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Monday, September 22, 2025

Who is the Next AFI Life Achievement Honoree?

Francis Ford Coppola winning the AFI statue
from past winners George Lucas & Steven Spielberg
With the recent passing of Robert Redford, an interesting trivia topic comes up, one we've talked about on occasion on this blog but not in a few years.  Redford, screen luminary, movie star extraordinaire, film festival pioneer, & Oscar-winning director, has always felt like the oddest person to never win the AFI Life Achievement Awards, one of the highest honors for an actor or director, to the point that I have long-wondered if he just didn't want to accept (it's hard to imagine it was never offered to him).  With his death, though, it invites the question of who will be the next person to win the AFI Life Achievement Award, and I thought it'd be fun to make a Top 10 list of the people I think are likeliest to be next.  Before we get to the list, I came up with a list of criteria that usually hint at who will be the next AFI Life Achievement Award winner.

Age: The average age of a winner is roughly 70, though that's definitely an average and we have seen a pretty wide range of ages winning this (i.e. don't count someone out like Francis Ford Coppola, the  most recent winner, who took it at 86 in April).  19 of the winners have been in their 70's, which is by far the most common age group to have won in, and no victor has been older than 90 (top in age was Lillian Gish) or under 46 (Tom Hanks was the youngest, and that win was criticized enough that I doubt they go for someone that young again).  As a result, bonus points to anyone somewhere between about 65 and 79, though obviously they could and have leaned outside that age range.

Occupation: The award is open to anyone in the film industry, but like most honors, it's more geared toward movie stars.  70% of the winners have been principally known for acting, and all but one of the remaining victors have been film directors (the sole person who was neither was John Williams, and there's really no living behind-the-scenes person who could rival Williams in terms of public perception, so it's going to be a movie star or a director).  The film directors who did make it are extremely well-known, just as famous to the public in recent years as a movie star (think George Lucas, Martin Scorsese, and Steven Spielberg), so don't count on aging directing superstars like Mike Leigh or Ridley Scott, as they likely aren't famous enough.  They're also not American which brings us to...

Geography: This is the American Film Institute Award, and while that title doesn't preclude anyone, it sure helps if you're American.  92% of the winners were Americans upon the time they won (this includes people who enjoyed dual citizenship like Elizabeth Taylor, Nicole Kidman, and Sidney Poitier), which is potentially why foreign-born icons like Charlie Chaplin, Greta Garbo, Marlene Dietrich, & Laurence Olivier never won, and likely why figures such as Anhtony HOpkins or Sophia Loren (who otherwise would have been shoo-ins) haven't taken the honor yet.  The four foreign-born figures who did win (Sean Connery, David Lean, Julie Andrews, and Alfred Hitchcock) don't really have a lot in common, so it's hard to find some commonality to one person getting in if they aren't American other than a lot of fame.

Oscar History: If you're going to be taking the AFI title, it helps (a lot) if you're an Oscar winner.  78% of all of the honorees were at the time of their victory winners of at least one competitive Academy Award, and another ten were nominees (two of which, Henry Fonda & Martin Scorsese, would win competitive Oscars post their AFI ceremony).  The only person to have never been nominated for an Oscar and still win the AFI is Steve Martin, someone you'd be hard-pressed to find an obvious corollary to today.  This pattern has gotten even stronger in recent years-85% of the past twenty recipients were Oscar winners (excluding Martin, George Lucas, & Harrison Ford).  So it's likely that the next person to take the AFI will have won a competitive Oscar.

Gender: The ceremony seems to be trying to correct this in recent years, but it's still very much a boy's club at the AFI.  78% of all winners have been men, and the ceremony has never honored a woman who was solely or principally known as a behind-the-scenes figure (women like Shirley MacLaine, Barbra Streisand, and Diane Keaton have all directed films and won the AFI, but all three made their names in movies as actors).   I also wouldn't read a lot into the last winner being male...it doesn't feel like a tradeoff situation as a rule (i.e. the next could also be a man).

DeMille/Kennedy: There are at least two other awards (other than Oscar) that are a strong indicator of whether or not someone will take the AFI trophy-the Cecil B. DeMille Award and the Kennedy Center Honor.  58% of all winners of the AFI were also DeMille winners and of those who were alive to receive it (the Kennedy Center Honors started last of the three honors, in 1978, so John Ford was dead by the time they rolled around despite having already won the AFI), 70% of the AFI Award victors also won the Kennedy Center Honor.  24 people have pulled off all three.  While the AFI has occasionally led the field (ie someone won it there before they picked up other honors, like Steven Spielberg or Elizabeth Taylor), it's a pretty strong indication if you're primarily known for film and you win one of these trophies that you're going to win one (or both) of the others.  One could make a sincere argument that the list of people who have taken the DeMille or Kennedy Center Honor without also having an AFI is particularly short right now, so AFI may be forced to add a new name to the roster next year.  Of the 16 living DeMille and/or Kennedy Center victors (without an AFI) who have meaningful cinematic contributions, almost all of them have something stopping them from taking this leg of the Cinematic Life Achievement Triple Crown (I started calling it that years ago...and it has not caught on).  There is one non-American (Sophia Loren) and one American more commonly known for citizenship in a different country (Anthony Hopkins).  There are figures with major contributions to cinema but who are more known for TV (Dick van Dyke, Lily Tomlin, Rita Moreno, Billy Crystal) and music (Cher, Bette Midler), and then there are a few figures due to health or antipathy to such things might not show up at all (Joanne Woodward, Woody Allen).  There's also the new stain on the Kennedy Center Honors due to the heavy involvement of President Trump that might make it hard for Sylvester Stallone to get this award given he won with that asterisk next to his name.  That actually only leaves five figures who could be considered real contenders that AFI hasn't picked yet, four of which I'll list in my Top 10, and the fifth of which I'll cite in the Honorable Mentions.

Fame: This is a hard one to quantify, but all of the winners have to be famous, and tend to still be extremely well-known when they won.  This has become even more pertinent in recent years.  Arguably the last time someone who wouldn't have been a household name still the year they won was Robert Wise in 1998, and in the past few years we've seen actors who are very active in modern filmmaking like Diane Keaton, George Clooney, and Denzel Washington take the trophy, so I suspect that the winner next year would either be still revered or quite frankly be someone whom you'd expect to be getting top billing on your local marquee still.  This means that names like Ellen Burstyn, Sissy Spacek, Julie Christie, Faye Dunaway, Mia Farrow, or Goldie Hawn, names that probably have earned this kind of distinction but aren't really household in the same way as Clooney, Streep, & Washington, are going to struggle to get a citation without some sort of revival.  This ceremony is funded by advertising revenue, and as a result they need a bigger name for ratings.

