterweight to the American Marilyn and the French Bardot.  She did make a handful of films with the leading men of the era (Burt Lancaster, Anthony Quinn, Frank Sinatra), but quite frankly it was her incredible beauty and her bizarre change in careers late in life (she became a journalist, and eventually managed to land an interview with Fidel Castro of all people in the 1970's) that made her a household name.
Is She Still Working?: She is not acting, but she does still stay in the tabloids for her charitable giving and bizarre love life (as well as the occasional public snipe at her longtime rival Sophia Loren).
Glaring Miss in Her Filmography: I don't know if I've ever actually seen a Lollobrigida film, so I would probably make it a bit of a marathon to catch up.  I'd start with her Golden Globe-winning work in Come September with Rock Hudson, follow it with her Esmerelda opposite Anthony Quinn in The Hunchback of Notre Dame, and finish things with her Solomon and Sheba with Yul Brynner, which has the distinction of being King Vidor's final film.


Sophia Loren (1934-Present)

Screen Debut: Bluebeard's Six Wives (1950)
Oscar Nominations: Loren received two Oscar nominations in her career, winning for Two Women in 1961 (the first person to win for a foreign-language film).  She would go on to win an Honorary Oscar in 1991 for her body of work.
Probably Best Known Today For: For starters, thankfully being alive and still working (the only woman on the Top 25 still with us, and along with Poitier the only person who charted on either list).  Loren's most recent film is Rob Marshall's Nine, but is probably best known for her enduring beauty.  Consistently considered one of the most striking and attractive women in the history of cinema, she was a major star at the height of America's fascination with foreign language cinema. (Completely Random Aside-I once had a car that I named after Loren because the car was so pretty...my brother still drives it).
Is She Still Working?: After an 11 year absence, Loren is returning to the movies with The Life Ahead, which has a significant part for her (could this be a third Oscar nomination if it's done well?).
Glaring Miss in Her Filmography: Let's go with The Fall of the Roman Empire, which was a huge film for Loren, and made her the second (after Elizabeth Taylor) actress to receive $1 million for a film.


Rita Moreno (1931-Present)

1950: The Toast of New Orleans (1950) with Mario Lanza & Kathryn Grayson
Oscar Nominations: One nomination (which she won for-Best Supporting Actress for 1961's West Side Story)
Most Famous For: For thoroughly enjoying life in Ame-RIC-a.  Moreno starred in one of the great American musicals in 1961, taking over the role made famous by Chita Rivera on Broadway and becoming a household name as a result (as well as an Oscar-winner).  Though at that time she had been featured in three of the best-loved musicals of all-time (she was also in Singin in the Rain and The King and I), she didn't star in a lot of high-profile films again (a Latina actress in the 1960's frequently had to rely on stereotypical roles, which Moreno refused to partake of).  Instead she forged a bold multi-platform career, winning an Emmy, Grammy, and Tony in the 1970's to complete her EGOT.  She is best known from this period for her work on The Muppets and The Electric Company (with Morgan Freeman).  Moreno also had a pretty spectacular personal life, being romantically involved with both Marlon Brando and Elvis Presley during her career.
Is She Still Working?: Absolutely-she was one of the key players in One Day at a Time and supposedly has a role in Steven Spielberg's upcoming West Side Story.
Glaring Miss in Her Filmography: I've seen her three iconic musicals, so I'm going to go with The Ritz, which earned Moreno a Tony Award on Broadway and a Golden Globe nomination on film.

