Born a carpenter's daughter in El Paso, Texas, Reynolds biggest influences as a child were a domineering mother and a strict life built around her Nazarene faith. At the age of 16, her family moved to Burbank, California, where she won a beauty contest, and with it, she got a studio contract from Warner Brothers, where Jack Warner himself gave her the stage name of "Debbie" (her birth name was Mary Frances). Her contract at Warner didn't work out (they weren't making musicals like they had a decade earlier), so she got moved to MGM, where she starred in Two Weeks with Love and scored the radio hit "Aba Daba Honeymoon," the first soundtrack to result in a gold record. From there, she made the signature role of her career, as Kathy Selden in the cinematic classic Singin' in the Rain.
Reynolds would then enjoy about a decade's worth of success as a leading actress, and eventually a lucrative television contract that she would give up on principle (Reynolds was long a champion of a number of causes, particularly film preservation). But it was in 1959 that Reynolds both became America's Sweetheart and girl-next-door, and also became the third leg of a massive scandal when her husband (singer Eddie Fisher) had an affair with the recently widowed Elizabeth Taylor, and left Reynolds (and their two children, including daughter Carrie) alone as he married Taylor. This resulted in mountains of goodwill for Reynolds, but never the sort of critical acclaim that Taylor received in its wake (the latter actress would go on to win two Oscars...Reynolds, only a nomination). But Reynolds career and the decades of television, stage work, & comebacks that came in the years that followed have shaped her career in a decidedly different way than Doris Day, whom she was similar to during her peak fame, and I want to investigate why, through the movies she made while and after she was America's Sweetheart.
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