Wednesday, October 02, 2013

Bechdel Test: Modern Family (Season 3)

Considering that the show recently won the top Emmy for Best Comedy, I thought it would be appropriate to make our next television series in the Bechdel Test Modern Family.  Because I actually hadn't seen all of the episodes in Season 3, I figured that I would take a look at that season.  This is fortuitous from a Bechdel Test perspective, because the show made the jump from four main speaking female characters to five (we add Lily this year, in addition to Alex, Haley, Claire, and Gloria).

I also thought it would be interesting to look at Season Three, because this is when the show started to grate a little bit for me.  Don't get me wrong-there's still a lot to love about the Emmy-winning series, but it's run into one of those ruts that television sitcoms hit when they aren't about twentysomethings: it doesn't allow room to grow.  With the exception of Haley, there's no character that can change their romantic status (I cannot fathom the writers doing something like separating one of the couples), and we now frequently see the same plots episode-after-episode.  This can cause some loss of love (at least for me), so I figured reviewing all of the episodes will decide if I'm just letting a couple of episodes poison my judgment or if the show truly has been headed downhill.


As a reminder, these are the criteria for passing the Bechdel Test:
1. The show needs to have two named characters.
2. The two characters need to talk to each other.
3. The conversation needs to last thirty seconds and be about something other than a man.  This thirty second rule is something that has been added specifically at the Many Rantings of John to ensure that a simple “hello”/”hello back” conversation doesn’t get a show an accidental pass.


Dude Ranch (#3.1)
So we have our first episode, and in what is always a bad sign, it is a Bechdel Test FAIL.  Claire, Haley, and Gloria all talk, but primarily about Dylan (the portions of Haley and Claire’s argument in the woods don’t add up to thirty seconds).  Overall, though, this is a solid start to the season-the continued “growing” up of the four kids, Cam and Mitchell deciding to have a second child, and Phil being Phil.

When Good Kids Go Bad (#3.2)
That’s more like it-we have our first PASS of the season, with Haley and Alex both discussing their living arrangement and fighting over Haley’s laughing.  The episode had a few great moments for Julie Bowen, but overall was pretty forgettable, as is the M.O. for the second episode of a season for a television series.

Phil on Wire (#3.3)
We get another PASS, and I’m actually pretty excited for this season and its potential to be our first passing grade.  Alex, Haley, and Claire on multiple occasions discuss math class and Alex-and-Haley’s relationship.  The rest of the episode had a pretty hilarious series of moments for Jesse Tyler Ferguson (reacting to Cam’s erratic dieting behavior…a feeling I can relate to at the moment).

Door to Door (#3.4)
The Cam and Gloria story was so cute-Blanche, Stanley, Stella-though I was disappointed no one pointed out that Mitchell would have finished off the quartet.  And the offensive line football joke from Alex was hilarious.  Overall, this was a funny and strong episode, and thanks to a cold open with Alex, Claire, and Haley discussing traffic, a girl named Carly, and makeup, it was a Bechdel PASS.

Hit and Run (#3.5)
One of my biggest issues with this show (I have several, despite being a fan overall) is that they repeat the same plot over-and-over again.  This has worked for years, I suppose, for shows like The Golden Girls, but haven’t we made it a little bit further in the world of sitcoms since then (I heart TGG, perhaps the only show that may have never passed the reverse Bechdel, but shouldn’t a show as filled with promise as Modern Family grow a little bit)?  We at least got a Bechdel Test PASS (many of them), with various conversations about politics, money, and fake driver’s licenses.

Go Bullfrogs! (#3.6)
This is more what I’m talking about-Claire accidentally hits on a straight guy, Cam and Mitchell find they’ve become far too old, and Jay becomes addicted to a Spanish soap opera.  Overall, this was a super episode, the best of the season.  We even got a PASS with Bethany, Holly, and Claire in Julie Bowen’s best scene in the series so far.

Treehouse (#3.7)
Six in a row!  Darlene and Gloria discuss salsa dancing, and Haley/Claire have multiple man-free conversations while discussing Haley’s college essays.  PASS!  Manny does get the best line of the episode (“you’re dancing, not invading Poland”).  And we got a great Bullets Over Broadway reunion with Chazz Palminteri and Jennifer Tilly playing a couple.  That said, the most interesting thing about the episode was the heteronormative conversation between Cam and Mitchell-I cannot say that this was a straight writer trying to pigeonhole gay people, as I’ve had the “I act straighter” conversation with many of my friends through the years.