Margaret O'Brien (1937-Present)

Screen Debut: Journey for Margaret (1942)
Oscar Nominations: None, though she won the Juvenile Academy Award in 1944.
Most Famous For: Being one of the biggest child stars on the planet.  Margaret O'Brien was to the 1940's what Shirley Temple & Judy Garland were to the 1930's.  She even appeared opposite Garland in the most famous of O'Brien's movies: Meet Me in St. Louis, where she played Tootie.  O'Brien was a major star, but couldn't jump to adult roles like Garland, whom she is oftentimes compared to, and instead only made the occasional television or film appearance.  If you ever want a fun story, read about O'Brien's Oscar and how she lost it for some fifty years before it finally returned to her.
Is She Still Working?: I think so-it looks like she has a relatively long recent IMDB cast page but it's not entirely clear if these are just clips of her in her youth or her actually playing a role.  If the 2017 movie where she stars opposite Mickey Rooney in a retelling of Dr. Jekyll and Mr. Hyde actually exists, I need to see it immediately.  Her last roles you'd have heard of would have been guest spots on The New Lassie and Murder, She Wrote in the early 1990's.
Glaring Miss in Her Filmography: I'd probably go with the film that made her a star, Journey for Margaret with Robert Young and Fay Bainter, as I've seen (and loved) Meet Me in St. Louis before.

Jane Withers (1926-Present)

Screen Debut: Bright Eyes (1934)
Oscar Nominations: Never nominated
Most Famous For: Being insufferable.  Or rather, playing insufferable, in the Shirley Temple classic Bright Eyes, where Withers plays her bratty nemesis.  Withers became one of the biggest stars of the late 1930's, joining Shirley Temple as a major box office draw despite being a child star, and then eventually going into supporting roles, like her work in Giant (she and James Dean were good friends) and eventually commercials, taking on what would become her most famous role for the Baby Boomer generation: Josephine the Plumber in the Comet commercials (for comparison's sake, think of Flo from the Progressive commercials and her ubiquity).  And continuing our streak, she was in several episodes of Murder, She Wrote.
Is She Still Working?: From what I can tell her most recent work would be voiceover contributions to The Hunchback of Notre Dame and its direct-to-video sequel, which happened almost 18 years ago, so she does appear to be retired.
Glaring Miss in Her Filmography: I think Bright Eyes, Withers' most noted work, would probably have to be at the top of the list.

Tuesday, September 23, 2014

AFI's 25 Greatest Actresses, Part 6

We have been tracking, in honor of both the late Lauren Bacall and the 15th Anniversary of the AFI 100 Stars list the many great actresses honored on that list.  Please look through Parts 1, 2, 3, 4, and 5 as well as reading through this, our conclusion (for the actresses at least).

My brother and I were discussing this series this morning, and I put in the caveat above with "at least," since clearly I'm going to have give the fellas their due after spending so much time on the brilliant actresses of yore.  So expect that write-up at some point later this week (when, that's anyone's guess, but definitely before Sunday).  In the meantime, though, we will wrap up the living women who were nominated for this list (the greatest actors who either A) made their debut at or before 1950 or B) who had died by the time the list was being put together), but didn't make the Top 25.  Like I said above, please make sure and click all five links above if you're new to the fun, and add Netflix movies to your queue for anyone you haven't seen enough of (or particularly, if you haven't heard of), and share your thoughts on them in the comments!  Now, on to our final nine ladies (and one extra, for balance).

Editor's Note: Since this article was written Joan Leslie, Lizabeth Scott, and Luise Rainer have all since passed, meaning only seventeen women on the AFI ballot are still alive.

Joan Leslie (1925-2015)

Oscar Nomintions: Never nominated
Most Famous For: A trio of classic films made in the early 1940's.  Leslie made her film debut opposite Greta Garbo in Camille (how great is it that someone living can still claim they got their first part with Greta Garbo?), but her star didn't truly take off until she signed with Warner Brothers in the early 1940's, starring in three of the biggest films of the era: High Sierra, Sergreant York, and Yankee Doodle Dandy.  Though she went on to star opposite Fred Astaire and Ronald Reagan (Leslie, from what I can tell, was another one of our many long-living Republicans), her career never recovered when she sued to get out of her contract with Warner Brothers, though she went on to do a number of television guest spots (including what is becoming a bit of a pattern here: a guest spot opposite Angela Lansbury on Murder, She Wrote).
Is She Still Working?: No, Leslie retired from acting in 1991, her last role being in the TV movie Fire in the Dark with Olympia Dukakis and Jean Stapleton.
Glaring Miss in Her Filmography: I have somehow never seen Humphrey Bogart in the role that made him a star in High Sierra, so I'd probably go with that amongst Leslie's brief but oddly classic-filled (the film with Ronald Reagan is one of his most beloved: This is the Army, so that brings her up to four major pictures in three years) filmography.

