Wednesday, October 09, 2024

The Changeling (1980)

Film: The Changeling (1980)
Stars: George C. Scott, Trish van Devere, Melvyn Douglas, John Colicos, Jean Marsh, Madeleine Sherwood
Director: Peter Medak
Oscar History: No nominations
Snap Judgment Ranking: 4/5 stars

All October long, The Many Rantings of John is running a marathon dedicated to the Horror classics of the 1960's-00's that I'm seeing for the first time this month.  If you want to take a look at past titles from previous horror marathons (both this and other seasons) check out the links at the bottom of this article.

A trend started in the 1960's, and continued until the 1980's, where aging movie stars decided to give horror a shot.  This became known for a lot of women as "hagsploitation" or "grand guignol" where once glamorous actresses like Bette Davis, Joan Crawford, and Olivia de Havilland were put in caked on pancake makeup & tortured by each other (and more so the director), but it continued for decades longer.  One example of this would be The Changeling from 1980, with an aging George C. Scott (and a nearly gone Melvyn Douglas, who would be dead less than two years after this film was released).  Neither actor is known for their work in horror, certainly not in their prime but given limited options, they both gave it a shot here, and ended up with something unexpected.  The Changeling, one of the most important Canadian horror films ever made, was a film I hadn't really heard of before this month (it was actually a movie I substituted last minute when I decided another one of our choices was going to be too hard to find in good condition), but it's well-done, especially some of the bits at the end of the film, and worth your time if you (like me) were unfamiliar with it.

(Spoilers Ahead) The movie takes place in two halves.  The first half follows famed conductor John Russell (Scott) in the wake of the deaths of his wife and daughter after a horrific car crash.  He rents a mansion from a historical society in Seattle, and lives there despite no one having resided in the house for 12 years.  It turns out that there's a reason for that, as the house appears to be haunted, unexplained phenomena getting to John, particularly surrounding water, as he starts to see visions of a drowned boy in a bathtub, and he begins to investigate who the boy is.  It turns out he's Joseph Carmichael...which is a problem because Joseph Carmichael is still alive, an aging US Senator (played by Douglas) whom we learn was switched with a crippled & sickly boy as a child so that the healthy (fake) Joseph could inherit the family estate.  In the process, the sickly boy is murdered, drowned in a bathtub, and for much of the last thirty minutes it is clear the boy wants recognition of what was done to him, in the process needing to use John to get his fake brother to return to the house...where the true Joseph can have his revenge.

The movie is fascinating for a variety of reasons, not least of which is because the beginning has very little to do with the plot of the film.  There is no ghostly apparitions of John's wife and daughter in the house, and so it puts a fascinating spin on the haunted house story, where he is haunted by a literal ghost but also figurative ones, trying to understand what to do with his life after the unspeakable has happened.  I think this is really clever, and honestly something I didn't expect going into the movie-this red herring that also plays a B plot to the movie is a solid touch.

The film's many twists also generally work.  If there's a fault, it might be that they work too well.  Melvyn Douglas's character probably needs 1-2 more scenes with George C. Scott to really sell this, as you don't get a great sense of what his opinions are about what's happening.  It's possible that he's also an innocent victim here, being thrown into this circumstance as just a boy...but the ending wants him to suffer for these crimes.  That ambiguity doesn't quite work because you need a clear indication of whether or not the ghost is malicious or righteous.  That is, however, the only thing that doesn't work here, as the rest of the movie is a "start at 11 PM, and you'll be staying up past midnight" style horror movie classic.

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