With all of that said, here are my guesses as to who the Top 10 contenders for the trophy are.  Sound off in the comments if you have predictions as well!

Honorable Mentions: Lots of options here, but seven names that come to mind are Anthony Hopkins, Robert Downey, Jr., James Cameron, Ron Howard, Eddie Murphy, Ralph Fiennes, & Jessica Lange.  All of them have debits, ranging from a curmudgeonly persona off-screen that might preclude such an honor to not having a strong enough filmography to not being American, but these are names I wouldn't be shocked get into contention.  I will note that in the past when I've done this prediction list I missed future winners because I didn't know they'd be having a moment (i.e. I had Coppola as someone whose time had likely passed until Metropolis came out and he seemed to make a point of wanting to get these honors on his resumé before he died or to remind people that movie won't be his epitaph), so some of these might be contenders, but I don't see them being immediate threats.

10. Tim Burton

It feels weird not to list a single person primarily known as a director on this list, even though directors rarely win this award, and the concept of the celebrity-director is increasingly passé, but more than Cameron, Howard, or even Quentin Tarantino, it feels like Tim Burton is the kind of guy that gets in with AFI.  Inevitably, he's going to get an Oscar moment at some point, and that will invite conversations about his singular filmography.  In many ways Burton's personality feels at-home here.  He's a California-born director, and similar to someone like Mel Brooks (a past winner) he has made or advanced the careers of a lot of stars (such as Johnny Depp & Winona Ryder) who haven't really had a moment with the AFI, and this would be a way of acknowledging that very successful segment in Hollywood.  Call it a hunch that he could win this.

9. Sally Field

A more conventional choice would be Sally Field, a recent Kennedy Center Honoree, and an actress who has been doing a lot of the "I'm a legend" rounds in recent years (not just taking the Kennedy Center Honor, but also the National Medal of Arts and the SAG Life Achievement Award).  Field is also well-regarded (it helps if you're popular), and has had a diverse career as a two-time Academy Award winner who has gone back-and-forth between populist hits and art-fare.  Also, and most critically, she is one of the rare stars of the 1970's & 80's who still works regularly in major projects and is known to a new generation of moviegoers in a way that, say, Faye Dunaway would not be that hasn't won this yet.  In some ways Jessica Lange makes more sense (she also has had television success in recent years), but for some reason she doesn't seem to be getting these types of awards (and with Trump in office, it's doubtful she'll get help from the Kennedy Center), so I will continue to bet on Field.

8. Viola Davis

You could make a sincere argument that Davis shouldn't be on this list.  In terms of leading work in films, she has  the most recent and arguably most scant filmography of these artists.  But there's a sense that Davis, one of the great talents of her generation, was cheated out of a longer career due to Hollywood's inability to give leading roles to Black women, and one wonders if that contributed in part to her recent Cecil B. DeMille Award (don't look at me like that-name another actor with as short of a filmography as Davis has had as a leading star that has won that award).  Only three Black actors have ever won the AFI Life Achievement Award (Sidney Poitier, Morgan Freeman, & Denzel Washington), and none of them have been a woman.  I think Davis makes sense here, particularly with the recent passing of Cicely Tyson, and it's more a question of if, not when, she'll win.  But she's rated lower as I think they make her wait just a few films more before they give her this statue (but it's coming).

7. Brad Pitt

Brad Pitt's wildly successful F1 (can you believe it made over $600 million?!?) earlier this year confirmed what we all know about him-he's one of the last movie stars of his era, someone who can still actually open a movie without creative IP attached (albeit he had the world's largest sport attached, but that's another story).  Pitt's problem is going to be less about his filmography (given his stature in the industry and his long career, it's hard to begrudge him this statue) and more so that Pitt is a bit of an online pariah right now.  That doesn't matter as much in Hollywood (see how he starred in a massive hit movie earlier this year), but advertisers don't want to touch him in an era of a boycott-heavy electorate, and the thorny allegations in his divorce with Angelina Jolie make me think that they might wait a few years to see if things cool down with him (this could also be the case with Johnny Depp & Ben Affleck, who I didn't list on this countdown, but obviously feel in the wheelhouse of someone who would win this).

6. Matt Damon

Pitt's Ocean's Eleven costar Matt Damon feels far more likely to win.  One wonders if they'd consider doing a pair between Damon and his childhood best friend Ben Affleck, but of the two I think that Damon, with his squeaky clean off-screen persona would be an easier sell.  Damon is actually old enough to win one of these statues now (for those wondering if I'm crazy for putting him on here), just a few years north of potential future contenders like Reese Witherspoon and Leonardo DiCaprio, and I think is a serious threat to take this, though I partially believe that he'll get the DeMille first, mostly because they tend to like younger and they love getting movie stars to show up.

5. Jeff Bridges

Robert Redford for many years was my go to answer for "who is the weirdest living person without an AFI Life Achievement Award."  With his death, that title passes to Jeff Bridges.  Bridges is such an odd exclusion from this list I constantly have to remind myself he's never won-he's a movie star from way back (and further back still if you remember he's a NepoBaby), an Oscar winner, and has a fame that means different things depending on how old you are, which is also the sign of someone with a robust filmography.  Bridges is certainly the type of person who should have an AFI Life Achievement Award (it will be a miss, similar to Redford, if he never wins), and if I was asked to unilaterally give this out to someone next year, he'd be my choice.  But his inability to win even when he could've gotten it 10-15 years ago makes me wonder if he's demurred, or isn't really on their radar.

4. Samuel L. Jackson

Bizarrely, Samuel L. Jackson has never won any of the three major Triple Crown Awards, though he did recently get an Honorary Oscar.  Jackson is a ubiquitous movie star, perhaps not to his credit (it's worth noting that Michael Caine never won any of these three prizes either, mostly because he had so much crap to go with the jewels in his filmography), but Jackson is such a big star it feels wrong that he doesn't win this award.  In many ways, between his forays into countless major franchises (Star Wars, MCU, Jurassic Park, XXX) to his position as a muse for both Quentin Tarantino and Spike Lee he is the prototype for how to navigate the IP era, so you have to believe they know they should pick him, particularly given the embarrassingly low number of Black actors who have won this prize.