Gina Lollobrigida (1927-Present)

Oscar Nominations: Never nominated
Most Famous For: Look at the picture to the left and I'll give you one (err...two) guesses.  Lollobrigida was the Italian sex symbol, a counterweight to the American Marilyn and the French Bardot.  She did make a handful of films with the leading men of the era (Burt Lancaster, Anthony Quinn, Frank Sinatra), but quite frankly it was her incredible beauty and her bizarre change in careers late in life (she became a journalist, and eventually managed to land an interview with Fidel Castro of all people in the 1970's) that made her a household name.
Is She Still Working?: She is not acting, but she does still stay in the papers, recently auctioning off $5 million worth of jewelry to benefit stem cell therapy.
Glaring Miss in Her Filmography: I don't know if I've ever actually seen a Lollobrigida film, so I would probably make it a bit of a marathon to catch up.  I'd start with her Golden Globe-winning work in Come September with Rock Hudson, follow it with her Esmerelda opposite Anthony Quinn in The Hunchback of Notre Dame, and finish things with her Solomon and Sheba with Yul Brynner, which has the distinction of being King Vidor's final film.

Dorothy Malone (1925-Present)

Oscar Nominations: One nomination (which she won for-Best Supporting Actress for 1956's Written on the Wind)
Most Famous For: Her soap opera antics on Peyton Place, where she played Constance Mackenzie, the mother of main character Allison Mackenzie (the role which made Mia Farrow a household name). Malone played the role for four years, after already proving her worth on the screen winning an Oscar by playing a nymphomaniac in Written on the Wind.  Malone may also be recognizable for her final film role in the 1992 blockbuster Basic Instinct (a film that launched another sexually charged blonde, Sharon Stone).
Is She Still Working?: No-after Basic Instinct she retired permanently back to Dallas (random fact: she could have played the Barbara bel Geddes role on Dallas but turned it down).
Glaring Miss in Her Filmography: I have somehow never seen Written on the Wind, even though it is considered the high-point in 1950's melodramas.  I also feel bad that I have never seen any episode of the television series Peyton Place-the movie was dreadful, but I have a feeling that the actual television series would be considerably better.  Any fans out there?

Rita Moreno (1931-Present)

Oscar Nominations: One nomination (which she won for-Best Supporting Actress for 1961's West Side Story)
Most Famous For: For thoroughly enjoying life in Ame-RIC-a.  Moreno starred in one of the great American musicals in 1961, taking over the role made famous by Chita Rivera on Broadway and becoming a household name as a result (as well as an Oscar-winner).  Though at that time she had been featured in three of the best-loved musicals of all-time (she was also in Singin in the Rain and The King and I), she didn't star in a lot of high-profile films again (a Latina actress at that time frequently had to rely on stereotypical roles, which Moreno refused to partake of).  Instead she forged a bold multi-platform career, winning an Emmy, Grammy, and Tony in the 1970's to complete her EGOT.  She is best known from this period for her work on The Muppets and The Electric Company (with Morgan Freeman).  Moreno also had a pretty spectacular personal life, being romantically involved with both Marlon Brando and Elvis Presley during her career.
Is She Still Working?: Absolutely (that Kennedy Center Honor isn't going to earn itself...and man has she earned it at this point, so they better give it to her).  She recently finished a stint as Fran Drescher's mom on the TV Land series Happily Divorced.
Glaring Miss in Her Filmography: I've seen her three iconic musicals, so I'm going to go with The Ritz, which earned Moreno a Tony Award on Broadway and a Golden Globe nomination on film.