After the Fire (#3.8)
The relationship between Jay and Phil is always a good source for laughs-it’s obvious that Jay likes the guy, but Phil’s constant need for approval is still funny (Ty Burrell was one of the best finds from this series).  Otherwise, a relatively forgettable episode, though we have a PASS with Alex and Haley discussing Alex’s wardrobe and Gloria and Claire discuss their testy relationship.

Punkin Chunkin (#3.9)
This episode is one of the best illustrations of one of the main reasons that I run hot-and-cold with this show.  Cam, Phil, and Gloria always win the arguments, particularly Cam.  There is almost never an argument that Cam engages in with Mitchell where Cam ends up the bad guy.  Claire has her Halloween and Jay has his Stella, but Mitchell is always the stick-in-the-mud.  It makes me mad also because in real life, while Gloria/Jay would work and Phil/Claire would work (they both are similar in odd ways), Cam and Mitchell would have never stayed together this long.  Diatribe done, and another PASS, with Alex, Haley, and Claire discussing college visits and Claire’s car.

Express Christmas (#3.10)
“Express Christmas” did one of my favorite things that a long-running sitcom can do: it mixed up the traditional pairings of the characters and gave us new chemistry and fresh stories.  Seriously, with a cast as full as Modern Family (eleven major characters strong), the possibilities are endless, even though they rarely take advantage: here we had Jay/Cam, Mitchell/Alex, Gloria/Luke, and Phil/Manny all giving one of the best episodes of the season.  And with some highly attractive product placement, Haley and Claire’s Target run got us yet another PASS.

Lifetime Supply (#3.11)
The hypochondriac in me adored this episode, with Phil fretting about a call from the doctor that boiled down to absolutely no major issue.  The rest of the episode was pretty disappointing, though; we didn’t get enough of Gloria trying to teach Haley Spanish (genius, and also PASS!), and yet another Cam/Mitchell fight where Mitchell comes out the loser.

Egg Drop (#3.12)
We were actually touch-and-go on the Bechdel Test up until the closer to the episode, when Haley and Alex (kind of) discussed their relationship with Claire.  PASS.  The rest of the episode got into a weird area with Phil/Gloria-he clearly has a crush on her, which seems wildly inappropriate even though it’s totally innocent.

Little Bo Bleep (#3.13)
I really wish that Claire had ended up winning the election.  I loved seeing her in a different environment, and the debate was classic Modern Family, as was the profane Lily (I adore that Lily is kind of a brat, and that they are now embracing this).  We also got perhaps the strongest message yet from a Bechdel Test PASS in any of our episodes, with Alex cheering on her mom’s campaign for public office.

Me? Jealous? (#3.14)
I just remembered that my TiVo didn’t work a bit during this season, so this was a new-to-me episode, so I’m instantly going to be a bit kinder.  I thought the story about Luke (err…Betty Luke) being jealous of his two sisters because Haley was being a Big Sister to a girl named Annie (PASS on their homework discussion) was too precious for words.  And Gloria and Cameron fighting in the kitchen was equally delightful.  Less so was the story about Mitchell (always the brunt, always apologizing) and his dad arguing about Jay being a fan of Mitchell’s celebrity client.

Aunt Mommy (#3.15)
Another new to me episode, and I have to say, I’m not on the side of the show’s writers here.  I know a number of gay couples who have done the sister donating the egg so that both sides are represented biologically.  I won’t be able to do it (thank you Mom for having all boys), but it’s a nice thought anyway.  We did get a Bechdel PASS, though I almost missed it (Claire, Haley, and Alex talk about how they were able to clean the house with Claire away).

Virgin Territory (#3.16)
Watching Modern Family I am so stunned how bizarre it is that we’ve taken so long to get to a Bechdel passing grade in our web series.  I lost count during this episode how frequently we passed (I think it was at least three times, include one with Lily and Alex discussing dolls, marking what might be our first Bechdel PASS with Lily).

Also, I have to give credit where it’s due, and this episode was a home run for Eric Stonestreet, by far my favorite episode of his so far this season-it was funny, clever, a little diva-ish without descending into camp.  If this is the episode he submitted for the Emmy Awards, I may forgive them slightly for giving him the trophy over Ed O’Neill’s stellar work.

