Film: Libeled Lady (1936)
Stars: Jean Harlow, William Powell, Myrna Loy, Spencer Tracy, Walter Connolly
Director: Jack Conway
Oscar History: 1 nomination (Best Picture)
Snap Judgment Ranking: 4/5 stars
Each month, as part of our 2020 Saturdays with the Stars series, we highlight a different actress known as an iconic "film sex symbol." This month, our focus is on Jean Harlow-click here to learn more about Ms. Harlow (and why I picked her), and click here for other Saturdays with the Stars articles.
By the mid-1930's, Jean Harlow was one of the biggest stars in America. On the MGM lot, she was worth more to the studio by the time that Libeled Lady came out than Joan Crawford or Norma Shearer, the two women who had basically bankrolled the company for years. She had managed to float her way through two husbands since the last time we had discussed her in Red Dust, and was at the time madly in love with William Powell, who would be her costar in the film. The movie would be a gargantuan hit for MGM, making nearly $3 million at the Box Office during the height of the Depression, and further cementing Harlow as the most valuable asset on the MGM lot. As we're about to see, though, that distinction would be (to pardon the expression) short-lived. But first, Libeled Lady.
(Spoilers Ahead) The film is basically one of those madcap screwball comedies that went extinct the second Cary Grant met Alfred Hitchcock, but it's a pip. Jean Harlow plays Gladys, a frequently jilted bride whose fiancé Warren (Tracy) is constantly putting his newspaper's needs ahead of hers. In the opening scenes, we find out that his paper has printed a libelous lawsuit about Connie Allenbury (Loy), the daughter of his rival newspaper's chief James Allenbury (Connolly). Connie sues Warren's paper for $5 million, but he can't afford to pay this kind of money, so he enlists the help of famed lothario Bill Chandler (Powell) to woo Connie after marrying Gladys in a sham marriage, so it looks like Connie has been romancing another woman's husband. The problems ensue when both Connie AND Gladys fall for Bill's line, while Bill only loves Connie. The film's final moments are a series of coincidences and one ups-manship, with ultimately Gladys ending up back with Warren and Connie & Bill reunited despite their differences.
Libeled Lady is marvelous. It's hard to judge because when you put Powell & Loy together you expect The Thin Man (though they actually made 14 movies together in their time in the spotlight), and this isn't quite as sparkling as that, but it's hard to compare any movie to The Thin Man. The film is hilarious, with some great physical comedy and some ace comedic work. It's a testament to Harlow that put against an acting titan like Tracy, and two Grade-A comedians such as Loy & Powell that she pretty much steals the picture as the "dumb blonde who isn't so dumb." As a result, I kind of loved Libeled Lady in a way I wasn't expecting-this is the sort of film I'd probably give a 4.5 star rating to (but we don't do halves here), but as there are parts where the one-liners could have popped a little bit more, I'm going to lean to four stars, though I reserve the right to change my mind about that in the future.
The movie would, sadly, be one of the last high-water marks of Harlow's career. She would make just two more pictures, Personal Property and Saratoga, both big hits, before she died in 1937 from kidney failure at the age of only 26. Because of her youth and beauty, and how we never got to see her grow old, urban legends still persist about Harlow (chiefly that she died as a result of the hair dye that created the platinum blonde look she'd make iconic, though this has been proven to be false). As we've found this month, though, there was a really good comedienne and actress beyond those famous locks, and it's a pity for us all that we didn't get to see what her growing power at MGM might have meant for her future career-perhaps some of the star turns that still awaited her fellow MGM players Joan Crawford and Greta Garbo could have been hers? We will never know. Next month, we'll spring ahead into the 1940's to take a look at a different starlet, one who was just as blonde as Harlow, but it was two other assets that insured her immortal status in Classical Hollywood.
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