Margaret O'Brien (1937-Present)

Oscar Nominations: None, though she won the Juvenile Academy Award in 1944.
Most Famous For: Being one of the biggest child stars on the planet.  Margaret O'Brien was to the 1940's what Shirley Temple and Judy Garland were to the 1930's.  She even appeared opposite Garland in the most famous of O'Brien's movies: Meet Me in St. Louis, where she played Tootie.  O'Brien was a major star, but couldn't jump to adult roles like Garland, whom she is oftentimes compared to, and instead only made the occasional television or film appearance.  If you ever want a fun story, read about O'Brien's Oscar and how she lost it for some fifty years before it finally returned to her.
Is She Still Working?: She is, in fact.  I don't know if this is just IMDB pulling my leg, but she and Mickey Rooney of all people will be appearing together in a film of Dr. Jekyll and Mr. Hyde out next year (seriously-is this real?  And is it Rooney's final picture?  And most importantly, how can I see it this very second?).
Glaring Miss in Her Filmography: I'd probably go with the film that made her a star, Journey for Margaret with Robert Young and Fay Bainter, as I've seen (and loved) Meet Me in St. Louis before.

Luise Rainer (1910-2014)

Oscar Nominations: Two nominations (and she won for both-Best Actress for 1936's The Great Ziegfeld and Best Actress again for 1937's The Good Earth).
Most Famous For: Being the original Oscar curse.  For most layman of the Academy Awards who still value their knowledge of filmic history, you may be wondering how you know next to nothing about a woman who won the Best Actress trophy twice.  That's probably because Rainer had one of the biggest take-offs and crashes in the history of Hollywood.  She was signed to MGM in hopes of them replicating the success of Greta Garbo, and she clearly did well to start out, winning an Oscar for The Great Ziegfeld (which may well have been a supporting role today, but she was too much of a "leading lady" for such things), and then following it up with a dramatic turn in The Good Earth, an adaptation of the Pearl S. Buck novel.  She couldn't maintain this success, though, and so based on the advice of her then husband Clifford Odets (the great playwright and screenwriter) she quit Hollywood, eventually moving to London.  And since then every Oscar-winner who had a career setback has been in her shadow.
Is She Still Working?: Absolutely not-after 1943's Hostages she only made one other picture, 1997's The Gambler with Michael Gambon.  She does occasionally stop out for the star on a walk of fame or Oscar cameo, however.
Glaring Miss in Her Filmography: I've seen her in The Great Waltz, but haven't seen either of her Oscar-winning roles, the only actor who has won more than one Oscar and I haven't seen either performance.  I must rectify this post haste!

Debbie Reynolds (1932-Present)

Oscar Nominations: One nomination (for Best Actress in 1964's The Unsinkable Molly Brown)
Most Famous For: Wishing us all a LOVELY morning.  Reynolds would star in dozens of pictures after her first big break, but she will forever be Kathy in Singin' in the Rain, jumping out of cakes and onto couches.  Reynolds would of course spend a good chunk of the rest of her career making light-hearted romantic comedies, and be involved in one of the most notorious of Hollywood love triangles, when Elizabeth Taylor stole away her husband Eddie Fisher in a scandal that rocked Hollywood (Reynolds was the Jennifer Aniston of her day).  She also, of course, is the mother of Princess Leia herself Carrie Fisher.
Is She Still Working?: She definitely is.  She recently starred in the multiple Emmy-winning Behind the Candelabra with Matt Damon and Michael Douglas, and will be receiving the Screen Actors Guild Life Achievement Award next January.
Glaring Miss in Her Filmography: I've seen Singin' in the Rain more times than I can count, as well as her Oscar-nominated work in The Unsinkable Molly Brown.  I might go with her 1996 comeback in Mother (she did an hilarious bit at the Oscars with her daughter that year, showing up despite being snubbed for a nomination) but would probably prefer her in Tammy and the Bachelor, one of her most iconic characters and films (Sandra Dee would take over the role in the sequels).