3. Tom Cruise

The Top 3 are not a question of if, but when, for the victory.  All three are 1990's movie stars who have stayed relevant into the 2020's (sometimes for television, sometimes in the case of #3 for mining his filmography for legacy sequels), but they are all too famous to never win this award.  Cruise is third both because he is about to win an Honorary Oscar (and in my opinion, likely to win a competitive one next year too, which makes the Honorary statue feel like a waste when it could've gone to, say, Catherine Deneuve who needs it more), but Cruise has graduated beyond the tabloid toxicity that once nearly wrecked his career (i.e. another reason they'll likely wait on Brad Pitt), and has become the savior of the movie theater industry.  The ageless screen star probably doesn't like that he's now at the age where you win lifetime achievement awards, but it'd be nice if he won it while some of his earliest costars (like Dustin Hoffman & Jack Nicholson) are still around to give it to him.

2. Julia Roberts

Another ageless movie star that feels like she's too young to win this, but has entered that era is Julia Roberts (our Star of the Month last month!).  There's more urgency around Roberts to win, in part because she's clearly the Queen of the 1990's movie stars (you could see a world where, say, Sandra Bullock or Demi Moore also win this statue at some point, but not before Julia), and also because she seems to be itching to do this again.  In recent years she's been working more regularly, appearing in films that might gain a reputation (even if it's a bad one) like Luca Guadagnino's latest, and clearly wants to cement her place as one of the last great movie stars before IP took over Tinseltown.  Roberts, in a similar fashion to Cruise, also wants to get this statue while all of the actors whom she starred opposite early in her career are still with us (as sad as it may seem Richard Gere is 76, Dustin Hoffman in 88, & it's unlikely most of her older costars in Steel Magnolias stay around much longer)...this would be the time to give it to her.

1. Jodie Foster

But I'm going to put someone who has the DeMille (unlike Julia & Tom) at #1.  Jodie Foster doesn't have as plentiful of a filmography as Roberts & Cruise (and isn't famous in the same way anymore), but her two Oscars and recent successful run on True Detective add a timelessness to her star persona that you can't really rust.  I also think it's noteworthy that she's a feminist icon, and a film director (and would be the first openly queer person to win the award).  As I stated above, no woman has ever won this award primarily for being known for directing, but several have histories with directing, and Foster would add to that list.  She's also 62, so just a few years shy of the prime age that wins this award, and giving it to her early is hardly a moment that will age poorly (no one really focuses on winning too early if it was someone who was always destined to win).  If I had to bet on who wins next, I'd put my money on her.

Tuesday, September 03, 2019

Who Will Win the 2020 AFI Life Achievement Award?

A few weeks ago, we did a look at who might be the next American to win the Nobel Prize in Literature, and since I had a lot of fun creating the list, I thought it might be enjoyable to take a look at a different upcoming major career recognition honor, the AFI Life Achievement Award.  This past summer, Denzel Washington was the recipient of the distinction, arguably the highest career honor in American cinema, but the organization actually doesn't wait long to announce its next winner, and if history teaches us anything, the victor will be proclaimed in early October, so we're only a few weeks away from learning the winner of the 2020 trophy.  As a result, I thought it'd be fun to take a look at a Top 10 list of who might be selected as the next honoree.

Before we get to the list, it's worth name-checking a few things that previous winners have had in common, so as to deduce who might be most likely to win this year.  47 film luminaries, ranging from John Ford in 1973 to Washington last year, have taken the trophy, so we have a bit of data to mine for clues as to whom next year's honoree might be.

Age: The average age of a winner is 69, though that's definitely an average (Steve Martin is the only winner to have actually been 69 when he won).  19 of the winners have been in their 70's, which is by far the most common age group to have won in, and no victor has been older than 90 (top in age was Lillian Gish) or under 46 (Tom Hanks was the youngest, and that win was criticized enough that I doubt they go for someone that young again).  So this probably means someone like Olivia de Havilland is out, as is someone like Leonardo DiCaprio.  As a result, bonus points to anyone somewhere between about 65 and 79, though obviously they could and have leaned outside that age range.

Occupation: The award is open to anyone in the film industry, but like most honors, it's more geared toward movie stars.  70% of the winners have been principally known for acting, and all but one of the remaining victors have been film directors (the sole person who was neither was John Williams, and there's really no living behind-the-scenes person who could rival Williams in terms of public perception, so it's going to be a movie star or a director).  The film directors who did make it are extremely well-known, just as famous to the public in recent years as a movie star (think George Lucas, Martin Scorsese, and Steven Spielberg), so don't count on aging directing superstars like Norman Jewison or Ridley Scott, as they likely aren't famous enough.  They're also not American which brings us to...

Geography: This is the American Film Institute Award, and while that title doesn't preclude anyone, it sure helps if you're American.  94% of the winners were Americans upon the time they won (this includes people who enjoyed dual citizenship like Elizabeth Taylor and Sidney Poitier), which is potentially why foreign-born icons like Charlie Chaplin, Greta Garbo, Marlene Dietrich, & Laurence Olivier never won, and likely why figures such as Julie Andrews or Sophia Loren (who otherwise would have been shoo-ins) haven't taken the honor yet.  The three foreign-born figures who did win (Sean Connery, David Lean, and Alfred Hitchcock) don't really have a lot in common, so it's hard to find some commonality to one person getting in if they aren't American.

Oscar History: If you're going to be taking the AFI title, it helps (a lot) if you're an Oscar winner.  77% of all of the honorees were at the time of their victory winners of at least one competitive Academy Award, and another ten were nominees (two of which, Henry Fonda & Martin Scorsese, would win competitive Oscars post their AFI ceremony).  The only person to have never been nominated for an Oscar and still win the AFI is Steve Martin, someone you'd be hard-pressed to find an obvious corollary to today.  This pattern has gotten even stronger in recent years-85% of the past twenty recipients were Oscar winners (excluding Martin, George Lucas, & Harrison Ford).  So it's likely that the next person to take the AFI will have won a competitive Oscar.

Gender: The ceremony seems to be trying to correct this in recent years, but it's still very much a boy's club at the AFI.  81% of all winners have been men, and the ceremony has never honored a woman who was solely or principally known as a behind-the-scenes figure (women like Shirley MacLaine, Barbra Streisand, and Diane Keaton have all directed films and won the AFI, but all three made their names in movies as actors).  The last two winners have been male, but history has shown that doesn't necessarily mandate that we'll be seeing a woman here in 2020.

