Film: Tin Pan Alley (1940)
Stars: Alice Faye, Betty Grable, Jack Oakie, John Payne
Director: Walter Lang
Oscar History: 1 nomination/1 win (Best Scoring*)
Snap Judgment Ranking: 2/5 stars
Each month, as part of our 2022 Saturdays with the Stars series, we highlight a different Classical Hollywood star who made their name in the early days of television. This month, our focus is on John Payne: click here to learn more about Mr. Payne (and why I picked him), and click here for other Saturdays with the Stars articles.
We're going to start our month devoted to John Payne by taking a look at his pre-war films. Payne's career didn't start at Fox, but for all-intents-and-purposes it might as well have. He made a few films at Warner Brothers in the 1930's, but none of them amounted to anything, and by the end of the decade he was finding himself going back to New York to work on Broadway. His contract with Fox, though, would dominate most of the 1940's, and at the beginning of that time, it was really focused on musicals. We oftentimes think of MGM as the home of most of the musicals of this era, and indeed, they made most of the classic ones. But Fox was making a massive business at the time in musicals, and Payne could sing. The only problem for Payne was when it came to Fox & musicals, there were only two names that mattered: Alice Faye and Betty Grable. Both of these women we've actually explored in past seasons of Saturdays with the Stars (which makes me stunned I haven't seen this film), but it's a good indication of the kind of career that Payne was enjoying heading into World War II...playing second fiddle to more important female stars on the Fox lot.
(Spoilers Ahead) The movie is about two business partners, Harry Calhoun (Oakie) and his handsome songwriting pal Skeets Harrigan (Payne), who have a hit song that they need a singer for, and they meet a sister vaudeville act in Katie (Faye) and Lily Blane (Grable). Skeets and Katie hit it off right away, forming a romance, but obstacles keeps getting in the way, first Skeets' ambition (at one point "accidentally" dropping a glass of wine on Lily so that Katie would get to sing their song) and later by true accident (when a more famous singer coopts the hit song that Skeets promises to Katie). When World War I breaks out, Harry & Skeets enlist, but can't help wanting to get back to see their girls one more time, and in the process, Katie unceremoniously dumps her fiancee, and instead rejoins Skeets, with promises of more success (and surely love) in their future after the war.
Fox musicals, unlike MGM musicals, are not exactly high-budget works of art, but instead they are an excuse to have excellent singers belt out classics. None of the four leads are having their voices dubbed (which was more common in MGM musicals as well), and some of them (specifically Faye, whom I am a huge fan of) are genuinely superb singers. This one doesn't have as many memorable songs as you'd hope, with the best being "Moonlight Bay" sung by Faye, and there's not a lot stringing them together other than a bit of Hollywood propaganda (lots of patriotism). As a result, that Oscar statue, even in a year of less-than-inspired competitors, feels a bit cheap (just give Pinocchio two music statues-it more than deserves it!).
Payne is fine here. As I mentioned above and in our biography kickoff earlier this week, Payne's career as a film star wasn't bereft of leading roles, but it was frequently a look at an actor who largely was there to make his more popular leading ladies look good. He does that here, looking handsome, but largely just being a place for Alice Faye's soulful eyes and heavenly voice to project onto...in many ways he resembled someone like Robert Taylor who was gorgeous, but didn't have a lot of opportunity to act. This was most of his career before the war, appearing as a romantic lead for Faye and Sonja Henie in hit Fox musicals. Next week, we're going to stick with a similarly-plotted film, one that even has one of this week's leading ladies, and talk about how World War II offered Payne a new role...though it might well have hurt his career.
No comments:
Post a Comment