Film: Comrade X (1940)
Stars: Clark Gable, Hedy Lamarr, Oskar Homolka, Felix Bressart, Eve Arden
Director: King Vidor
Oscar History: 1 nomination (Best Story)
Snap Judgment Ranking: 2/5 stars
Each month, as part of our 2022 Saturdays with the Stars series, we highlight a different Classical Hollywood star who made their name in the early days of television. This month, our focus is on Eve Arden: click here to learn more about Ms. Arden (and why I picked her), and click here for other Saturdays with the Stars articles.
Eve Arden's career was quite long. One of the advantages of being a character actress is that while she was never as big of a star as she was during her Our Miss Brooks days (we'll talk about that next week), she didn't have to worry about finding headlining vehicles & could go back to high-profile character work after her television success, unlike actors like Lucille Ball & Jack Benny who had largely eschewed supporting work. So today we're going to cover one of the many, many films that Arden made in the 1940's & will move into the 1950's next week with Arden. Arden spent much of the decade as a steady presence in the movies, frequently playing the best friend or assistant to one of the main characters. This is how she ended up getting her sole Oscar nomination, playing Joan Crawford's best friend in 1945's Mildred Pierce. Arden lost that Oscar to Anne Revere, but it served as a reminder of what a good performer she was, and makes her one of the only actors we're going to profile this year that got recognition of their talents from the Academy prior to making a big name for herself in television. I've seen Mildred Pierce before (Arden is quite good in it, if somewhat overshadowed by Crawford & Ann Blyth playing the worst daughter in film history), so I couldn't watch it for this project, so we're going to focus on another film that was cited by the Oscars in the 1940's, and weirdly (I pick all of these films months in advance) feels uncomfortably prescient of our current world situation: Comrade X.
(Spoilers Ahead) The movie takes place in the Soviet Union circa 1939, where Mac Thompson (Gable) is a reporter who is secretly writing under the pseudonym "Comrade X" writing scathing stories about the Soviet government and the situation in Moscow. Mac is blackmailed by his valet Vanya (Bressart) into keeping his identity secret, but only if Mac can figure out a way to get his daughter Theodore (Lamarr) out of the country, as her politics have made her a target for imprisonment. The problem for Mac is that Theodore doesn't want to leave-she's a devout communist, and is wholly devoted to the Soviet cause, so Mac has to trick her into thinking that he is anti-American. This unfolds primarily in one day, with Mac eventually marrying and falling in love (in that order) with Theodore, and by the end of the movie both of them are on the side of America, and particularly the Brooklyn Dodgers.
The movie is an unusual artifact if you study Hollywood's shifting attitudes toward Russia in the late-1930's and early-1940's. Comrade X, like the previous year's more successful Ninotchka, is very anti-Soviet and anti-Communist, making everyone, including Lamarr, look like idiots for supporting the Soviet government. This would change less than a year later when both the United States would enter World War II and Germany would invade Russia & Ukraine (in fact, there's a late plot point in Comrade X where a fictional invasion of Russia from Germany changes Theodore's mind about her country...weirdly predictive of real life), creating a temporary alliance with the United States that would lead briefly to pro-Soviet films like Song of Russia to come out...which would then be used later in the decade as grounds for HUAC investigations into a number of different actors & performers. Actor Robert Taylor, who starred in Song of Russia, would be the only major Hollywood star to publicly name names in front of Congress, in part because of his initial connection to this movie. But at the time, stars like Gable, Lamarr, & Arden were not put into a position that might have made their careers difficult later, as this film is very much about mocking the Soviet Union. And of course, in the decades that followed, Hollywood would continue to have an uneasy attitude toward depictions of Russia in everything from James Bond to the 1980's Cold War classics like WarGames...similar to the world's uneasy relationship with a combative Russia, a relationship still dominating headlines today.
Comrade X, though, isn't a particularly good movie. The story for which it was cited feels like a retread of Ninotchka, and doesn't have a lot to say beyond "Lamarr's character is stupid, Gable's is smart." It's helped a bit by Gable & Lamarr having good chemistry, and the supporting cast, specifically Arden as Gable's former flame & now fellow wise-cracking journalist, works well, but they can't save a pretty sloppy piece of anti-Russian cinema, which is focused more on casting stereotypes than grounding us in a real relationship between Gable & Lamarr. Arden, for the second time this month, is a key supporting player but not in a lot of the movie, just two extended sequences that are crucial to changing the tone of the movie. Next week, though, we're going to look at a movie from Arden where she would take the top of the marquee, and talk about how that came to pass.
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