DeMille/Kennedy: There are at least two other awards (other than Oscar) that are a strong indicator of whether or not someone will take the AFI trophy-the Cecil B. DeMille Award and the Kennedy Center Honor.  62% of all winners of the AFI were also DeMille winners and of those who were alive to receive it (the Kennedy Center Honors started last of the three honors, in 1978, so John Ford was dead by the time they rolled around despite having already won the AFI), 69% of the AFI Award victors also won the Kennedy Center Honor.  23 people have pulled off all three.  While the AFI has occasionally led the field (ie someone won it there before they picked up other honors, like Steven Spielberg or Elizabeth Taylor), it's a pretty strong indication if you're primarily known for film and you win one of these trophies that you're going to win one (or both) of the others.  One could make a sincere argument that the list of people who have taken the DeMille or Kennedy Center Honor without also having an AFI is particularly short right now, so AFI may be forced to add a new name to the roster next year.  Of the 16 DeMille and/or Kennedy Center victors (without an AFI) who have meaningful cinematic contributions, almost all of them have something stopping them from taking this leg of the Cinematic Life Achievement Triple Crown (I started calling it that years ago...and it has not caught on).  There are several non-Americans (Sophia Loren, Julie Andrews) or Americans more commonly known for citizenship in a different country (Anthony Hopkins, Angela Lansbury).  There are figures with major contributions to cinema but who are more known for TV (Cicely Tyson, Lily Tomlin, Rita Moreno), music (Cher), or the stage (James Earl Jones, Lansbury again), and then there are a few figures due to health or antipathy to such things might not show up at all (Joanne Woodward, Gene Hackman, Woody Allen).  That actually only leaves four figures who could be considered real contenders that AFI hasn't picked yet, and all four will be listed below so I won't spoil the fun just yet.

Fame: This is a hard one to quantify, but all of the winners have to be famous, and tend to still be extremely well-known when they won.  This has become even more pertinent in recent years.  Arguably the last time someone who wouldn't have been a household name still the year they won was Robert Wise in 1998, and in the past few years we've seen actors who are very active in modern filmmaking like Diane Keaton, George Clooney, and Denzel Washington take the trophy, so I suspect that the winner this year would either be still revered or quite frankly be someone whom you'd expect to be getting top billing on your local marquee.  This means that names like Ellen Burstyn, Sissy Spacek, Gena Rowlands, Julie Christie, Faye Dunaway, Mia Farrow, or Francis Ford Coppola, names that probably have earned this kind of distinction but aren't really household in the same way as Clooney, Keaton, & Washington, are going to struggle to get a citation without some sort of revival.  This ceremony is funded by advertising revenue, and as a result they need a bigger name for ratings.

With all of that said, here are my guesses as to who the Top 10 contenders for the trophy are.  Sound off in the comments if you have predictions as well!

Honorable Mentions: Lots of options here, but Goldie Hawn, Robert Duvall, Spike Lee, Brad Pitt, Will Smith, Julie Andrews, and Michael Caine are all people that wouldn't surprise me, but all have at least some debits that would preclude them (age, geography, and fame being factors to at least some degree depending on the artist).  However, they're close enough to being real threats that I figured I needed to at least CYA myself by mentioning their names.

10. Ron Howard

Age: 65
Geography: American (born in Oklahoma)
Oscar History: 4 nods/2 wins
DeMille or Kennedy?: Not yet
Why Him: Howard is the rare American director who hasn't won this award that has the sort of name recognition (thanks to his previous years as an actor) and populist films (Cocoon, Apollo 13, A Beautiful Mind) that might win him a citation someday.  He's also well-liked by other directors who would have some influence in the selection such as George Lucas & Steven Spielberg (not to mention his movie star daughter could push for him & would make a glamorous, sentimental host for the evening), and he's nearly the right age for the win.
Why Not Him: Howard, though he does have a pair of Oscars, isn't really in the same pioneering league as the other directors from a critical perspective.  His closest corollary among the winning directors would be Lucas, and he's never made anything remotely as important to Hollywood as the Star Wars franchise (even though, ironically, he has made a film in the Star Wars franchise).  Howard makes a lot of sense in theory, but I wonder if they'd pull the trigger for him or wait for a director like Quentin Tarantino to be old enough before they pick another behind-the-scenes figure.

9. Glenn Close

Age: 72
Geography: American (born in Connecticut)
Oscar History: 7 nominations
DeMille or Kennedy?: Not yet
Why Her: Close recently had a bout of incredible press, first from her finally making a play for her Oscar trophy, and then a round of public sympathy for not actually winning an Oscar most assumed was in the bag.  She's well-known to audiences (everyone's heard of her) but still has critical hosannas in her corner to make this feel like a classy choice, and would be near the average age for a winner.  Could she be chosen as a way of the industry saying "yes, you're a legend" after she was denied that claim a few months ago?
Why Not Her: I mean, if she couldn't win the Oscar, it's hard to imagine that she'd take this trophy (like I said-it's very hard to win this if you aren't an Oscar winner).  Close seems a better fit for the Kennedy Center Honors considering she's nearly as well-known for television and stage as she is for film, and it's not like she has a lot of massive hits under her belt in the way that Denzel Washington or Tom Hanks does.

8. Jessica Lange

Age: 70
Geography: American (born in Minnesota)
Oscar History: 6 nods/2 wins
DeMille or Kennedy?: Not yet
Why Her: Lange has been having one of those great, late career renaissances that occasionally gets you to sweep awards like this.  In many ways it recalls Morgan Freeman, who wasn't particularly famous until much later in his career, and then suddenly he was greeted with an onslaught of awards. American Horror Story and Feud have earned her a new generation of fans, and if Keaton & Streep are going to win this trophy, it feels like Lange should join them as an 80's movie queen who stayed a household name decades later.
Why Not Her: Lange had a robust cinematic career, but other than Tootsie there aren't a lot of widely-remembered classics on the list.  More importantly, Lange's late-career renaissance has been for television, not for the movies in the way that Freeman's was.  She would get them ratings, and in some ways this might be what finally got Jane Fonda her trophy, but Fonda is way more iconic than Lange is in terms of her cinematic pedigree (even though they have matching Oscar counts), and Lange would be a harder sell for AFI without another great movie role.

7. Samuel L. Jackson

Age: 70
Geography: American (born in DC)
Oscar History: 1 nomination
DeMille or Kennedy?: Not yet
Why Him: Jackson is the highest-grossing actor in terms of Box Office draw ever.  He's worked with literally everyone (I wouldn't be stunned if even I've made a film with him at this point) and has been both a critical muse (Scorsese, Spielberg, Tarantino, & Paul Thomas Anderson have all worked with him), as well as the star of major franchises like Jurassic Park, Avengers, Star Wars, and The Incredibles.  He's almost exactly the average age for the honor, and few figures in the past thirty years have been in as much American film as Jackson.
Why Not Him: The problem is that Jackson's made a lot of tripe along with all of those major paychecks.  Notice that Michael Caine has also never won this trophy, and almost certainly Johnny Depp is going to struggle to take it as well.  This is because Jackson's ubiquity hasn't necessarily translated to quality.  Every AFI winner has made a couple of stinkers, but Jackson's name isn't necessarily synonymous with quality, but rather quantity.  That's a problem if you're going to get the highest honor in American cinema.  Plus, even with all of those movies he's still never won an Oscar.