Lizabeth Scott (1922-2015)

Oscar Nominations: Never nominated
Most Famous For: Being the ultimate femme fatale.  Scott never quite got the stardom that Barbara Stanwyck (whose rejected roles fed Scott's career) achieved, but she was definitely a cool blonde with a sense of danger, starring opposite the likes of Kirk Douglas, Humphrey Bogart, Dick Powell, and (before an extremely long self-imposed retirement) Elvis Presley in his second film.  No other actress has appeared in as many film noir movies as Scott.  She is also well known for kicking off the legendary libel suit against the 1950's tabloid Confidential.  Oh, and to cap it all off, she is also a lifelong Republican.
Is She Still Working?: No.  Her last film was 1972's Pulp with Mickey Rooney and Michael Caine, and though she makes the occasional appearance at a film tribute or gala, she hasn't worked on-screen since.
Glaring Miss in Her Filmography: I don't think I've ever seen a Lizabeth Scott film, and considering film noir is my favorite genre at the movies, this is probably the crime I'm most ashamed of in this entire project (Scott is an actress I honestly had never heard of until this write-up, and now I cannot get enough-she looks like Lauren Bacall and Jane Greer had a love child).  I'll probably go with The Strange Love of Martha Ivers with Kirk Douglas and Barbara Stanwyck since it's the film I've actually heard of in her filmography, but I suspect any of her movies would intrigue me.

Jane Withers (1926-Present)

Oscar Nominations: Never nominated
Most Famous For: Being insufferable.  Or rather, playing insufferable, in the Shirley Temple classic Bright Eyes, where Withers plays her bratty nemesis.  Withers became one of the biggest stars of the late 1930's, joining Shirley Temple as a major box office draw despite being a child star, and then eventually going into supporting roles, like her work in Giant (she and James Dean were good friends) and eventually commercials, taking on what would become her most famous role for the Baby Boomer generation: Josephine the Plumber in the Comet commercials (for comparison's sake, think of Flo from the Progressive commercials and her ubiquity).  And continuing our streak, she was in several episodes of Murder, She Wrote and appears to be politically conservative.
Is She Still Working?: From what I can tell her most recent work would be voiceover contributions to The Hunchback of Notre Dame and its direct-to-video sequel, so I'm going to go with no since that was twelve years ago, though who knows-she may still be willing to give it a go.
Glaring Miss in Her Filmography: I mentioned this for Temple, but I think Bright Eyes, Withers' most noted work, would probably have to be at the top of the list.

And finally, though she wasn't nominated by the AFI, I could not list this many conservative actresses without including perhaps the most famous Republican Hollywood starlet of them all...

Nancy Reagan (1921-Present)

Oscar Nominations: Never nominated
Most Famous For: There are other actresses still living who deserved to be on the AFI long list more, but considering that these articles have oddly shifted toward discussing the conservative politics of long-living actresses, I felt that a perfect way to end with an even number would be to talk about the former First Lady of the United States.  For those that don't know this, before she was wearing red to state dinners and "just saying no," Nancy Reagan was Nancy Davis, an MGM leading lady who never quite took off with the public.  She did appear in eleven films though, and in addition to starring opposite her husband, she also appeared with the likes of Barbara Stanwyck, Ann Sothern, and Ray Milland (truly random fact-Reagan was asked late in her life to star in Mother with Albert Brooks, a part she declined which then went to Debbie Reynolds, listed above).
Is She Still Working?: Reagan retired from acting when her husband's political career took off, and while she's frequently seen at political funerals and events for her late husband, she's never returned to the screen.
Glaring Miss in Her Filmography: I'd probably have to go with Hellcats of the Navy, a movie I have always wanted to see if only for the curiosity of it all (it's the only film the Reagans ever appeared together in).

And there you have it-time for the conclusion.  As I stated above I will probably try the actors sometime later in the week, but let's give proper due to the actresses (and also to the fact that it took me days to complete these posts) by sharing your thoughts on these women.  Who would you like me to look a little more closely at by perhaps reviewing a film or two? Who are some of your favorites?  Who had you never heard of before I wrote about them today?  Share in the comments!