Leap Day (#3.17)
After what is certainly our longest streak ever in our Bechdel series, I have to give this episode a FAIL.  The show does have women talking around each other for more than thirty seconds, but Haley, Alex, and Claire, while discussing their periods (also, really-an episode making women look irrational during the periods?  Is this 1991?), always were directing their conversations toward men (primarily Luke and Phil).  So it’s a no go.  Overall this was an episode I disliked quite a bit-it showed what I hate most about the show: repetitive storylines (Claire is irrational-how original!), lack of character growth (how many times does Gloria need to learn that Jay is better for her than Javier?), and the same people always losing arguments (Mitchell spent weeks planning a beautiful party for Cam, and yet he still ends up having to learn the “lesson”).

Send Out the Clowns (#3.18)
We’re back on track, Bechdel-wise: Claire, Alex, and Haley discuss Facebook and Claire’s (unanswered) Facebook request, so PASS.  We also got the return of Fizbo (yawn) and a story about one of Manny’s friends having a thing for Gloria (yawn…and duh).  And for those who have been missing The New Normal, Ellen Barkin oddly played a real estate agent in this episode too.

Election Day (#3.19)
This episode posed an interesting dilemma for me.  On the one hand, Claire losing is fairly realistic-she was a longshot candidate and had made a number of mistakes on the campaign trail.  On the other hand, the show is in desperate need of some character growth, and this would have given it.  Either way, Haley and Claire’s discussion about their mutual failures gives us another PASS.

The Last Walt (#3.20)
I liked this episode quite a bit, again because the show mixed up the regular formula and had multiple people interacting with each other that don’t normally.  Gloria and Haley got us our Bechdel Test PASS with a discussion about a party that Haley was throwing (otherwise we were pretty tight on the Bechdel Test-I had to go and double check but we barely made it).  The best part of the episode was their two interactions-the last scene, with Sofia Vergara scolding Haley for not following the rules and Manny for following the rules was a solid way of showing off her comedic chops-I couldn’t stop laughing.  Her equal was oddly Ed O’Neill (the show’s MVP), who had a surprisingly realistic conversation with Cam’s father about the struggles of having a gay son.  It was pretty revealing, and in a television environment that stresses high tolerance, a solid and honest moment between two men.

Planes, Trains, and Cars (#3.21)
In what was a rather lovely episode all around, everyone stuck strictly to their family units, and so as a result we had only our third FAIL of the season.  The best part of the episode was Claire, taking a hike up the coast in a sports car and doing gymnastics at the most beautiful deserted beach on the planet (seriously, either ABC bribed the parks officials to clear the area or Californians need to get out and enjoy life more).

Disneyland (#3.22)
Another FAIL (our first back-to-back one), with Alex, Haley, and Claire all talking, but only about Dylan and Ethan.  Otherwise, this is one of those episodes that technically worked, even though it was basically a 22-minute commercial for Disneyland.  But I like Disneyland, so I’m good.

Tableau Vivant (#3.23)
We definitely got a PASS during the living art exhibit, where all five of the MF women discussed their respective dilemmas.  The rest of the episode seemed pretty petty and repetitive, and so like the series seemed to do with this episode, let’s just jump to the finale.

Baby on Board (#3.24)
And we’ll end with, well, a letdown.  We got a PASS with Haley and Claire discussing Haley’s future (as well as some discussions between Claire and Alex about Prom), but overall I really didn’t like this ending.  Sure, we got some progression (Gloria being pregnant is probably the biggest change the series has made throughout its run so far), but I felt like the Cam/Mitch adoption thing was a cop-out.  I didn’t feel as bad for them because the adoption story kind of got short-shift throughout the season (it hadn’t been mentioned in such a long time).

Final Scorecard
Bechdel Test: 20/24 (83%)
Bechdel Grade: B

Hooray!  I'm so excited that we finally passed the Bechdel Test!  While I stand by my claims that this was an uneven season, I am really glad that we were able to pass the test for the first time.  This is particularly vindicating because like most of the shows that we have looked at, this is an ensemble of both genders-there are equal amounts of men and women, and yet they still had little trouble getting our first passing grade.

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