6. Tom Cruise

Age: 57
Geography: American (born in New York)
Oscar History: 3 nominations
DeMille or Kennedy?: Not yet
Why Him: Cruise is a bit young for the award, but few actors can boast his consistent movie star appeal.  Nearly 40 years after he became a headliner, he's still a leading man in major blockbuster movies, and has made a lot of the people who regularly sit in the AFI audience rich beyond their wildest dreams.  He's had quality films (those three Oscar nominations), and has enough movie moments through Jerry Maguire, Mission Impossible, and Top Gun to guarantee a built-in audience for the awards show.  All-in-all, this is a pretty solid bet for someone the AFI will want to claim...one of the few undisputed modern movie stars who can always land a picture.
Why Not Him: Cruise is a bit on the young side, and hasn't won an Oscar (or the DeMille yet, and I think that would come first for him considering the Globes love of celebrity).  More importantly, Cruise's public behavior since his 90's heyday makes this award come with some controversy.  Forgetting the Scientology aspect for a second (and that's a big thing to disregard), he's been erratic as a public figure & his films have taken a serious detour in quality since the early-aughts.  At this point he's more Sly Stallone & Liam Neeson than he is Tom Hanks or Denzel Washington, and Stallone/Neeson aren't anywhere near an AFI Life Achievement Award.

5. Sally Field

Age: 72
Geography: American (born in California)
Oscar History: 3 nods/2 wins
DeMille or Kennedy?: Field will receive the Kennedy Center Honor later this year
Why Her: Field's recent Kennedy Center Honor is a big deal, as it elevates her to the same echelons of people like Lauren Bacall, Joanne Woodward, and Myrna Loy (three other actresses who got the Kennedy Center Honor but never AFI) rather than any number of 70-something actresses who were once headliners but now frequently come in as supporting players or in TV cameos.  The list of true film stars who get the Kennedy Center Honor and not the AFI is small, and Field comes with two Academy Awards, as well as a number of still iconic hits (Smokey and the Bandit, Steel Magnolias, Forrest Gump) and recent success (My Name is Doris, the Spider-Man movies) that could make this an easy sell from a fame perspective.
Why Not Her: Field probably wouldn't be a great choice in 2020, since she just won the Kennedy Center Honor (it's uncommon, though not unprecedented, for someone to get two such awards so close together).  One would think they'd wait a year or two before picking her.  That said, we're likely due for another female victor, and unlike the next two women, she's much closer to the age of the average recipient so I wouldn't discount her; Field represents a jump from "good guess, and maybe someday" to "I could truly see it happening in 2020."

4. Julia Roberts

Age: 51
Geography: American (born in Georgia)
Oscar History: 4 nods/1 win
DeMille or Kennedy?: Not yet
Why Her: Roberts is going to win this award at some point, as long as she lives long enough.  She's exactly the sort of figure who scores the AFI-popular, enduring, beautiful, a leading woman even when her star started to dim, and someone who scored an Oscar at the peak of her fame, so there's critical cache to go with the many, many hits.  Honestly, so confident am I that Roberts will win this, and win it soon, that I didn't even list Sandra Bullock on this list, despite me also thinking she could take this at some point as well (since Roberts will get this before Bullock, in the same way Meryl Streep was always going to win here before Diane Keaton).  It's not "if" but "when" for Julia Roberts.
Why Not Her: Roberts is the youngest person on this list, and while she wouldn't be the youngest victor ever (Hanks may have that record forever, unless the AFI goes for Leo DiCaprio in the next year or two), she'd be the third youngest after Hanks & Spielberg if she took it.  She regularly makes movies, and there's no rush.  Why not give it to her when she's approaching Clooney's age (he was 57)?  I think that will be the thought process for the AFI, at least.

3. Jodie Foster

Age: 56
Geography: American (born in California)
Oscar History: 4 nods/2 wins
DeMille or Kennedy?: Foster memorably took the DeMille at the 2012 ceremony
Why Her: Unlike Clooney, Foster is approaching Clooney's age (she'd be exactly his age if she was the 2020 victor), and she's one of only two people on this list who has taken the DeMille/Kennedy distinction AND has enough distance to that award that it wouldn't llok like they were copying the Globes.  Foster is an iconic star, iconic enough that even without a lot of recent film hits she could still feel like a relevant winner, and she's probably going to win this eventually.  The past two years have shown a propensity for picking actors that were a little young for the award, but were certainly going to take the trophy at some point-could that continue with Jodie?
Why Not Her: Aside from the age aspect, there's the lack of a lot of recent roles, and her tendency to be more political & press-shy than your average winner.  They have strayed in a way the Kennedy Center Honors have not (look at how Jane Fonda has the AFI but not the government-sanctioned Kennedy Center award), but her filmic resume in the past two decades is pretty thin for someone who would be winning a trophy that oftentimes comes at the tail-end of your cinematic career, not when it's largely been dormant for a decade.

2. Jeff Bridges

Age: 69
Geography: American (born in California)
Oscar History: 7 nods/1 win
DeMille or Kennedy?: Bridges took the DeMille earlier this year.
Why Him: He's exactly the right age for this, and like some other recent winners, he's been a constant movie presence for decades, but certainly a constant force in the last decade.  Bridges won his Oscar less than ten years ago, and has scored two citations since then, as well as a lot of renewed affection for being one of the best actors of his generation.  Everyone seems to love him (he'd have great speeches), and this has probably graduated to the "inevitable" at this point for AFI to pick him.  I can't really think of a better time to appreciate him with such a major honor, can you?
Why Not Him: The only thing holding me back from picking him is that he just won the DeMille.  Unlike the Kennedy Center Honors, the DeMille winner has to give a speech, so the AFI could risk all of their best material having gone to that Globes' speech that could still be in their memory rather than Bridges giving a fresher one at the AFI.  That's about the only reason I can think of not to pick him-he was my dark horse guess for this next year until he won the DeMille, and I suspect I'll be predicting him in 2021 if he doesn't take it next year.

1. Robert Redford

Age: 83
Geography: American (born in California)
Oscar History: 4 nods/1 win (as well as an Honorary Oscar)
DeMille or Kennedy?: DeMile in 1993 and Kennedy Center Honors in 2005
Why Him: One of the great mysteries of awards show nerddom, to the point where I always have to double check that I'm not wrong, is how Robert Redford hasn't won the American Film Institute Life Achievement Award.  He's a film icon with a number of classic movies under his belt (he's worked with everyone from Marlon Brando to Paul Newman to Jane Fonda to Meryl Streep), he's an actor-director (Warren Beatty, Clint Eastwood, & Orson Welles can all attest that's a good way to win this), and he's also well-known for his celebration of smaller American film through his work with the Sundance Film Festival.  Should he not win, he'd be one of the biggest names to never take the honor, and one of the more regrettable.
Why Not Him: I genuinely don't know.  He's considerably older than the average winner, and it's hard to imagine that someone hasn't pitched this idea before.  Is he refusing to accept (this doesn't seem like Redford-he showed up for the Honorary Oscar and the Kennedy Centers relatively recently so why refuse the AFI specifically)?  I've never gotten the impression he's a jerk off-screen (and it's not like that's stopped them before-I mean, Dustin Hoffman has won this award).  Honestly, I can't think of a real reason that he hasn't won, and will be perplexed by him not winning until he dies or finally gets the trophy-his recent retirement surely makes a strong case for giving him this, right?  As a result, I'm going with the obvious answer here even though I've predicted Redford before for this honor.

Tuesday, October 30, 2012

Leia is a Disney Princess

I do not spend my days randomly pretending I'm from Endor or Tatooine or that I'm about to blow up the Death Star.  Sure, I have a Harry Potter wand and the One Ring and have played the Lost numbers in the lottery and have a stack of Marvel comic books from when I was a kid and maybe a few from last week and have the Khaleesi's dragon egg (I'm aware I'm coming off as hyper-nerdy here, but when the shoe fits, it fits), but Star Wars has never been my cup of obsession.  I can appreciate them, and have learned to truly respect and admire Episodes IV and V, but I don't sit around hoping that I shall realize my Jedi mind powers.  I have more important things to do, like calling the post office to see if my Hogwarts acceptance letter simply got lost 15 years ago.

So I shouldn't have much of an opinion on the recent Disney merger, but I do, I just haven't formed it yet, so this is going to be a bit of free-form writing.  Part of me is depressed-George Lucas created something so wonderful with those first two movies (and Return of the Jedi hadn't spoiled it too much), that it's depressing to think that wonder, already so dimmed by the modern films and the television series and the incessant toy and game market, will further be dimmed by more movies.  Not everything needs to be a franchise-James Bond is the only franchise that should be constantly reinvented, and only after we've had the Bond for 4-5 movies.  Star Wars is fine with those six films-we don't need to redo or add even more movies, and we certainly don't need it to continue creating content for 100 years, as Lucas stated.  For the record, this is also true of Spider-Man, Batman, Superman, X-Men, and since it's going to happen soon whether we like it or not: Harry Potter, Twilight, Lord of the Rings, Hunger Games, and The Avengers can all be left alone forever or once the current franchises/actors are done; we've got what we needed from them, and if we want more, we'll go to Netflix and re-watch.

And yet, there's something to the, if they're going to do it, do it now sort of mentality.  Lucas won't direct, but he has signed on as a creative consultant, and he's not getting any younger.  There has always been the rumors of an Episode VII-IX, and whatever your feelings on Lucas (we all have opinions about him), the man created Star Wars, and it would be wrong to make the final three films without him.  Plus, let's face it-even if they're bad, we want to see what Lucas always envisioned for the series.  If it's true that he always planned nine episodes of the franchise, it'd be fascinating to see what he's still got left.

But that's where I as a filmgoer want it to end, and I know that Disney can't do that, so the ying to my excitement is a yang of depression.  There's too much money to be had in creating endless sequels and TV series and cartoons and remakes and a vast pit of other money-making schemes.  If any company knows how to both make pure magic (name a better movie than Pinocchio or Fantasia...still waiting), they also know how to mine that magic until there's nothing left.  Think of how many Tinkerbell and Lion King and Disney Princess direct-to-video sequels exist.  Everything that was fun about those movies has gotten flushed down the corporate greed toilet.  I have no problem with the toys and the bed sheets and the shampoo bottles-kids should be able to gravitate to a franchise even if it isn't the one that was intended for their generation, but why the sequels?  Why not leave the art-aspect of the filmmaking unspoiled?  Sadly even Disney's crown jewel, Pixar, has started to go the unnecessary sequel route (the only Pixar film that needed another sequel is The Incredibles, and it seems like that's the only one that's not getting one).

But this is falling on deaf ears, so I will enjoy the brief remaining moments when we get Episodes 7-9 and dread what will come next.  Thank you for listening to this movie fan's (and Star Wars admirer's) rant.

Thursday, June 06, 2024

OVP: Visual Effects (1999)

OVP: Best Visual Effects (1999)

The Nominees Were...


John Gaeta, Janek Sirrs, Steve Courtley, & Jon Thum, The Matrix
John Knoll, Dennis Muren, Scott Squires, & Rob Coleman, Star Wars Episode 1: The Phantom Menace
John Dykstra, Jerome Chen, Henry F. Anderson III, & Eric Allard, Stuart Little

My Thoughts: In 1999, the Visual Effects category was still in its "influx" years where it generally got 3 nominations, and that was the case in 1999.  The category, for me, features not just one of the tougher competitions of 1999, but in the history of the category.  Two of these films do very different things with the concept of visual effects, but they also inspired a generation of young filmmakers, one big, one hip, and they'd both be hugely influential on the future of the movies (including their own franchises).

The Matrix cost half as much as the first of the George Lucas sequels (to be fair, it also earned half as much...both of these movies were mammoth hits), and it's not groundbreaking in the way that Phantom Menace is.  What it does do, though, is take its effects with a signature flare.  Borrowing from the John Woo action films, the movie's stunt coordination combined with a signature use of green for much of the actual CGI really works.  This became iconic for a variety of reasons, but mostly because they made each action sequence increasingly more intense and fantastic, a glowing crescendo until the final face-off.

The Matrix is more stylish, but it's hard not to marvel at the sheer magnitude of The Phantom Menace.  The movie, with over 2000 individual effects shots, is a wonder to behold.  Growing from Lucas' original trilogy, they give us high-intensity lightsaber duels, and actual cities spun from the background with the melding of matte painting and CGI coming together in a really impressive combination.  The film also features Jar Jar Binks, which while the most polarizing (and offensive) character in the Star Wars catalog, he also is a really spectacular example of CGI (Dobby, Gollum, and Caesar that followed would not be possible without Jar Jar).

Stuart Little also features a major character that is completely drawn from animation, and while the film itself is not in the same league visually as the other two, that should count for something.  Stuart's fur is the real calling card here.  A few years before Monsters Inc would break ground for VFX, this film was doing similar work on a similar caliber.  I don't love the way that they handle the non-title characters, particularly the way the cats are handled (their speaking patterns are a bit cartoonish), but I totally get what Oscar was attempting here.

Other Precursor Contenders: We are in the era before the Visual Effects Society, so our only precursor to look at is BAFTA, which was five-wide, but also had one 1998 title.  They gave the statue to The Matrix against The Mummy, Sleepy Hollow, The Phantom Menace, and A Bug's Life, which was eligible for Oscar the previous year.  The Oscar shortlist in 1999 was The Mummy, Sleepy Hollow, The World is Not Enough, and Wild Wild West, and given that it made it for Sound (and was the kind of blockbuster that normally made a list like this), I have to assume that The Mummy was the fourth place finisher.
Films I Would Have Nominated: It certainly would've made my list.  The use of sand in this film, with the mummy's face coming out of the the desert floor, is really something, combined with the growing evolution of the title character.  What could've been cheesy was in fact a really well-crafted picture.
Oscar’s Choice: Oscar will frequently go for the biggest and the gaudiest...but what he really wants is to be cool.  And in 1999, there was nothing cooler than The Matrix, which ended up taking this statue over Star Wars.
My Choice: No one has ever accused me of being cool, and when it comes down to it-I was more impressed by what Phantom Menace did than what The Matrix did, even if both of them will make my ballot at the end of this season.  I'll give it to George Lucas, therefore, over Neo (Stuart Little gets the bronze).

And those are my thoughts-what are yours?  Are you going to stand behind me with Darth Vader's origins or do you want to take the red pill with Keanu?  Do you ever marvel at races like this, that feel like they're preordained now but were actually quite competitive at the time?  And why do you think that The Mummy couldn't make the cut here (I'm pulling out the "horror bias" card myself)?  Share below!

Also in 1999: MakeupPreviously, in 1999

Past Best Visual Effects Contests: 2000200120022003200420052006200720082009, 2010201120122013201420152016201720182019202020212022, 2023

Wednesday, July 01, 2026

Saturdays with the Stars: Harrison Ford

Each month of 2026 we are looking at an actor or actress who found their fame in action films, fighting bad guys & saving the day.  Last month, we spoke about Bruce Lee, an actor who (like Steve McQueen before him) died relatively young and forged a type of movie star that hadn't really been seen before.  This month, as promised, we are going to start a six-month run of actors who made virtually all of their successful films post-1975.  To start that, we'll begin with the one guy who did have two big movies before 1975 (American Graffiti & The Conversation), but who would become synonymous with two characters that would reshape the cinematic landscape after Jaws, and make him the movie star's movie star, an action hero that the whole family could root for, even if his prickly public demeanor might bristle at such superlatives.  This month's star is Harrison Ford.

Born in Chicago, Ford (like Bruce Lee last month) had a clear path before him if he followed his parents' footsteps into show business.  His mother was a radio actress, and his father a former actor & advertising executive.  He grew up in a mixed faith household, his mother being Jewish while his father was Irish-Catholic, and both were quite progressive, something that Ford would carry for the rest of his life (the rare action film star of the modern era that is very much a Democrat).  Though incredibly handsome, Ford's initial forays into entertainment were middling, getting bit roles in westerns while George Hamilton & James Caan (both roughly the same age as Ford) got top-billing in the same pictures.  So frustrated with acting was he that he had a side gig as a carpenter (one of his clients included writer Joan Didion), and were it not for George Lucas seeing his potential in American Graffiti, he might have made that his life.

But Lucas saw something in Ford that soon the entire world would, as he put him as Han Solo in Star Wars, a movie that would make him a household name, while Lucas (as a producer) a few years later would give Ford the role he might be most synonymous with, Indiana Jones.  These two movies launched highly lucrative franchises for Ford, but they were hardly the only movies that really commanded the public's attention.  Throughout the 1980's and 90's, Ford was one of the most bankable stars in Hollywood, particularly when it comes to launching action franchises.  So famous is Ford that part of me almost didn't want to include him here because I struggled to come up with four major films that I hadn't seen of his (according to Letterboxd, I have seen 28 of his films).  So while we won't review Star Wars and Indiana Jones (as I've seen them all many times), we will talk about them, alongside some of Ford's other biggest pictures of the era, including two forays into more serious acting.

Tuesday, September 16, 2014

The Triple Crown of Cinematic Life Achievement

Yesterday the Hollywood Foreign Press Association announced that movie star and frequent Sexiest Man Alive George Clooney was chosen to be their recipient of the Cecil B. DeMille Award.  Clooney, a fixture at the Globes, will surely give a great, funny speech, probably with more than one joke about how, at only 53 and as one of the biggest stars on the planet, he's hardly ready to be getting a lifetime achievement award.

And quite frankly, I'm kind of with hypothetical Clooney on this one.  I know that trying to figure out what is going on in the heads of the HFPA is a fool's errand, but seriously?  George Clooney?  He's not even Jodie Foster where he's been acting in major films since he was a teenager and so there's decades of work to rely on, covering up the fact that she also was far too young.  You just know that Julia Roberts, Tom Cruise, and Brad Pitt are coming in the next couple of years at this rate, and even they have all had more important cinematic careers than Clooney's!  There are so many other names that should have been listed, and so in honor of these missing names, I figured it was high time that we check in on the Triple Crown of Cinematic Life Achievement.

The Triple Crown of Life Achievement, for those of you too lazy to go to the above link (just kidding-love you!), is my name for those rare entertainers that have won the Kennedy Center Honor, AFI Life Achievement Award and the Cecil B. DeMille Award (I skip the SAG Life Achievement Award because it is pretty evenly split with television actors and because it is more for services to the industry than straight-up life achievement, though it's also a big deal-congratulations age-appropriate Debbie Reynolds on winning this year!).  In the past year (since we last checked in on this topic), we've seen an odd amount of movement on the list.  In the great news column, we had our 21st performer (and fourth woman) hit the triple crown, the one-and-only Shirley MacLaine, who got the Kennedy Center Honor this past year.  We also saw Tom Hanks complete his second leg of the tour, getting the Kennedy Center Honor (just the DeMille, oddly enough, is left, despite him being relatively young and that being the first leg for most performers).  And most exciting of all, we saw Lily Tomlin, Jane Fonda, Woody Allen, and yes, George Clooney, begin their journey toward the title.

On the other side, though, proving that there's a ticking clock for even the most accomplished of stars on completing the trio, we had four people pass away without completing the list: Lauren Bacall (missing AFI), Robin Williams (missing AFI/Kennedy), Shirley Temple Black (missing AFI/DeMille), and Ruby Dee (missing AFI/DeMille).  You have to assume that Williams in particular would have been able to complete at least one more award in the collection, maybe completing the circle.  Sadly, they all left us before we could finish honoring them.

Looking ahead, though, I want to take a peak at where we're at for the remaining contenders, starting with the eight people that are just one award away from completing the set.  Here we go!

Missing Only the DeMille: We'll start here since I'm royally peeved that George Clooney (who should have won in like fifteen years-I'm not a complete grump and wanting to deny him wholly) got what could have gone to a number of other, more age appropriate stars.  There are still four people that have somehow never won the DeMille (I'll put everyone's ages in parantheses): Tom Hanks (58), Meryl Streep (65), Mel Brooks (88), and Mike Nichols (82).  Of the four, I am certain that Meryl will win it at some point, even though Meryl has almost enough Golden Globe statues to make her own chess set with them (the DeMille could be the King!).  I am also confident that Hanks will win as soon as HFPA remembers they haven't given him a statue (I genuinely believe that they think they've already given him one-that's the only explanation for him winning after Clooney).  I am far more doubtful of both Brooks and Nichols, though Brooks especially is a huge miss for the Globes, considering he's been nominated four times and never won, and this would be a brilliant way to honor a comedic legend.

Missing Only the Kennedy Center: With Shirley MacLaine off of this list, we're now down to three men: Michael Douglas (69), Al Pacino (74), and Harrison Ford (72).  Last year I said MacLaine was the least likely to win of the four, and she was the first to do it, so this proves I know little, and so I'm going to second guess my thoughts from last year with Al Pacino are wrong, as he is slowly becoming less and less relevant and hasn't done what his peers like Robert Redford or Robert de Niro have done: staged an awards comeback.  However, Ford/Douglas/Pacino are incredibly famous movie stars and the Kennedy Center Honors has five recipients each year, including two typically for film, so this isn't particularly hard for them, but I think that Pacino is least likely to win this, with Douglas actually the most likely; he consistently makes movies and is extremely well-regarded in the industry (and for what it's worth, he's the youngest).  Ford doesn't have any Oscar-loving, which probably hurts him.  If he ever made a genuine play for another nomination, I think the accolades would come pouring in and he'd pull this off in the same way that Meryl did with The Iron Lady.

Missing Only the AFI Award: With the death of Lauren Bacall, we now only have one person who has won the DeMille and the Kennedy Center Honor but lost the AFI: Robert Redford (78).  Honestly, what's the hold-up here?  Redford's been a movie star for decades, is great behind-the-camera as well, continues to make important pictures like All is Lost and reinvented the independent cinema scene with Sundance.  Plus, he seems to be relatively well-liked.  I honestly don't get this-they need to jump on honoring him immediately (they haven't announced the 2015 winner-let's make it Redford).

Only has the Kennedy Center Honor: Here we run into a conundrum: the Kennedy Center Honors (and to a lesser extent, the DeMille Awards), honor not only for cinema but also television, theater, and the world of comedy.  As a result, we have people who are most noted for Broadway (James Earl Jones (83), Angela Lansbury (88)), stand-up (Lily Tomlin (75), Steve Martin (69)), and television (Oprah Winfrey (60)) who also have made significant contributions to cinema, though that may not be their primary claim to fame.  Because of this split in mediums, many of these people may stay in this first position indefinitely (though Martin could probably advance to at least the DeMille).  There's also Joanne Woodward (84), who won this award in conjunction with her husband Paul Newman (not to impugn Ms. Woodward, but that probably helped), as well as John Williams (82) who probably isn't famous enough with the mass public to win one of the other two awards.  Your best bet other than Martin to advance would surely be Julie Andrews (78), who would give a perfectly divine speech with the Globes if they let her, and is famous enough with the mass public to get them the ratings they're hoping to win.

Only has the DeMille: Considering that they generally go young with this award you have people like George Clooney (53) and Jodie Foster (51) who are infants in terms of these honors and have hopefully a couple of decades to inevitably win the next two trophies.  Time isn't necessarily the friend for reclusive stars like Doris Day (either 90 or 92, and don't you love that someone as famous as she can still hide her real age?), Gene Hackman (84), and Woody Allen (78), none of which would probably show up even if the Kennedy Center or AFI came a-knocking.  Anthony Hopkins (76) is getting up there in years and surprisingly hasn't parlayed his English sophistication into a Kennedy Center Honor, but considering he works constantly (we saw him earlier this year in Noah) he may just get there.  Finally, there's legendary Sophia Loren (79), whose lack of a Kennedy Center Honor is probably the strangest thing in this article after Tom Hanks missing the DeMille-surely the Kennedy Center Honors, which love to give trophies to artists from around the world, would like to honor the most famous Italian actress of all-time?

Only has the AFI Award: Tom Hanks moved on up from this classification, but in a bold move, we had a new name to this list (the AFI is the least likely of the three to go first): Jane Fonda (76) finally got some love for her many decades of filmmaking this past year with her win.  She's joined by George Lucas (70) as someone who has only won the AFI trophy, and while I suspect that Fonda will never get this entire circle (she's too controversial to get a government-issued award like the Kennedy Center Honor), she could still grab the DeMille and Lucas will surely get the Kennedy Center Honor before his career is over.

Hasn't Started Yet: I could list the likes of Roberts, Cruise, Bullock, Washington, and Pitt, but I'm going to stick with only people over the age of sixty (though Denzel actually hits that number in December so maybe it's about time to add him to the roster?).  Some names off the top of my head (there are surely more-share them in the comments): Diane Keaton (68), Samuel L. Jackson (65), Julie Christie (73/74-another mystery!), Glenn Close (67), Robert Duvall (83), Cher (68), Jeff Bridges (64), Maggie Smith (79), Faye Dunaway (73), Michael Caine (81), Judi Dench (79), Ellen Burstyn (81), Christopher Plummer (84), Bette Midler (68), Jessica Lange (65), Helen Mirren (69), Francis Ford Coppola (75), Catherine Deneuve (70), Sissy Spacek (64), Kathy Bates (66), Vanessa Redgrave (77), Arnold Schwarzenegger (67), Goldie Hawn (68), Norman Jewison (88), Rita Morena (82), Milos Forman (82), and Liza Minnelli (68).  And there are surely others...which again is why it is so sad that George Clooney, young, spritely, decades-left-of-his-career George Clooney was chosen this year.

But seriously, congratulations.